|
Vulcanalia
Vulcan ( la, Vulcanus, in archaically retained spelling also ''Volcanus'', both pronounced ) is the god of fire including the fire of volcanoes, deserts, metalworking and the forge in ancient Roman religion and myth. He is often depicted with a blacksmith's hammer. The Vulcanalia was the annual festival held August 23 in his honor. His Greek counterpart is Hephaestus, the god of fire and smithery. In Etruscan religion, he is identified with Sethlans. Vulcan belongs to the most ancient stage of Roman religion: Varro, the ancient Roman scholar and writer, citing the Annales Maximi, records that king Titus Tatius dedicated altars to a series of deities including Vulcan. Etymology The origin of the name is unclear. Roman tradition maintained that it was related to Latin words connected to lightning (), which in turn was thought of as related to flames. This interpretation is supported by Walter William Skeat in his etymological dictionary as meaning ''lustre''. It has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Festival
Festivals in ancient Rome were a very important part in religion in ancient Rome, Roman religious life during both the Roman Republic, Republican and Roman Empire, Imperial eras, and one of the primary features of the Roman calendar. ''Feriae'' ("holidays" in the sense of "holy days"; singular also ''feriae'' or ''dies ferialis'') were either public ''(publicae)'' or private ''(privatus, privatae)''. State holidays were celebrated by the Roman people and received public funding. Games ''(ludi)'', such as the Ludi Apollinares, were not technically ''feriae'', but the days on which they were celebrated were ''Glossary of ancient Roman religion#festus, dies festi'', holidays in the modern sense of days off work. Although ''feriae'' were paid for by the state, ''ludi'' were often funded by wealthy individuals. ''Feriae privatae'' were holidays celebrated in honor of private individuals or by families. This article deals only with public holidays, including rites celebrated by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exomis
The exomis ( grc, ἐξωμίς from ''exo'' "outside", and ''omos'' "shoulder") was a Ancient Greece, Greek tunic used by the workers and the light infantry. The tunic largely replaced the older chitoniskos (or short chiton) as the main tunic of the hoplites during the later 5th century BC. It was made of two rectangles of linen (other materials were also used), which were stitched together from the sides to form a cylinder, leaving enough space at the top for the arms. An opening at the top was also left for the head. The cylinder was gathered up at the waist with a cloth belt using a reef knot, which made the cloth fall down over the belt, hiding it from view. To allow freedom of movement to the right arm, the seam at the right shoulder was taken apart, and the right hand was passed through the head opening. The color of the tunic varied, but red (especially crimson) was increasingly the standard color preferred by hoplites during and after the Peloponnesian War. The exomis c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sethlans (mythology)
In Etruscan mythology, Sethlans was the god of fire, the forge, metalworking, and by extension craftsmanship in general, the equivalent, though their names share no etymology, to Greek Hephaestus, Egyptian Ptah and the Roman Vulcan. Sethlans is one of the indigenous Etruscan gods. In Etruscan arts Sethlans may be identified by his tools, the hammer and tongs of the blacksmith, and by the '' pileus'' or conical cap he wears. By what appears to be a curious omission,Noted in this context by H.J. Rose, "The Cult of Volkanus at Rome", ''The Journal of Roman Studies'' 23 (1933:46-63) p. 49 his name does not appear on the bronze liver of Piacenza. Notes See also * Etruscan civilization Etruscan gods Fire gods Smithing gods Etruscan religion {{deity-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titus Tatius
According to the Roman foundation myth, Titus Tatius was the king of the Sabines from Cures and joint-ruler of the Kingdom of Rome for several years. During the reign of Romulus, the first king of Rome, Tatius declared war on Rome in response to the incident known as The Rape of the Sabine Women. After he captured the stronghold atop the Capitoline Hill through the treachery of Tarpeia, the Sabines and Romans fought an epic battle that concluded when the abducted Sabine women intervened to convince the two sides to reconcile and end the war. The two kingdoms were joined and the two kings ruled jointly until Tatius' murder five years later. The joint kingdom was still called Rome and the citizens of the city were still called Romans, but as a community, they were to be called ''Quirites''. The Sabines were integrated into the existing tribes and curies, yet Tatius is not counted as one of the traditional "Seven Kings of Rome". Tatius had one daughter, Tatia, who married Num ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varro
Marcus Terentius Varro (; 116–27 BC) was a Roman polymath and a prolific author. He is regarded as ancient Rome's greatest scholar, and was described by Petrarch as "the third great light of Rome" (after Vergil and Cicero). He is sometimes called Varro Reatinus to distinguish him from his younger contemporary Varro Atacinus. Biography Varro was born in or near Reate (now Rieti) to a family thought to be of equestrian rank, and always remained close to his roots in the area, owning a large farm in the Reatine plain, reported as near Lago di Ripasottile, until his old age. He supported Pompey, reaching the office of praetor, after having been tribune of the people, ''quaestor'' and ''curule aedile''. It is probable that Varro was discontented with the course on which Pompey entered when the First Triumvirate was formed, and he may thus have lost his chance of rising to the consulate. He actually ridiculed the coalition in a work entitled the ''Three-Headed Monster'' ( in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Religion
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and Religion in ancient Rome, religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interpretatio Graeca
''Interpretatio graeca'' (Latin, "Greek translation") or "interpretation by means of Greek odels is a discourse used to interpret or attempt to understand the mythology and religion of other cultures; a comparative methodology using ancient Greek religious concepts and practices, deities, and myths, equivalencies, and shared characteristics. The phrase may describe Greek efforts to explain others' beliefs and myths, as when Herodotus describes Egyptian religion in terms of perceived Greek analogues, or when Dionysius of Halicarnassus and Plutarch document Roman cults, temples, and practices under the names of equivalent Greek deities. ''Interpretatio graeca'' may also describe non-Greeks' interpretation of their own belief systems by comparison or assimilation with Greek models, as when Romans adapt Greek myths and iconography under the names of their own gods. ''Interpretatio romana'' is comparative discourse in reference to ancient Roman religion and myth, as in the form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Mythology
Roman mythology is the body of myths of ancient Rome as represented in the literature and visual arts of the Romans. One of a wide variety of genres of Roman folklore, ''Roman mythology'' may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. Roman mythology draws from the mythology of the Italic peoples and ultimately from Proto-Indo-European mythology. Roman mythology also draws directly on Greek mythology, potentially as early as Rome's protohistory, but primarily during the Hellenistic period of Greek influence and through the Roman conquest of Greece, via the artistic imitation of Greek literary models by Roman authors. The Romans identified their own gods with those of the ancient Greeks—who were closely historically related in some cases, such as Zeus and Jupiter—and reinterpreted myths about Greek deities under the names of their Roman counterparts. Greek and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Religion
Religion in ancient Rome consisted of varying imperial and provincial religious practices, which were followed both by the people of Rome as well as those who were brought under its rule. The Romans thought of themselves as highly religious, and attributed their success as a world power to their collective piety ''(pietas)'' in maintaining Pax deorum, good relations with the gods. Their Polytheism, polytheistic religion is known for having honored List of Roman deities, many deities. The presence of Magna Graecia, Greeks on the Italian peninsula from the beginning of the historical period influenced Culture of ancient Rome, Roman culture, introducing some religious practices that became fundamental, such as the ''Cult (religious practice), cultus'' of Apollo. The Romans looked for common ground between their major gods and those of the Greeks (''interpretatio graeca''), adapting Greek mythology, Greek myths and iconography for Latin literature and Roman art, as the Etruscans h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forge
A forge is a type of hearth used for heating metals, or the workplace (smithy) where such a hearth is located. The forge is used by the smith to heat a piece of metal to a temperature at which it becomes easier to shape by forging, or to the point at which work hardening no longer occurs. The metal (known as the "workpiece") is transported to and from the forge using tongs, which are also used to hold the workpiece on the smithy's anvil while the smith works it with a hammer. Sometimes, such as when hardening steel or cooling the work so that it may be handled with bare hands, the workpiece is transported to the slack tub, which rapidly cools the workpiece in a large body of water. However, depending on the metal type, it may require an oil quench or a salt brine instead; many metals require more than plain water hardening. The slack tub also provides water to control the fire in the forge. Types Coal/coke/charcoal forge A forge typically uses bituminous coal, indu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desert
A desert is a barren area of landscape where little precipitation occurs and, consequently, living conditions are hostile for plant and animal life. The lack of vegetation exposes the unprotected surface of the ground to denudation. About one-third of the land surface of the Earth is arid or semi-arid. This includes much of the polar regions, where little precipitation occurs, and which are sometimes called polar deserts or "cold deserts". Deserts can be classified by the amount of precipitation that falls, by the temperature that prevails, by the causes of desertification or by their geographical location. Deserts are formed by weathering processes as large variations in temperature between day and night put strains on the rocks, which consequently break in pieces. Although rain seldom occurs in deserts, there are occasional downpours that can result in flash floods. Rain falling on hot rocks can cause them to shatter, and the resulting fragments and rubble strewn over the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
