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Washington Savoyards
Washington Savoyards was a professional musical theatre company based in Washington, D.C. Founded in 1972, the company annually produced three fully staged musicals and operettas, usually including at least one Gilbert and Sullivan production each year. It performed at the Duke Ellington School and the Atlas Performing Arts Center. The company suspended performances in 2012. Description of the company The company was formed in 1972 as the Montgomery Savoyards but changed its name in 1981, since its performers, musicians and patrons were drawn from all over the Washington, D.C. metropolitan area. For its first three decades, the company performed primarily the operas of Gilbert and Sullivan. It began performing in church halls and Montgomery Blair High School. In 1982, it moved to the Trinity Theatre in Georgetown, Washington. In 1987, it transferred to the Duke Ellington Theatre at the Duke Ellington School for the Arts, also in Georgetown, which served as its home for ten years.P ...
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Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ...
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American Opera Companies
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * B ...
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Musical Groups Established In 1972
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ...
, the ability to perceive music or to create music * {{Music disambiguation ...
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The Rocky Horror Show
''The Rocky Horror Show'' is a musical with music, lyrics and book by Richard O'Brien. A humorous tribute to the science fiction and horror B movies of the 1930s through to the early 1960s, the musical tells the story of a newly engaged couple getting caught in a storm and coming to the home of a mad transvestite scientist, Dr Frank-N-Furter, unveiling his new creation, Rocky, a sort of Frankenstein-style monster in the form of an artificially made, fully grown, physically perfect muscle man complete "with blond hair and a tan". The show was produced and directed by Jim Sharman. The original London production of the musical was premièred at the Royal Court Theatre (Upstairs) on 19 June 1973 (after two previews on 16 and 18 June 1973). It later moved to several other locations in London and closed on 13 September 1980. The show ran for a total of 2,960 performances and won the 1973 ''Evening Standard'' Theatre Award for Best Musical. Songs in the musical include "Time Warp" ...
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A Grand Night For Singing
''A Grand Night for Singing'' is a musical revue showcasing the music of Richard Rodgers and the lyrics of Oscar Hammerstein II. Featuring songs from such lesser-known works as '' Allegro'', ''Me and Juliet'', ''State Fair'', and ''Pipe Dream'', modest successes like ''Flower Drum Song'' and hits like '' Carousel'', ''Oklahoma!'', ''The King and I'', '' South Pacific'', ''Cinderella'' and ''The Sound of Music'', it originally was presented cabaret-style at Rainbow & Stars at the top of Rockefeller Center. After 41 previews, the Broadway production, directed by Walter Bobbie (who wrote the minimal book linking the tunes) and choreographed by Pamela Sousa, with vocal arrangements by Fred Wells and orchestrations by Michael Gibson and Jonathan Tunick, opened on November 17, 1993, at the Criterion Center Stage Right, where it ran for 52 performances. Victoria Clark, Jason Graae, Alyson Reed, Martin Vidnovic, and Lynne Wintersteller comprised the cast. Martin Vidnovic is replace ...
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Rodgers & Hammerstein
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their popular Broadway productions in the 1940s and 1950s initiated what is considered the "golden age" of musical theater. Gordon, John Steele''Oklahoma'!'. Retrieved June 13, 2010 Five of their Broadway shows, ''Oklahoma!'', ''Carousel'', '' South Pacific'', ''The King and I'' and ''The Sound of Music'', were outstanding successes, as was the television broadcast of ''Cinderella'' (1957). Of the other four shows that the team produced on Broadway during their lifetimes, ''Flower Drum Song'' was well-received, and none was an outright flop. Most of their shows have received frequent revivals around the world, both professional and amateur. Among the many accolades their shows (and film versions) garnered were thirty-four Tony Awards, fifteen Academy Aw ...
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The Music Man
''The Music Man'' is a musical with book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey. The plot concerns con man Harold Hill, who poses as a boys' band organizer and leader and sells band instruments and uniforms to naïve Midwestern townsfolk, promising to train the members of the new band. Harold is no musician, however, and plans to skip town without giving any music lessons. Prim librarian and piano teacher Marian sees through him, but when Harold helps her younger brother overcome his lisp and social awkwardness, Marian begins to fall in love with him. He risks being caught to win her heart. In 1957, the show became a hit on Broadway, winning five Tony Awards, including Best Musical, and running for 1,375 performances. The cast album won the first Grammy Award for Best Musical Theater Album and spent 245 weeks on the Billboard charts. The show's success led to Broadway and West End revivals, a popular 1962 film adaptation and a 200 ...
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Helen Hayes Award
The Helen Hayes Awards are theater awards recognizing excellence in professional theater in the Washington, D.C. area since 1983. The awards are named in tribute of Helen Hayes, who is also known as the "First Lady of American Theatre." They are presented by Theatre Washington (formerly known as the Helen Hayes Awards organization), sponsored by TodayTix, a ticketing company, and supported in part by the DC Commission on the Arts and Humanities, The Morris and Gwendolyn Cafritz Foundation, The Max and Victoria Dreyfus Foundation, The Share Fund, Prince Charitable Trust, and Craig Pascal and Victor Shargai. History In 1983, together with producing partner Arthur Cantor and ''Washington Post'' critic emeritus Richard L. Coe, Broadway producer Bonnie Nelson Schwartz presented a plan for strengthening and cultivating theatre in her home city, Washington, D.C., to the first lady of the American theatre and native Washingtonian, Helen Hayes, who embraced the idea. The Washington ...
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Man Of La Mancha
''Man of La Mancha'' is a 1965 musical with a book by Dale Wasserman, music by Mitch Leigh, and lyrics by Joe Darion. It is adapted from Wasserman's non-musical 1959 teleplay ''I, Don Quixote'', which was in turn inspired by Miguel de Cervantes and his 17th-century novel ''Don Quixote''. It tells the story of the "mad" knight Don Quixote as a play within a play, performed by Cervantes and his fellow prisoners as he awaits a hearing with the Spanish Inquisition. The work is not and does not pretend to be a faithful rendition of either Cervantes' life or ''Don Quixote''. Wasserman complained repeatedly about people taking the work as a musical version of ''Don Quixote''. The original 1965 Broadway production ran for 2,328 performances and won five Tony Awards, including Best Musical. The musical has been revived four times on Broadway, becoming one of the most enduring works of musical theatre.
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The Merry Widow
''The Merry Widow'' (german: Die lustige Witwe, links=no ) is an operetta by the Austro-Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play, (''The Embassy Attaché'') by Henri Meilhac. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the " Vilja Song", "" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz". Background In 1861, Henri Meilhac premiered a comic play in Paris, (''The Embassy Attaché''), in which the Parisian ambassador of a poor German grand duchy, Baron Scharpf, schemes to arrange a marriage between his country's richest widow (a French woman) and a Count to keep her mon ...
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Kiss Me, Kate
''Kiss Me, Kate'' is a musical written by Bella and Samuel Spewack with music and lyrics by Cole Porter. The story involves the production of a musical version of William Shakespeare's ''The Taming of the Shrew'' and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi. A secondary romance concerns Lois Lane, the actress playing Bianca, and her gambler boyfriend, Bill, who runs afoul of some gangsters. The original production starred Alfred Drake, Patricia Morison, Lisa Kirk and Harold Lang. ''Kiss Me, Kate'' was Porter's response to Rodgers and Hammerstein's ''Oklahoma!'' and other integrated musicals; it was the first show he wrote in which the music and lyrics were firmly connected to the script. The musical premiered in 1948 and proved to be Porter's only show to run for more than 1,000 performances on Broadway. In 1949, it won the first Tony Award for Best Musical. Inspiration The mu ...
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