Walt Dickerson 1976
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Walt Dickerson 1976
''Walt Dickerson 1976'' is an album by vibraphonist Walt Dickerson recorded in 1976 for the Japanese Whynot label.Fitzgerald, M.Walt Dickerson discographyaccessed March 29, 2017 Track listing All compositions by Walt Dickerson except where noted. # "Sky" – 10:17 # "Awareness" – 4:29 # "Keys of Wisdom" – 5:59 # " Yesterdays" (Jerome Kern, Otto Harbach) – 9:24 # " I Love You" (Cole Porter) – 12:00 Personnel *Walt Dickerson – vibraphone *Wilbur Ware – bass (tracks 3–5) *Jamaaladeen Tacuma – electric bass (track 1) * Edgar Bateman – drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ... (tracks 1 & 3–5) References {{Authority control 1976 albums Walt Dickerson albums Whynot Records albums ...
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Walt Dickerson
Walter Roland Dickerson (April 16, 1928 – May 15, 2008) was an American jazz vibraphone player, most associated with the post-bop idiom. Biography Born in Philadelphia, Pennsylvania, United States, Walt Dickerson graduated from Morgan State University in 1953 and after two years in the Army he settled in California. There he started to gain attention by leading a group with Andrew Hill and Andrew Cyrille, but it was Dickerson's later period in New York City when he gained some further notice. For the Prestige label he recorded four albums. In 1962 ''Down Beat'' named him the best new artist. From 1965 to 1975, he took a break from jazz, but later he worked again with Andrew Hill and Sun Ra. After 1975 Dickerson recorded several albums for the Danish Steeplechase label. He died in May 2008 from a cardiac arrest. Discography As leader Sources: As arranger With Elmo Hope St. Elmo Sylvester Hope (June 27, 1923 – May 19, 1967) was an American jazz pianist, composer, and ...
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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ...
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1976 Albums
Events January * January 3 – The International Covenant on Economic, Social and Cultural Rights enters into force. * January 5 – The Pol Pot regime proclaims a new constitution for Democratic Kampuchea. * January 11 – The 1976 Philadelphia Flyers–Red Army game results in a 4–1 victory for the National Hockey League's Philadelphia Flyers over HC CSKA Moscow of the Soviet Union. * January 16 – The trial against jailed members of the Red Army Faction (the West German extreme-left militant Baader–Meinhof Group) begins in Stuttgart. * January 18 ** Full diplomatic relations are established between Bangladesh and Pakistan 5 years after the Bangladesh Liberation War. ** The Scottish Labour Party (1976), Scottish Labour Party is formed as a breakaway from the UK-wide party. ** Super Bowl X in American football: The Pittsburgh Steelers defeat the Dallas Cowboys, 21–17, in Miami. * January 21 – First commercial Concorde flight, from London to Bahrain. * January 27 ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Edgar Bateman
Edgar Leon Bateman Jr. (born January 11, 1929 – May 18, 2010) was an American jazz drummer. He first recorded with Walt Dickerson and would later work with Eric Dolphy, Herbie Hancock, and Booker Ervin. His final recording was with Khan Jamal. He neither smoke nor drank alcohol and was said to be health conscious. He had rheumatic fever as a child and was from St. Louis. In St. Louis he and Oliver Nelson were in high school band together. Discography As sideman With Walt Dickerson * ''A Sense of Direction'' (New Jazz, 1961) * ''Plays Unity'' (Audio Fidelity, 1964) * ''Walt Dickerson 1976'' (Whynot, 1976) * ''Serendipity'' (SteepleChase, 1977) With others * Dave Burns, ''Dave Burns'' (Vanguard, 1962) * Ted Curson, ''Urge'' (Fontana, 1966) * Orrin Evans, ''Blessed Ones'' (Criss Cross 2001) * Khan Jamal, ''Impressions of Coltrane'' (SteepleChase, 2009) * John Handy John Richard Handy III (born February 3, 1933) is an American jazz musician most commonly associated with ...
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Electric Bass
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck The neck is the part of the body on many vertebrates that connects the head with the torso. The neck supports the weight of the head and protects the nerves that carry sensory and motor information from the brain down to the rest of the body. In ... and Scale length (string instruments), scale length, and typically four to six string (music), strings or Course (music), courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a plectrum, pick. To be heard ...
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Jamaaladeen Tacuma
Jamaaladeen Tacuma (born Rudy McDaniel; June 11, 1956) is an American free jazz bassist born in Hempstead, New York. He was a bandleader on the Gramavision label and worked with Ornette Coleman during the 1970s and 1980s, mostly in Coleman's Prime Time band. Tacuma showcased a unique style of avant-garde jazz on Coleman's 1982 album ''Of Human Feelings'', and became widely viewed as one of the most distinctive bassists since Jaco Pastorius. He formed his own group, and recorded albums that incorporated commercially accessible melodies while retaining Prime Time's elaborate harmonies. Biography Tacuma, raised in Philadelphia, Pennsylvania, showed interest in music at a young age, performing with the organist Charles Earland in his teens. Through Earland, Tacuma came to know the record producer Reggie Lucas, who introduced Jamaaladeen to Ornette Coleman in 1975 at age 19. As the electric bassist for Coleman's funky harmolodic Prime Time group, Tacuma rose to prominence quickly; g ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Wilbur Ware
Wilbur Bernard Ware (September 8, 1923 – September 9, 1979) was an American jazz double bassist.Feather, Leonard & Gitler, Ira (2007) ''The Biographical Encyclopedia of Jazz'', p. 674. Oxford University Press He was a regular bassist for the Riverside record label in the 1950s, and recorded regularly in that decade with Johnny Griffin, Kenny Dorham, Kenny Drew, and Thelonious Monk. He also appeared on records released by J.R. Monterose, Toots Thielemans, Sonny Clark, Tina Brooks, Zoot Sims, and Grant Green, among others. Career Ware grew up in Chicago where he taught himself to play drums, banjo, bass while playing at church. In the 1940s, he worked with Stuff Smith, Sonny Stitt, and Roy Eldridge. He recorded with Sun Ra in the early 1950s. Later in the 1950s, settling in New York City, Ware played with Eddie Vinson, Art Blakey, and Buddy DeFranco. His only album recorded as a leader during his lifetime was '' The Chicago Sound'', from 1957 when he worked for Riverside. He ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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I Love You (Cole Porter Song)
"I Love You" is a song written by Cole Porter in 1944 for his stage musical ''Mexican Hayride''. ''The New York Times'' reviewed the show, saying, among other things: "Of Mr. Porter's score, the best number bears the title almost startling in its forthrightness, "I Love You," and is the property of Mr. Evans" (Wilbur Evans). However, the rather generic lyrics of the song were due to a challenge given by Porter. His friend Monty Woolley contended that Porter's talent lay in the off-beat and the esoteric, maintaining that he could never take a cliché title like "I Love You" and write lyrics that included the banal sentiment: "It's spring again, and birds on the wing again" and be successful. Porter accepted the challenge with the result that the song eventually topped the hit parade. Porter remarked that the "superior melody overcame the ordinary lyric". In 1945, Ira B. Arnstein sued Cole Porter for plagiarizing his work and filed a suit in the Federal Court. He had for twenty year ...
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