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WAV
Waveform Audio File Format (WAVE, or WAV due to its filename extension; pronounced "wave") is an audio file format standard, developed by IBM and Microsoft, for storing an audio bitstream on PCs. It is the main format used on Microsoft Windows systems for uncompressed audio. The usual bitstream encoding is the linear pulse-code modulation (LPCM) format. WAV is an application of the Resource Interchange File Format (RIFF) bitstream format method for storing data in ''chunks'', and thus is similar to the 8SVX and the AIFF format used on Amiga and Macintosh computers, respectively. Description The WAV file is an instance of a Resource Interchange File Format (RIFF) defined by IBM and Microsoft. The RIFF format acts as a "wrapper" for various audio coding formats. Though a WAV file can contain compressed audio, the most common WAV audio format is uncompressed audio in the linear pulse-code modulation (LPCM) format. LPCM is also the standard audio coding format for audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcast Wave Format
Broadcast Wave Format (BWF) is an extension of the popular Microsoft WAV audio format and is the recording format of most file-based non-linear digital recorders used for motion picture, radio and television production. It was first specified by the European Broadcasting Union in 1997, and updated in 2001 and 2003. It has been accepted as the ITU recommendation ITU-R BS.1352-3, Annex 1. The purpose of this file format is the addition of metadata to facilitate the seamless exchange of sound data between different computer platforms and applications. It specifies the format of metadata, allowing audio processing elements to identify themselves, document their activities, and supports timecode to enable synchronization with other recordings. This metadata is stored as extension chunks in a standard digital audio WAV file. BWF is the recommended format for digitizing sound files by the International Association of Sound and Audiovisual Archives. Files conforming to the Broadcast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resource Interchange File Format
The Resource Interchange File Format (RIFF) is a generic file container format for storing data in tagged chunks. It is primarily used to store multimedia such as sound and video, though it may also be used to store any arbitrary data. The Microsoft implementation is mostly known through container formats like AVI, ANI and WAV, which use RIFF as their basis. History RIFF was introduced in 1991 by Microsoft and IBM, and was presented by Microsoft as the default format for Windows 3.1 multimedia files. It is based on Electronic Arts' Interchange File Format, introduced in 1985 on the Commodore Amiga, the only difference being that multi-byte integers are in little-endian format, native to the 80x86 processor series used in IBM PCs, rather than the big-endian format native to the 68k processor series used in Amiga and Apple Macintosh computers, where IFF files were heavily used. A RIFX format, which is big-endian, was also introduced. In 2010 Google introduced the WebP pic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncompressed Audio
An audio file format is a file format for storing digital audio data on a computer system. The bit layout of the audio data (excluding metadata) is called the audio coding format and can be uncompressed, or compressed to reduce the file size, often using lossy compression. The data can be a raw bitstream in an audio coding format, but it is usually embedded in a container format or an audio data format with defined storage layer. Format types It is important to distinguish between the audio coding format, the container containing the raw audio data, and an audio codec. A codec performs the encoding and decoding of the raw audio data while this encoded data is (usually) stored in a container file. Although most audio file formats support only one type of audio coding data (created with an audio coder), a multimedia container format (as Matroska or AVI) may support multiple types of audio and video data. There are three major groups of audio file formats: * Uncompressed audio f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio File Format
An audio file format is a file format for storing digital audio data on a computer system. The bit layout of the audio data (excluding metadata) is called the audio coding format and can be uncompressed, or compressed to reduce the file size, often using lossy compression. The data can be a raw bitstream in an audio coding format, but it is usually embedded in a container format or an audio data format with defined storage layer. Format types It is important to distinguish between the audio coding format, the container containing the raw audio data, and an audio codec. A codec performs the encoding and decoding of the raw audio data while this encoded data is (usually) stored in a container file. Although most audio file formats support only one type of audio coding data (created with an audio coder), a multimedia container format (as Matroska or AVI) may support multiple types of audio and video data. There are three major groups of audio file formats: * Uncompressed audi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RF64
{{Infobox file format , name = RF64 , icon = , iconcaption = , icon_size = , screenshot = , screenshot_size = , caption = , _noextcode = , extension = , _nomimecode = , mime = , type_code = , uniform_type = , conforms_to = , magic = , developer = European Broadcasting Union , released = , latest_release_version = 2.0 , latest_release_date = {{start date and age, 2018, 06 , genre = Audio file format , container_for = , contained_by = , extended_from = WAV, BWF , extended_to = , standard = RF64: An Extended File Format for AudioITU-R BS.2088: Long-form file format for the international exchange of audio programme materials with metadata, free = , url = RF64 is a BWF-compatible multichannel audio file format enabling file sizes to exceed 4 GB. It has been specified by the European Broadcasting Union. It has been accepted as the ITU recommendation ITU-R BS.2088. The file format is designed to meet the requi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Bit Depth
In digital audio using pulse-code modulation (PCM), bit depth is the number of bits of information in each sample, and it directly corresponds to the resolution of each sample. Examples of bit depth include Compact Disc Digital Audio, which uses 16 bits per sample, and DVD-Audio and Blu-ray Disc which can support up to 24 bits per sample. In basic implementations, variations in bit depth primarily affect the noise level from quantization error—thus the signal-to-noise ratio (SNR) and dynamic range. However, techniques such as dithering, noise shaping, and oversampling can mitigate these effects without changing the bit depth. Bit depth also affects bit rate and file size. Bit depth is only meaningful in reference to a PCM digital signal. Non-PCM formats, such as lossy compression formats, do not have associated bit depths. Binary representation A PCM signal is a sequence of digital audio samples containing the data providing the necessary information to reconstruc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linear Pulse-code Modulation
Pulse-code modulation (PCM) is a method used to digitally represent sampled analog signals. It is the standard form of digital audio in computers, compact discs, digital telephony and other digital audio applications. In a PCM stream, the amplitude of the analog signal is sampled regularly at uniform intervals, and each sample is quantized to the nearest value within a range of digital steps. Linear pulse-code modulation (LPCM) is a specific type of PCM in which the quantization levels are linearly uniform. This is in contrast to PCM encodings in which quantization levels vary as a function of amplitude (as with the A-law algorithm or the μ-law algorithm). Though ''PCM'' is a more general term, it is often used to describe data encoded as LPCM. A PCM stream has two basic properties that determine the stream's fidelity to the original analog signal: the sampling rate, which is the number of times per second that samples are taken; and the bit depth, which determines the n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
8SVX
8-Bit Sampled Voice (8SVX) is an audio file format standard developed by Electronic Arts for the Commodore-Amiga computer series. It is a data subtype of the IFF file container format. It typically contains linear pulse-code modulation (LPCM) digital audio. Description The 8SVX subtype stores 8-bit audio data within chunks contained within an IFF file container. 8SVX subtypes can exist alone within IFF file containers (audio only), or can be multiplexed together with other IFF subtypes, such as video animation streams. Metadata about the 8SVX data stream is contained in separate descriptor chunks that come prior to the main data body chunk. Sample rate, volume and compression type are described in a ''VHDR'' chunk. Various other chunks are available to describe the name, author and copyright. 8SVX supports features such as attack, release and section repeat, which are useful for storage of musical instrument samples. An example layout of an audio-only 8SVX IFF audio fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Compression Manager
This article describes audio APIs and components in Microsoft Windows which are now obsolete or deprecated. Multimedia Extensions (MME) The MME API or the Windows Multimedia API (also known as ''WinMM'') was the first universal and standardized Windows audio API. Wave sound events played in Windows (up to Windows XP) and MIDI I/O use MME. The devices listed in the ''Multimedia/Sounds and Audio'' control panel applet represent the MME API of the sound card driver. The Multimedia Extensions ( interfaces) were released in autumn 1991 to support sound cards, as well as CD-ROM drives, which were then becoming increasingly available. The Multimedia Extensions were released to Original Equipment Manufacturers (OEMs), mainly CD-ROM drive and sound card manufacturers, and added basic multimedia support for audio input and output and a CD audio player application to Windows 3.0. The Multimedia Extensions' new features were not available in Windows 3.0 real mode, only in standard and 386 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surround Sound
Surround sound is a technique for enriching the fidelity and depth of sound reproduction by using multiple audio channels from speakers that surround the listener ( surround channels). Its first application was in movie theaters. Prior to surround sound, theater sound systems commonly had three ''screen channels'' of sound that played from three loudspeakers (left, center, and right) located in front of the audience. Surround sound adds one or more channels from loudspeakers to the side or behind the listener that are able to create the sensation of sound coming from any horizontal direction (at ground level) around the listener. The technique enhances the perception of sound spatialization by exploiting sound localization: a listener's ability to identify the location or origin of a detected sound in direction and distance. This is achieved by using multiple discrete audio channels routed to an array of loudspeakers. Surround sound typically has a listener location ( sweet sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FourCC
A FourCC ("four-character code") is a sequence of four bytes (typically ASCII) used to uniquely identify data formats. It originated from the OSType or ResType metadata system used in classic Mac OS and was adopted for the Amiga/Electronic Arts Interchange File Format and derivatives. The idea was later reused to identify compressed data types in QuickTime and DirectShow. History In 1984, the earliest version of a Macintosh OS, Apple System 1, was released. It used the single-level Macintosh File System with metadata fields including file types, creator (application) information, and forks to store additional resources. All these fields are four-character codes known as OSType. It was possible to change this information without changing the data itself, so that they could be interpreted differently. Identical codes were used throughout the system, as type tags for all kinds of data. In 1985, Electronic Arts introduced the Interchange File Format (IFF) meta-format (family of f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Interchange File Format
Audio Interchange File Format (AIFF) is an audio file format standard used for storing sound data for personal computers and other electronic audio devices. The format was developed by Apple Inc. in 1988 based on Electronic Arts' Interchange File Format (IFF, widely used on Amiga systems) and is most commonly used on Apple Macintosh computer systems. The audio data in most AIFF files is uncompressed pulse-code modulation (PCM). This type of AIFF file uses much more disk space than lossy formats like MP3—about 10 MB for one minute of stereo audio at a sample rate of 44.1 kHz and a bit depth of 16 bits. There is also a compressed variant of AIFF known as AIFF-C or AIFC, with various defined compression codecs. In addition to audio data, AIFF can include loop point data and the musical note of a sample, for use by hardware samplers and musical applications. The file extension for the standard AIFF format is .aiff or .aif. For the compressed variants it is supposed to be .aif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
