Watermill (ballet)
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Watermill (ballet)
''Watermill'' is a ballet by New York City Ballet balletmaster Jerome Robbins to Teiji Ito's eponymous music from the previous year with costumes by Patricia Zipprodt, lighting by Jennifer Tipton and décor by Robbins in association with Davie Reppa. The premiere took place on Thursday, February 3, 1972, at the New York State Theater, Lincoln Center. Original cast * Penny Dudleston * Tracy Bennett *Deni Lamont *Colleen Neary *Edward Villella *Hermes Conde *Jean-Pierre Frohlich *Bart Cook *Victor Castelli *Robert Maiorano References *''Playbill'', New York City Ballet, Friday, May 2, 2008 *''Repertory Week'', New York City Ballet, Spring season, 2008 repertory, week 1 Articles NY Timesby Donal Henahan, February 10, 1972NY Timesby Clive Barnes, February 13, 1972 NY Timesby Clive Barnes, May 8, 1972NY Timesby Anna Kisselgoff, June 3, 1990 Reviews NY Timesby Clive Barnes, February 4, 1972 NY Timesby Alastair Macaulay Alastair Macaulay is an English writer ...
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New York City Ballet
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946. History In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it."Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan"
(review of Martin Du ...
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Jean-Pierre Frohlich
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946. History In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it."Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan"
(review of Martin Duberman, ...
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Ballets To The Music Of Teiji Ito
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ''b ...
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1972 Ballet Premieres
{{DEFAULTSORT:1972 ballet premieres, List of *1972 ballet premieres, List of Lists of ballet premieres by year Lists of 1970s ballet premieres Ball A ball is a round object (usually spherical, but can sometimes be ovoid) with several uses. It is used in ball games, where the play of the game follows the state of the ball as it is hit, kicked or thrown by players. Balls can also be used f ...
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New York City Ballet Repertory
New is an adjective referring to something recently made, discovered, or created. New or NEW may refer to: Music * New, singer of K-pop group The Boyz Albums and EPs * ''New'' (album), by Paul McCartney, 2013 * ''New'' (EP), by Regurgitator, 1995 Songs * "New" (Daya song), 2017 * "New" (Paul McCartney song), 2013 * "New" (No Doubt song), 1999 *"new", by Loona from '' Yves'', 2017 *"The New", by Interpol from ''Turn On the Bright Lights'', 2002 Acronyms * Net economic welfare, a proposed macroeconomic indicator * Net explosive weight, also known as net explosive quantity * Network of enlightened Women, a conservative university women's organization * Next Entertainment World, a South Korean film distribution company Identification codes * Nepal Bhasa language ISO 639 language code * New Century Financial Corporation (NYSE stock abbreviation) * Northeast Wrestling, a professional wrestling promotion in the northeastern United States Transport * New Orleans Lakefront Ai ...
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Ballets By Jerome Robbins
Jerome Robbins (born Jerome Wilson Rabinowitz; October 11, 1918 – July 29, 1998) was an American dancer, choreographer, film director, theatre director and producer who worked in classical ballet, on stage, film, and television. Among his numerous stage productions were '' On the Town'', ''Peter Pan'', ''High Button Shoes'', ''The King and I'', ''The Pajama Game'', '' Bells Are Ringing'', ''West Side Story'', ''Gypsy'', and '' Fiddler on the Roof''. Robbins was a five-time Tony Award-winner and a recipient of the Kennedy Center Honors. He received two Academy Awards, including the 1961 Academy Award for Best Director with Robert Wise for ''West Side Story'' and a special Academy Honorary Award for his choreographic achievements on film. A documentary about Robbins's life and work, ''Something to Dance About'', featuring excerpts from his journals, archival performance and rehearsal footage, and interviews with Robbins and his colleagues, premiered on PBS in 2009 and won b ...
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Alastair Macaulay
Alastair Macaulay is an English writer and dance critic. He was the chief dance critic for ''The New York Times'' from 2007 until he retired in 2018. He was previously chief dance critic at ''The Times'' and Literary Supplement and chief theater critic of the ''Financial Times'', both of London. He founded the British quarterly ''Dance Theater Journal'' in 1983. He writes that his first morning in New York City was before September 1981. In addition to his roles as critic, Macaulay has written for ''The New Yorker'' and also published a biography on Margot Fonteyn. In 2000, he wrote ''Matthew Bourne and His Adventures in Dance: Conversations with Alastair Macaulay'' with Matthew Bourne. Macaulay was named one of the New York Public Library for the Performing Arts' Jerome Robbins Dance Division Fellows in 2017. As of 2019, Macaulay was an instructor at the 92nd Street Y in New York City. Macaulay started a controversy in 2010 when he disparagingly commented on the weight of ballet ...
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Anna Kisselgoff
Anna Kisselgoff (born 12 January 1938) is a dance critic and cultural news reporter for ''The New York Times''. She began at the ''Times'' as a dance critic and cultural news reporter in 1968, and became its Chief Dance Critic in 1977, a role she held until 2005. She left the ''Times'' as an employee at the end of 2006, but still contributes to the paper. Biography She was born on 12 January 1938 in Paris. Kisselgoff began studying ballet at the age of four in New York City with Valentina Belova, and later for nine years with Jean Yazvinsky. She graduated from Bryn Mawr College, and then studied French History at the Sorbonne and Russian at the School of Oriental Languages in Paris. Later, she received an M.A. in European History and an M.A. in journalism at Columbia University. Before joining ''The New York Times'', she wrote features and dance reviews as a freelancer for the New York Times International Edition and worked at the English desk of Agence France-Presse in Paris. ...
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Clive Barnes (critic)
Clive Alexander Barnes (13 May 1927 – 19 November 2008) was an English writer and critic. From 1965 to 1977, he was the dance and theater critic for ''The New York Times'', and, from 1978 until his death, ''The New York Post.'' Barnes had significant influence in reviewing new Broadway productions and evaluating the international dancers who often perform in New York City. Life and career Born in Lambeth, London, Barnes was educated at Emanuel School in Battersea and St Catherine's College, Oxford. He was the dance and drama critic at the ''New York Post'' from 1978 until 2008, and senior consulting editor at ''Dance Magazine'', where he wrote a monthly column called "Attitudes." He also contributed regularly to the British journal ''Dance Now;'' he edited and wrote for British newspapers such as ''The Times,'' ''The Daily Express'', and the weekly magazine '' Spectator''. Barnes authored and contributed to numerous books related to theater and the performing arts, particul ...
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Donal Henahan
Donal Henahan (February 28, 1921 – August 19, 2012) was an American music critic and journalist who had lengthy associations with the ''Chicago Daily News'' and ''The New York Times''. With the ''Times'' he won the annual Pulitzer Prize for Criticism in 1986; he had been a finalist in 1982. Life and career Born in Cleveland, Ohio, Henahan initially studied at Kent State University and Ohio University, but his education was interrupted by military service during World War II. As a fighter pilot in the United States Army Air Forces from 1942 to 1945, he attained the rank of first lieutenant and was awarded the Air Medal with four oak leaf clusters. After the war, he entered Northwestern University, where he received his undergraduate degree in 1948. In 1949, he entered the University of Chicago to pursue graduate studies, and from 1951 to 1958 he studied piano, singing, and classical guitar at the Chicago School of Music at Roosevelt University.Fischer, p. 283. He later pursue ...
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Playbill
''Playbill'' is an American monthly magazine for theatergoers. Although there is a subscription issue available for home delivery, most copies of ''Playbill'' are printed for particular productions and distributed at the door as the show's program. ''Playbill'' was first printed in 1884 for a single theater on 21st Street in New York City. The magazine is now used at nearly every Broadway theatre, as well as many Off-Broadway productions. Outside New York City, ''Playbill'' is used at theaters throughout the United States. As of September 2012, its circulation was 4,073,680. History What is known today as ''Playbill'' started in 1884, when Frank Vance Strauss founded the New York Theatre Program Corporation specializing in printing theater programs. Strauss reimagined the concept of a theater program, making advertisements a standard feature and thus transforming what was then a leaflet into a fully designed magazine. The new format proved popular with theatergoers, who s ...
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Robert Maiorano
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be u ...
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