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WBPN (band)
WBPN-LP (channel 10) is a defunct low-power television station in Binghamton, New York, United States, which operated from 1996 to 2021. In its latter years, it was owned by Cox Media Group as an affiliate of MyNetworkTV; it had common ownership with Fox affiliate WICZ-TV (channel 40). WBPN-LP's operations were last housed at WICZ-TV's studios on Vestal Parkway East ( NY 434) in Vestal; its transmitter was located on Ingraham Hill Road in the town of Binghamton. WBPN-LP did not transmit a digital signal of its own, and there were never any plans to convert the station's signal to digital. In addition, due to its analog signal transmitting at an extremely low power, the station's broadcast range only included the immediate areas south of the Susquehanna River North Branch and did not even reach most of the city of Binghamton. However, in order to reach the entire market, WBPN-LP was simulcast on WICZ-TV's second digital subchannel (40.2), which eventually became its perma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Terrestrial Television
Digital terrestrial television (DTTV or DTT, or DTTB with "broadcasting") is a technology for terrestrial television in which land-based (terrestrial) television stations broadcast television content by radio waves to televisions in consumers' residences in a digital format. DTTV is a major technological advance over the previous analog television, and has largely replaced analog which had been in common use since the middle of the 20th century. Test broadcasts began in 1998 with the changeover to DTTV (aka Analog Switchoff (ASO), or Digital Switchover (DSO)) beginning in 2006 and is now complete in many countries. The advantages of ''digital'' terrestrial television are similar to those obtained by digitising platforms such as cable TV, satellite, and telecommunications: more efficient use of limited radio spectrum bandwidth, provision of more television channels than analog, better quality images, and potentially lower operating costs for broadcasters (after the initial up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcast License
A broadcast license is a type of spectrum license granting the licensee permission to use a portion of the radio frequency spectrum in a given geographical area for broadcasting purposes. The licenses generally include restrictions, which vary from band to band. Spectrum may be divided according to use. As indicated in a graph from the National Telecommunications and Information Administration (NTIA), frequency allocations may be represented by different types of services which vary in size. Many options exist when applying for a broadcast license; the FCC determines how much spectrum to allot to licensees in a given band, according to what is needed for the service in question. The determination of frequencies used by licensees is done through frequency allocation, which in the United States is specified by the FCC in a table of allotments. The FCC is authorized to regulate spectrum access for private and government uses; however, the National Telecommunications and Informatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-definition Television
High-definition television (HD or HDTV) describes a television system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since 1936; in more recent times, it refers to the generation following standard-definition television (SDTV), often abbreviated to HDTV or HD-TV. It is the current de facto standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television and Blu-ray Discs. Formats HDTV may be transmitted in various formats: * 720p (1280 horizontal pixels × 720 lines): 921,600 pixels * 1080i (1920×1080) interlaced scan: 1,036,800 pixels (~1.04 MP). * 1080p (1920×1080) progressive scan: 2,073,600 pixels (~2.07 MP). ** Some countries also use a non-standard CEA resolution, such as 1440×1080i: 777,600 pixels (~0.78 MP) per field or 1,555,200 pixels (~1.56 MP) per frame When transmitted at two megapixels per frame, HDTV provides about five times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
720p
720p (1280×720 px; also called HD ready, standard HD or just HD) is a progressive HDTV signal format with 720 horizontal lines/1280 columns and an aspect ratio (AR) of 16:9, normally known as widescreen HDTV (1.78:1). All major HDTV broadcasting standards (such as SMPTE 292M) include a 720p format, which has a resolution of 1280×720; however, there are other formats, including HDV Playback and AVCHD for camcorders, that use 720p images with the standard HDTV resolution. The frame rate is standards-dependent, and for conventional broadcasting appears in 50 progressive frames per second in former PAL/SECAM countries (Europe, Australia, others), and 59.94 frames per second in former NTSC countries (North America, Japan, Brazil, others). The number ''720'' stands for the 720 horizontal scan lines of image display resolution (also known as 720 pixels of vertical resolution). The ''p'' stands for progressive scan, i.e. non-interlaced. When broadcast at 60 frames per second, 720p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multiplex (TV)
A multiplex or mux (called virtual sub-channel in the United States and Canada, and bouquet in France) is a grouping of program services as interleaved data packets for broadcast over a network or modulated multiplexed medium. The program services are split out at the receiving end. In the United Kingdom, a terrestrial ''multiplex'' (usually abbreviated ''mux'') has a fixed bandwidth of 8 MHz CODFM of interleaved H.222 packets containing a number of ''channels''. In the United States, a similar arrangement using 6 MHz 8VSB is often described as a ''channel'' with ''virtual sub-channels''. Pay television multiplexes In regards to television, the term multiplex is often used to refer to a single broadcaster offering multiple channels of programming as a single bundle to its subscribers. The term is most synonymous with premium television services, such as those devoted to films (where the term evokes the symbolism of multiplex cinemas) or sports; for instance, film services may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Letterboxing (filming)
Letterboxing is the practice of transferring film shot in a widescreen aspect ratio to standard-width video formats while preserving the film's original aspect ratio. The resulting videographic image has mattes (black bars) above and below it; these mattes are part of each frame of the video signal. LBX and LTBX are identifying abbreviations for films and images thus formatted. Etymology The term refers to the shape of a letter box, a slot in a wall or door through which mail is delivered, being rectangular and wider than it is high. Early home video use The first use of letterbox in consumer video appeared with the RCA Capacitance Electronic Disc (CED) videodisc format. Initially, letterboxing was limited to several key sequences of a film such as opening and closing credits, but was later used for entire films. The first fully letterboxed CED release was '' Amarcord'' in 1984, and several others followed including '' The Long Goodbye'', ''Monty Python and the Holy Grail' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard-definition Television
Standard-definition television (SDTV, SD, often shortened to standard definition) is a television system which uses a resolution that is not considered to be either high or enhanced definition. "Standard" refers to it being the prevailing specification for broadcast (and later, cable) television in the mid- to late-20th century, and compatible with legacy analog broadcast systems. The two common SDTV signal types are 576i, with 576 interlaced lines of resolution, derived from the European-developed PAL and SECAM systems, and 480i based on the American NTSC system. Common SDTV refresh rates are 25, 29.97 and 30 frames per second. Both systems use a 4:3 aspect ratio. Standards that support digital SDTV broadcast include DVB, ATSC, and ISDB. The last two were originally developed for HDTV, but are also used for their ability to deliver multiple SD video and audio streams via multiplexing. In North America, digital SDTV is broadcast in the same 4:3 aspect ratio as NTSC si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
480i
480i is the video mode used for standard-definition digital television in the Caribbean, Japan, South Korea, Taiwan, Philippines, Laos, Western Sahara, and most of the Americas (with the exception of Argentina, Paraguay, and Uruguay). The ''480'' identifies a vertical resolution of 480 lines, and the ''i'' identifies it as an interlaced resolution. The field rate, which is 60 Hz (or 59.94 Hz when used with NTSC color), is sometimes included when identifying the video mode, i.e. 480i60; another notation, endorsed by both the International Telecommunication Union in BT.601 and SMPTE in SMPTE 259M, includes the frame rate, as in 480i/30. The other common standard definition digital standard, used in the rest of the world, is 576i. It originated from the need for a standard to digitize analog TV (defined in BT.601) and is now used for digital TV broadcasts and home appliances such as game consoles and DVD disc players. Although related, it should not be confused with the an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Subchannel
In broadcasting, digital subchannels are a method of transmitting more than one independent program stream simultaneously from the same digital radio or television station on the same radio frequency channel. This is done by using data compression techniques to reduce the size of each individual program stream, and multiplexing to combine them into a single signal. The practice is sometimes called "multicasting". ATSC television United States The ATSC digital television standard used in the United States supports multiple program streams over-the-air, allowing television stations to transmit one or more subchannels over a single digital signal. A virtual channel numbering scheme distinguishes broadcast subchannels by appending the television channel number with a period digit (".xx"). Simultaneously, the suffix indicates that a television station offers additional programming streams. By convention, the suffix position ".1" is normally used to refer to the station's main digi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simulcast
Simulcast (a portmanteau of simultaneous broadcast) is the broadcasting of programmes/programs or events across more than one resolution, bitrate or medium, or more than one service on the same medium, at exactly the same time (that is, simultaneously). For example, Absolute Radio is simulcast on both AM and on satellite radio. Likewise, the BBC's Prom concerts were formerly simulcast on both BBC Radio 3 and BBC Television. Another application is the transmission of the original-language soundtrack of movies or TV series over local or Internet radio, with the television broadcast having been dubbed into a local language. Early radio simulcasts Before launching stereo radio, experiments were conducted by transmitting left and right channels on different radio channels. The earliest record found was a broadcast by the BBC in 1926 of a Halle Orchestra concert from Manchester, using the wavelengths of the regional stations and Daventry. In its earliest days the BBC often transmit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Media Market
A media market, broadcast market, media region, designated market area (DMA), television market area, or simply market is a region where the population can receive the same (or similar) television and radio station offerings, and may also include other types of media such as newspapers and internet content. They can coincide or overlap with one or more metropolitan areas, though rural regions with few significant population centers can also be designated as markets. Conversely, very large metropolitan areas can sometimes be subdivided into multiple segments. Market regions may overlap, meaning that people residing on the edge of one media market may be able to receive content from other nearby markets. They are widely used in audience measurements, which are compiled in the United States by Nielsen Media Research. Nielsen measures both television and radio audiences since its acquisition of Arbitron, which was completed in September 2013. Markets are identified by the largest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
