Warm And Beautiful
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Warm And Beautiful
"Warm and Beautiful" is a love ballad credited to Paul and Linda McCartney that was first released by Wings on their 1976 album ''Wings at the Speed of Sound''. It is a love ballad sung by Paul directed to Linda. Critical opinion of the song has varied widely, ranging from a comment that it is "one of the most beautiful songs that Paul ever wrote for Linda," to a suggestion that it may be "one of the worst songs Paul McCartney has ever written." In 1998, after Linda's death, Paul rearranged the song for string quartet to be played at memorial concerts for his late wife. This version was included on the 1999 album '' Working Classical''. Lyrics and music "Warm and Beautiful" is a love song, the inspirational subject of whom is Linda McCartney. Paul McCartney sings the lead vocal. ''The Rough Guide to the Beatles'' author Chris Ingham describes "Warm and Beautiful" as a "big sensitive ballad." The verses treat love as being eternal and proclaim that love, faith and hope are what all ...
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Paul McCartney And Wings
Wings were a British-American rock band formed in 1971 by former Beatle bassist Paul McCartney, his wife Linda McCartney on keyboards, session drummer Denny Seiwell, and former Moody Blues guitarist Denny Laine. Wings were noted for their commercial successes, musical eclecticism and frequent personnel changes; going through three lead guitarists and four drummers. However, the core trio of the McCartneys and Laine remained intact throughout the group's existence. Created following the McCartneys' 1971 album ''Ram'', the band's first two albums, '' Wild Life'' (1971) and ''Red Rose Speedway'' (1973) (the latter featuring guitarist Henry McCullough), were viewed as artistic disappointments beside Paul's work with the Beatles. After the release of the title track of the James Bond film '' Live and Let Die'', McCullough and Seiwell resigned from the band. The McCartneys and Laine then released 1973's '' Band on the Run'', a commercial and critical success that spawned two top-t ...
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Subdominant
In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdominant. It also happens to be the note one step below the dominant. In the movable do solfège system, the subdominant note is sung as ''fa''. The triad built on the subdominant note is called the subdominant chord. In Roman numeral analysis, the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad. In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad. These chords may also appear as seventh chords: in major, as IVM7, or in minor as iv7 or sometimes IV7: A cadential subdominant chord followed by a tonic chord produces the so-called plagal cadence. As with other chords which often precede the dominant, subdominant chords typically ...
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Denny Laine
Denny Laine (born Brian Frederick Hines, 29 October 1944) is an English musician, singer, and songwriter, known as a founder of two major rock bands: the Moody Blues, with whom he played from 1964 to 1966, and Wings, with whom he played from 1971 to 1981. Laine has worked with a variety of artists and groups over a six-decade career, and continues to record and perform as a solo artist. In 2018, Laine was inducted into the Rock and Roll Hall of Fame as a member of the Moody Blues. Early years Laine was born in Tyseley, Birmingham, England, where he attended Yardley Grammar School, and took up the guitar as a boy, inspired by gypsy jazz musician Django Reinhardt. He gave his first solo performance as a musician at the age of 12, and began his career as a professional musician, fronting Denny Laine and the Diplomats, which also included Bev Bevan, future drummer with Move and Electric Light Orchestra. Laine changed his name because he felt 'Brian Frederick Hines and the Diplom ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Tenor Horn
The tenor horn (British English; alto horn in American English, Althorn in Germany; occasionally referred to as E horn) is a brass instrument in the saxhorn family and is usually pitched in E. It has a bore that is mostly conical, like the flugelhorn and euphonium, and normally uses a deep, cornet-like mouthpiece. It is most commonly used in British brass bands, and Mexican banda music whereas the French horn tends to take the corresponding parts in concert bands and orchestras. However, the tenor horn has occasionally been used as an alternative to the French horn in concert bands. Description The tenor horn is a valved brass instrument (in E) which has a predominantly conical bore like that of the euphonium and flugelhorn. It uses a deep funnel- or cup-shaped mouthpiece. The tenor horn's conical bore and deep mouthpiece produce a mellow, rounded tone that is often used as a middle voice, supporting the melodies of the trumpets, cornets, or flugelhorns, and fills the gap ...
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Euphonium
The euphonium is a medium-sized, 3 or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word ''euphōnos'', meaning "well-sounding" or "sweet-voiced" ( ''eu'' means "well" or "good" and ''phōnē'' means "sound", hence "of good sound"). The euphonium is a valved instrument. Nearly all current models have piston valves, though some models with rotary valves do exist. Euphonium music may be notated in the bass clef as a non-transposing instrument or in the treble clef as a transposing instrument in B. In British brass bands, it is typically treated as a treble-clef instrument, while in American band music, parts may be written in either treble clef or bass clef, or both. Name The euphonium is in the family of brass instruments, more particularly low-brass instruments with many relatives. It is extremely similar to a baritone horn. The difference is that the bore size of the baritone horn is typically sm ...
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Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ...
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Falling In Love Again (Can't Help It)
Falling in Love Again may refer to: Film * ''Falling in Love Again'' (1980 film), a romantic comedy starring Elliott Gould * ''Falling in Love Again'' (2003 film), a Canadian animated short Music Albums * ''Falling in Love Again'' (David Gates album), 1980 * ''Falling in Love Again'' (Davitt Sigerson album), 1984 Songs * "Falling in Love Again" (Anika Moa song), 2002 * "Falling in Love Again" (Eagle-Eye Cherry song), 1998 * "Falling in Love Again" (Marvin Gaye song), 1977 * "Falling in Love Again (Can't Help It)", composed by Frederick Hollander and Sammy Lerner, 1930 * "Falling in Love Again", by Anjulie * "Falling in Love Again", by Celine Dion from ''Courage'' See also * Falling in love (other) Falling in love is the development of strong feelings of attachment and love, usually towards another person. The term is metaphorical, emphasizing that the process, like the physical act of falling, is sudden, uncontrollable and leaves the ...
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Beatles
The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time and were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initia ...
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B (musical Note)
B, also known as Si, Ti, or, in some European countries, H, is the seventh note and the twelfth semitone of the fixed-Do solfège. Its enharmonic equivalents are C (C-flat) and A (A-double sharp). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle B (B4) is approximately 493.883 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on B * B major: B C D E F G A B * B natural minor: B C D E F G A B * B Harmonic minor: B C D E F G A B * B Melodic minor ascending: B C D E F G A B * B melodic minor descending: B A G F E D C B Diatonic scales * B Ionian: B C D E F G A B * B Dorian: B C D E F G A B * B Phrygian: B C D E F G A B * B Lydian: B C D E F G A B * B Mixolydian: B C D E F G A B * B Aeolian: B C D E F G A B * B Locrian: B C D E F G A B Jazz melodic minor * B Ascending melodic minor: B C D E F G A B * B Dorian ♭2: B C D E F G ...
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A♭ (musical Note)
A (A-flat; also called la bémol) is the ninth semitone of the solfège. It lies a diatonic semitone above G and a chromatic semitone below A, thus being enharmonic to G, even though in some musical tunings, A will have a different sounding pitch than G. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the A above middle C (or A4) is approximately 415.305 Hz. See pitch (music) for a discussion of historical variations in frequency. The notes A and G are the only notes to have only one enharmonic, since they cannot be reached in any other way by a single or double sharp or a single or double flat from any of the seven white notes. Designation by octave Scales Common scales beginning on A * A major: A B C D E F G A * A natural minor: A B C D E F G A * A harmonic minor: A B C D E F G A * A melodic minor ascending: A B C D E F G A * A melodic minor descending: A G F E D C B A Diatonic scales * A Ionian: A B C D E F G A ...
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Interval (music)
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic freq ...
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