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Watch The Birdie (1950 Film)
''Watch the Birdie'' is a 1950 American comedy film directed by Jack Donohue and starring Red Skelton, Arlene Dahl and Ann Miller. Plot Rusty Cammeron is a clumsy photographer in debt who owns a shop with his father and grandfather. After speaking with a customer, Rusty hatches a plan to try to take candid pictures of the rich and famous. While attempting to photograph heiress Lucia Corlane, Rusty loses his expensive camera. Lucia feels somewhat responsible for the mishap and likes Rusty. She arranges for him to take pictures and film of her business interest, a new housing subdivision called Lucky Vista. Rusty fumbles the assignment but unknowingly films Lucia's estate's manager Grantland Farns and a banker named Shanway discussing their stake in Lucky Vista and how they are going to swindle Lucia. Rusty snaps publicity photos of the glamorous Miss Lucky Vista, a woman who has been paid by Farns and Shanway to stage a compromising situation with Rusty for Lucia to witness. Ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Donohue (director)
John Francis Donohue (November 3, 1908 – March 27, 1984) was an American film actor, screenwriter, director, producer, composer, and choreographer. Some of his movie directing roles include '' Babes in Toyland'' (1961), ''Marriage on the Rocks'', (1965), and ''Assault on a Queen'', (1966). Some of his television directing roles include '' The Frank Sinatra Show'', ''The Colgate Comedy Hour'', ''The Red Skelton Show'', and ''The Dean Martin Show''. Career Donohue began his career in the 1920s as a dancer and choreographer for the Ziegfeld Follies. This all resulted when he broke his leg while working as an iron worker. Doctors suggested that he exercise, such as dancing, to strengthen his broken limbs. He did and started dancing with Ziegfeld in 1927. Shortly after his gig with Ziegfeld, he went on to dance in Vaudeville until the 1930s when he went to Hollywood. During the 1930s and the 1940s, Donohue switched between Hollywood and Broadway. In Hollywood he taught Shir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Crehan
Joseph A. Creaghan (July 15, 1883 – April 15, 1966) was an American film actor. He appeared in more than 300 films between 1916 and 1965, and notably played Ulysses S. Grant nine times between 1939 and 1958, most memorably in ''Union Pacific'' and ''They Died with Their Boots On''. Early life Born in Baltimore, Maryland. he was the son of Mr. and Mrs. Mathew Crehan. He attended Calvert Hall College and Kent College of Law but left the latter because of his stronger interest in drama. Early in his career, Crehan worked in light comedy. He was in his late 30s when he began doing character roles. Career Crehan's Broadway credits include ''Twentieth Century'' (1932), ''Lilly Turner'' (1932), ''Angels Don't Kiss'' (1932), ''Those We Love'' (1930), ''Sweet Land of Liberty'' (1929), ''Merry Andrew'' (1929), ''Ringside'' (1928), and ''Yosemite'' (1914). Crehan often played alongside Charles C. Wilson with whom he is sometimes confused. In 1961, credited as "Joe Crehan", he a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Jack Donohue
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metro-Goldwyn-Mayer Films
This is a list of feature films originally released and/or distributed by Metro-Goldwyn-Mayer (to include MGM/UA Entertainment Co., MGM/UA Communications Co., MGM–Pathe Communications Co. and MGM/UA Distribution Co.). This list does not include films from United Artists before it merged with MGM (except for co-productions), nor does it include other studios that MGM acquired (such as Orion Pictures, The Samuel Goldwyn Company, Cannon Films). The pre-May 1986 Metro-Goldwyn-Mayer catalogue is owned by Warner Bros. Discovery through the Turner Entertainment Co. Lists The films are divided into lists by decade: * List of Metro-Goldwyn-Mayer films (1924–1929) * List of Metro-Goldwyn-Mayer films (1930–1939) * List of Metro-Goldwyn-Mayer films (1940–1949) * List of Metro-Goldwyn-Mayer films (1950–1959) * List of Metro-Goldwyn-Mayer films (1960–1969) * List of Metro-Goldwyn-Mayer films (1970–1979) * List of Metro-Goldwyn-Mayer films (1980–1989) * List of Metro-Goldw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Black-and-white Films
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Comedy Films
American comedy films are comedy films produced in the United States. The genre is one of the oldest in American cinema; some of the first silent movies were comedies, as slapstick comedy often relies on visual depictions, without requiring sound. With the advent of sound in the late 1920s and 1930s, comedic dialogue rose in prominence in the work of film comedians such as W. C. Fields and the Marx Brothers. By the 1950s, the television industry had become serious competition for the movie industry. The 1960s saw an increasing number of broad, star-packed comedies. In the 1970s, black comedies were popular. Leading figures in the 1970s were Woody Allen and Mel Brooks. One of the major developments of the 1990s was the re-emergence of the romantic comedy film. Another development was the increasing use of " gross-out humour". History 1895–1930 Comic films began to appear in significant numbers during the era of silent films, roughly 1895 to 1930. The visual humour of many of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1950 Comedy Films
Year 195 ( CXCV) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Scrapula and Clemens (or, less frequently, year 948 '' Ab urbe condita''). The denomination 195 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus has the Roman Senate deify the previous emperor Commodus, in an attempt to gain favor with the family of Marcus Aurelius. * King Vologases V and other eastern princes support the claims of Pescennius Niger. The Roman province of Mesopotamia rises in revolt with Parthian support. Severus marches to Mesopotamia to battle the Parthians. * The Roman province of Syria is divided and the role of Antioch is diminished. The Romans annexed the Syrian cities of Edessa and Nisibis. Severus re-establish his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1950 Films
The year 1950 in film involved some significant events. __TOC__ Top-grossing films (U.S.) The top ten 1950 released films by box office gross in North America are as follows: Events * January 13 – Three weeks after its world premiere at the Paramount and Rivoli theatres in New York City, Cecil B. DeMille's ''Samson and Delilah'' opens in Los Angeles. The film is a massive commercial success and wins the awards for Best Art Direction and Best Costume Design at the 23rd Academy Awards. * February 15 – Walt Disney Studios' animated film ''Cinderella'' debuts. The film is the most successful the studio has made since ''Dumbo'', and saves the studio from four million dollars in debt. * July 19 – Walt Disney Studios' first completely live-action film ''Treasure Island'' debuts. Awards Top ten money making stars Notable films released in 1950 US unless stated # *'' 47 morto che parla'', starring Totò – (Italy) *''711 Ocean Drive'', starring Edmond O'Brien and J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Eager
''Johnny Eager'' is a 1941 film noir directed by Mervyn LeRoy and starring Robert Taylor, Lana Turner and Van Heflin. Heflin won an Academy Award for Best Supporting Actor. The film was one of many spoofed in ''Dead Men Don't Wear Plaid'' (1982). Plot Johnny Eager ( Robert Taylor) masquerades as a taxi driver for his gullible parole officer, A. J. Verne (Henry O'Neill), but in reality, he is the ruthless head of a powerful gambling syndicate. Verne introduces him to socialite Lisbeth "Liz" Bard (Lana Turner), a sociology student. Johnny and Liz are attracted to each other, but then he discovers that she is the stepdaughter of his longtime nemesis, John Benson Farrell ( Edward Arnold). As a crusading prosecutor, Farrell was responsible for sending Johnny to prison, and now as the district attorney, he has gotten an injunction preventing Johnny's expensive dog racing track from opening. Johnny decides to use Liz as leverage against her stepfather. When she comes to see him, he has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boom Town (film)
''Boom Town'' is a 1940 American Western film starring Clark Gable, Spencer Tracy, Claudette Colbert, and Hedy Lamarr, and directed by Jack Conway. The supporting cast features Frank Morgan, Lionel Atwill, and Chill Wills. A story written by James Edward Grant in ''Cosmopolitan'' magazine entitled "A Lady Comes to Burkburnett" provided the inspiration for the film. The film was produced and released by Metro-Goldwyn-Mayer. Plot "Big John" McMasters and "Square John"/"Shorty" Sand are two down-on-their-luck oil wildcatters who join forces. Without enough money, they steal drilling equipment from a skeptical Luther Aldrich. Their well proves a bust and they have to hastily depart when Aldrich shows up with the sheriff to take back his property. The two oilmen team up and make enough money to partially pay Aldrich. To get him to back them for a second try, they cut him in for a percentage of the well. This time, they strike it rich. When Elizabeth "Betsy" Bartlett shows up, McMast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buster Keaton
Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and filmmaker. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, ''Entertainment Weekly'' recognized Keaton as the seventh-greatest film director, and in 1999 the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema. Working with independent producer Joseph M. Schenck and filmmaker Edward F. Cline, Keaton made a series of successful two-reel comedies in the early 1920s, including ''One Week'' (1920), '' The Playhouse'' (1921), '' Cops'' (1922), and ''The Electric House'' (1922). He then moved to feature-leng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cameraman
''The Cameraman'' is a 1928 American silent romantic comedy film directed by Edward Sedgwick and an uncredited Buster Keaton. The picture stars Keaton and Marceline Day. ''The Cameraman'' was Keaton's first film with Metro-Goldwyn-Mayer. It is considered by fans and critics to be Keaton still in top form, and it was added to the National Film Registry in 2005 as being deemed "culturally, historically, or aesthetically significant." Within a little over a year, however, MGM would take away Keaton's creative control over his pictures, thereby causing drastic and long-lasting harm to his career. Keaton was later to call the move to MGM "the worst mistake of my career." Plot Buster, a sidewalk tintype portrait photographer in New York City, develops a crush on Sally, a secretary who works for MGM Newsreels. To be near her, he purchases an old film camera, emptying his bank account, and attempts to get a job as one of MGM's cameramen. Harold, an MGM cameraman who has designs on Sall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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