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Walking Boston
The Walking Boston, sometimes designated the One Step Waltz, is a very simple dance in which many graceful figures may be introduced. It is done to the same music as the Hesitation Waltz and Dream Waltz. The man starts forward with his left foot and the lady backward with her right, simply walking to waltz time, counting one, two, three to each step. At each step the dancers rise on their toes. Four of these steps are taken forward (backward by the lady), then they balance backward and forward. As the dancers balance they make a quarter turn to the man's right to the one, two, three count of the music--four of these quarter turns making the complete revolution. Throughout this turn the man keeps his right foot and the lady her left on the floor, using it as a pivot on which to turn. Now the man steps backward with his left foot and the lady forward with her right, taking four steps. Then balance, and instead of four quarter turns to the one, two, three count of the music, make tw ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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Dance
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athlet ...
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Hesitation Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, the ...
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Dream Waltz
''Dream Waltz'' (Hungarian: ''Álomkeringö'') is a 1943 Hungarian comedy film directed by Félix Podmaniczky and starring Margit Zsilley, Mici Erdélyi and János Sárdy.''Hungarian Studies Review, Volumes 19-21''. Hungarian Readers' Service, 1992. p.88 The film's sets were designed by the art director János Pagonyi. Synopsis The star performer at the Hungarian National Opera inherits a huge country estate, on the condition that he gives up singing. Cast * Margit Zsilley as Ágnes,Bruckner lánya * Mici Erdélyi as Müller menyasszonya * János Sárdy as Turi Gábor * Gyula Csortos as Bruckner * Kálmán Latabár as Doretti * Zoltán Makláry as Sebestyén * Ernö Mihályi as Paul Müller * György Solthy as Igazgató * Árpád Latabár Ügyelõ * Ica Polgár as Felszolgáló * Dóra Fáy Kiss as Szobalány * Livia Kovács as Táncosnõ * György Gonda as Gazdatiszt * Gyula Szöreghy Gyula may refer to: * Gyula (title), Hungarian title of the 9th–10th century * ...
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Pivot Turn
In dance, a pivot turn (or simply pivot) is a general classification for dance turns in which the performer's body rotates about its vertical axis without traveling. The performer may be supported by one or both feet, which swivel in place during the pivot turn.Ann Hutchinson (2005) "Labanotation: The System of Analyzing and Recording Movement", , Chapter 8: "Turns", section "Pivot Turns In some dance genres, a pivot on both feet is called a ''twist turn''. Pivot turns are commonly named as such in ballroom dancing, folk dancing and ethnic dances. In many other dance genres, pivot turns are known by specific names and typically are not referred to as pivots. For example, in ballet, a pirouette is a type of pivot turn on one foot. Ethnic dances A Native American pivot turn, as described by Bessie and May Evans (1931), is performed standing on the ball of one foot and tapping with the other foot, accompanied with small turns on the standing foot with each tap. The full turn require ...
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Skip (gait)
A gait is a pattern of limb movements made during locomotion. Human gaits are the various ways in which humans can move, either naturally or as a result of specialized training. Human gait is defined as bipedal, biphasic forward propulsion of the center of gravity of the human body, in which there are alternate sinuous movements of different segments of the body with least expenditure of energy. Gait patterns are characterized by differences in limb-movement patterns, overall velocity, forces, kinetic and potential energy cycles, and changes in contact with the ground. Classification Human gaits are classified in various ways. Each gait can be generally categorized as either natural (one that humans use instinctively) or trained (a non-instinctive gait learned via training). Examples of the latter include hand walking and specialized gaits used in martial arts. Gaits can also be categorized according to whether the person remains in continuous contact with the ground. Foot ...
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Grapevine (dance Move)
The grapevine is a dance figure in partner dancing that shares a common appearance, with some variation, in ballroom, club, and folk dances. It includes side steps and steps across the support foot. The step is used, for example, in the foxtrot, polka, Electric Slide and hustle as well as in freestyle aerobics. Troy and Margaret West Kinney described it in 1914 as part of the One-Step. Sequence The most basic repeating sequence of steps may be; * Side step, * Step behind the support foot, * Side step, * Step across support foot. The sequence may start from any of the four steps and may break wherever it is convenient to move into another dance figure or in the opposite direction. The whole sequence is in the same direction. In some dances (e.g., Polka, Hustle, Electric Slide) it is an eight count figure, often split into two, mirroring each other and called "grapevine to the right" and "grapevine to the left". # Step right # Step left foot to the right, crossing in ...
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An American Ballroom Companion
An American Ballroom Companion is an online collection of over two hundred social dance manuals at the Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is ... related to the period of cca. 1490--1920. Along with social dance instruction manuals, this online presentation also includes a significant number of antidance manuals, histories, treatises on etiquette, information about theatrical dance. The collection presents dance materials from various locations of the Library: General Collections, the Music Division, and the Rare Book and Special Collections Division. The collection also presents a number of videoclips to illustrate the materials. The clips were recorded on several Library of Congress events starting from the 100th anniversary of the Library's Jefferson ...
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