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Warfare In Ancient Greek Art
Warfare was a common occurrence in Greece from the Neolithic Period The Neolithic period, or New Stone Age, is an Old World archaeological period and the final division of the Stone Age. It saw the Neolithic Revolution, a wide-ranging set of developments that appear to have arisen independently in several parts ... through its conquest by Alexander the Great and until its conquest by the Roman Empire. Because of this, warfare was a typical theme in many pieces of ancient Greek art. Many works of art, like the Doryphoros or the chryselephantine statue of Athena Parthenos, used military objects in their composition, and many others, like the Chigi vase, had warfare as their main subject. Ancient Greek art is an important aspect of not just the history of art, but the history of warfare as well, due to its frequent spot on many works of ancient Greek art. As each different period in Greek history occurred, more and more types of art formed, as well as differing depictions of warf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neolithic Greece
Neolithic Greece is an archaeological term used to refer to the Neolithic phase of Greek history beginning with the spread of farming to Greece in 7000–6500 BC. During this period, many developments occurred such as the establishment and expansion of a mixed farming and stock-rearing economy, architectural innovations (i.e. "megaron-type" and "Tsangli-type" houses), as well as elaborate art and tool manufacturing. Neolithic Greece is part of the Prehistory of Southeastern Europe. Periodization The Neolithic Revolution reached Europe beginning in 7000–6500 BC, during the Pre-Pottery Neolithic B period, when agriculturalists from the Near East entered the Greek peninsula from Anatolia mainly by island-hopping through the Aegean Sea. Modern archaeologists have divided the Neolithic period of Greek history into six phases: Pre-Pottery, Early Neolithic, Middle Neolithic, Late Neolithic I, Late Neolithic II and Final Neolithic (or Chalcolithic). Sites of Neolithic Greece These a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terracotta Calyx-krater (bowl For Mixing Wine And Water) MET DP116942
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous. In applied art, craft, construction, and architecture Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing building ..., terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including bowl (vessel), vessels (notably flower pots), water and waste water pipes, tile, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural Terra cotta (color), brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Warfare
Ancient warfare is war that was conducted from the beginning of recorded history to the end of the ancient period. The difference between prehistoric and ancient warfare is more organization oriented than technology oriented. The development of first city-states, and then empires, allowed warfare to change dramatically. Beginning in Mesopotamia, states produced sufficient agricultural surplus. This allowed full-time ruling elites and military commanders to emerge. While the bulk of military forces were still farmers, the society could portion off each year. Thus, organized armies developed for the first time. These new armies were able to help states grow in size and become increasingly centralized. In Europe and the Near East, the end of antiquity is often equated with the Fall of Rome in 476 AD, the wars of the Eastern Roman Empire on its Southwestern Asian and North African borders, and the beginnings of the Muslim conquests in the 7th century. In China, it can also be se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Art
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in Ancient Greek sculpture, sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery. Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament (art), ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samothrace
Samothrace (also known as Samothraki, el, Σαμοθράκη, ) is a Greek island in the northern Aegean Sea. It is a municipality within the Evros regional unit of Thrace. The island is long and is in size and has a population of 2,859 (2011 census). Its main industries are fishing and tourism. Resources on the island include granite and basalt. Samothrace is one of the most rugged Greek islands, with Mt. Saos and its highest peak Fengari rising to . The ''Winged Victory of Samothrace'', which is now displayed at the Louvre in Paris, originates from the island. History Antiquity Samothrace was not a state of any political significance in ancient Greece, since it has no natural harbour and most of the island is too mountainous for cultivation: Mount Fengari (literally 'Mt. Moon') rises to . It was, however, the home of the Sanctuary of the Great Gods, site of important Hellenic and pre-Hellenic religious ceremonies. Among those who visited this shrine to be initiated in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samothrace Temple Complex
The Samothrace Temple Complex, known as the Sanctuary of the Great Gods (Modern Greek: Ιερό των Μεγάλων Θεών ''Ieró ton Megalón Theón''), is one of the principal Pan-Hellenic religious sanctuaries, located on the island of Samothrace within the larger Thrace. Built immediately to the west of the ramparts of the city of Samothrace, it was nonetheless independent, as attested to by the dispatch of city ambassadors during festivals. It was celebrated throughout Ancient Greece for its Mystery religion. Numerous famous people were initiates, including the historian Herodotus, one of very few authors to have left behind a few clues to the nature of the mysteries, the Spartan leader Lysander, and numerous Athenians. The temple complex is mentioned by Plato and Aristophanes. During the Hellenistic period, after the investiture of Phillip II, it formed a Macedonian national sanctuary where the successors to Alexander the Great vied to outdo each other's munificenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neorion At Samothrace
The neorion at Samothrace was a long, rectangular, monumental structure built to house a dedicatory ship to the gods at the Sanctuary of the Great Gods on the Greek island of Samothrace in the northern Aegean Sea. It consisted of two main chambers: one in which an entire ship in was displayed on marble supports, and a place where visitors to the building could view said ship. It is posited that the structure was built between 300 and 250 BCE. Neorions are found at few other places in Greece, but oftentimes they displayed captured warships of the enemy as their centerpiece; however, there is some debate as to what sort of ship exactly was housed within the neorion at the sanctuary on Samothrace. Description Location and materials The neorion is built on the western hill of the sanctuary on Samothrace (number 6 in the site plan to the right). Materials used in its construction were local sandstone covered in plaster, imported marble from the nearby island of Thasos, and wood. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spolia
''Spolia'' (Latin: 'spoils') is repurposed building stone for new construction or decorative sculpture reused in new monuments. It is the result of an ancient and widespread practice whereby stone that has been quarried, cut and used in a built structure is carried away to be used elsewhere. The practice is of particular interest to historians, archaeologists and architectural historians since the gravestones, monuments and architectural fragments of antiquity are frequently found embedded in structures built centuries or millennia later. The archaeologist Philip A. Barker gives the example of a late Roman period (probably 1st-century) tombstone from Wroxeter that could be seen to have been cut down and undergone weathering while it was in use as part of an exterior wall and, possibly as late as the 5th century, reinscribed for reuse as a tombstone. Overview The practice was common in late antiquity. Entire obsolete structures, including underground foundations, are known to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Themistoclean Walls
The Themistoclean Wall ( el, Θεμιστόκλειον τείχος), named after the Athenian statesman Themistocles, was built in Athens, Greece during the 5th century BC as a result of the Persian Wars and in the hopes of defending against further invasion. History The Persian Wars were waged by the Achaemenid Empire of Persia in an attempt to conquer the Greeks. King Darius I was unsuccessful in his invasion attempt and was followed by his son, Xerxes I, who led the Second Persian Wars which lasted from 480 to 479 BC. Xerxes saw more victories than his father, successfully burning down Athens. Following the Persian Wars the Greek city states were left in disarray. Many buildings, statues, and fortifications of the Greek city states were destroyed. The people of Athens were worried by a return of the Persians, and Themistocles advocated rebuilding the walls before anything else so they decided to act upon this plan. This project was opposed by the Spartans and their Pelopon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gigantomachy By The Suessula Painter
The gigantomachy by the Suessula Painter is a painting on a red-figure amphora from the Classical period of Greece. It is the work of the Suessula Painter, an Athenian vase-painter whose name is unknown. He worked in both Corinth and Athens and is recognizable by his style, with great freedom of posture and a unique shading of figures. Created around 410–400 BCE, this notable example of red-figure pottery stands 69.5 cm tall, 32 cm wide. Artwork This vase is separated in registers, with the largest register encircling the belly of the amphora being the only one decorated with mythological scenes; the one below is empty and the one above is simply covered in floral motives. The vase differs in its two sides; both represent the Gigantomachy, the fight between the Giants, Gaïa's sons and the Olympian gods, accompanied by Herakles. The first side is much more elaborated than the second one, leading specialists to believe it might be a reproduction of the Gigantomachy of Phidi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calyx-Krater By The Painter Of The Berlin Hydria Depicting An Amazonomachy
The calyx-krater by the artist called the "Painter of the Berlin Hydria" depicting an Amazonomachy is an ancient Greek painted vase in the red figure style, now in the Metropolitan Museum of Art, New York. It is a krater, a bowl made for mixing wine and water, and specifically a calyx-krater, where the bowl resembles the calyx of a flower. Vessels such as these were often used at a symposion, which was an elite party for drinking. Description Warfare depicted in Greek art was often not representative of actual ancient warfare, but rather depictions of epic and mythological scenes. This depiction style became common in the 6th century, possibly reflecting the political and social turmoil Greece was beginning to experience, and the desire to triumph over barbarians. In the 5th century, with the adoption of the novel red-figure vase painting technique, amazonomachies changed slightly, beginning to shift from depicting just the defeated to illustrating a real threat. This calyx- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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