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Vortice
''Vortice'' (i.e. "Vortex") is a 1953 Italian melodrama film directed by Raffaello Matarazzo and starring Massimo Girotti and Silvana Pampanini. Plot Cast *Massimo Girotti as Guido Aureli *Silvana Pampanini as Elena Fanti *Franco Fabrizi as Viaggiani * Gianni Santuccio as Luigi Moretti * Maria Grazia Sandri as Anna * Paolo Ferrara as Cesare Fanti * Giorgio Capecchi as Police Commissioner *Irene Papas as Clara *Nino Marchesini as Defense Attorney *Dina Perbellini as Nursing Sister * Amina Pirani Maggi as Guardian of the Prison * Gualtiero De Angelis as Police Inspector * Giuseppe Chinnici as Doctor *Aldo Silvani Aldo Silvani (21 January 1891 – 12 November 1964) was an Italian film actor. He appeared in more than 110 films between 1934 and 1964. He was born in Turin, Italy and died in Milan, Italy. Selected filmography * '' Cardinal Lambertini'' ... as Head of the Hospital * Bella Starace Sainati as Old Nun References External links * Italian d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irene Papas
Irene Papas or Irene Pappas ( el, Ειρήνη Παππά, Eiríni Pappá, ; born Eirini Lelekou ( el, Ειρήνη Λελέκου, Eiríni Lelékou, link=no); 3 September 1929 – 14 September 2022) was a Greek actress and singer who starred in over 70 films in a career spanning more than 50 years. She gained international recognition through such popular award-winning films as '' The Guns of Navarone'' (1961), '' Zorba the Greek'' (1964) and '' Z'' (1969). She was a powerful protagonist in films including ''The Trojan Women'' (1971) and ''Iphigenia'' (1977). She played the title roles in ''Antigone'' (1961) and '' Electra'' (1962). She had a fine singing voice, on display in the 1968 recording ''Songs of Theodorakis''. Papas won Best Actress awards at the Berlin International Film Festival for ''Antigone'' and from the National Board of Review for ''The Trojan Women''. Her career awards include the Golden Arrow Award in 1993 at Hamptons International Film Festival, and the G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raffaello Matarazzo
Raffaello Matarazzo (17 August 1909 – 17 May 1966) was an Italian filmmaker. Life Matarazzo started writing film reviews for the Roman newspaper ''Il Tevere'' before re-editing scripts for the Italian film company Cines. His first films were comedies until he shifted to making melodramas. With '' Catene'', produced by Titanus in 1949, he became the most successful director in Italy. Audience loved his melodramas. Critics, however, have tended to disparage his work, saying that Matarazzo films were ''Neorealismo d'appendice'' (neorealism wannabe). Since the 1970s, some film critics have tried to restore Matarazzo's reputation. French magazine '' Positif'' loved his erotic-historical peplum '' Ship of Lost Women''. Filmography * '' The Telephone Operator'' (1932) * ''Littoria'' (1933) * '' Fanny'' (1933) * ''Tourist Train'' (1933) * ''Unripe Fruit'' (1934) * '' Kiki'' (1934) * '' The Serpent's Fang'' (''Il serpente a sonagli'') (1935) * ''Joe the Red'' (1936) * '' The Amb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gualtiero De Angelis
Gualtiero De Angelis (November 22, 1899 – June 6, 1980) was an Italian actor and voice actor. He was best known for dubbing James Stewart in the Italian language releases of nearly all of his films. Biography Born in Rome, De Angelis began his career in 1936. During that time, he starred in over nine films and dubbed over the voices of many famous actors. He was the official Italian voice of James Stewart as well as Cary Grant, Dean Martin and Errol Flynn. He also dubbed over the voices of John Garfield, George Raft, Richard Conte, Kirk Douglas, Paul Henreid, Henry Fonda, Gary Merrill, John Wayne, Arthur Kennedy, William Holden and many more. He has also dubbed over Italian actors such as Vittorio Gassman, Luciano Tajoli and Pietro Germi. De Angelis was considered to be among the most influential voice dubbers employed with the Cooperativa Doppiatori Cinematografici along with Emilio Cigoli, Lydia Simoneschi, Lauro Gazzolo, Carlo Romano, Giulio Panicali, Stefano Sibaldi, Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dina Perbellini
Dina Perbellini (14 January, 1901–2 April, 1984) was an Italian actress. She appeared in over sixty films and television series between 1934 and 1969 and was also a leading voice actress, dubbing foreign films for release in Italy. She made her film debut in the 1934 school comedy ''Seconda B''.Reich & Garofalo p.154 Partial filmography * ''Seconda B'' (1934) - Professorina Vanni * '' Three Cornered Hat'' (1935) - Donna Dolores, moglie del governatore * ''Le scarpe al sole'' (1935) - La moglie di Bepo * ''Ginevra degli Almieri'' (1936) * ''Amore'' (1936) - Luisa * ''The Castiglioni Brothers'' (1937) - Berta * '' It Was I!'' (1937) - Signora in villeggiatura * ''The Last Days of Pompeo'' (1937) * ''Il conte di Brechard'' (1938) * ''La sposa dei re'' (1938) - La signora Clary * ''Crispino e la comare'' (1938) - La comare * ''The Marquis of Ruvolito'' (1939) - La contessa Scoperlati * ''Il barone di Corbò'' (1939) - Didone * ''Mad Animals'' (1939) - La direttrice dell'ospedale de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nino Marchesini
Nino Marchesini (1895 – 13 January 1961) was an Italian actor. He appeared in more than seventy films from 1931 to 1961. Filmography References External links * 1895 births 1961 deaths Italian male film actors {{Italy-film-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Fabrizi
Franco Fabrizi (; 15 February 1916 – 18 October 1995) was an Italian actor. Life and career Son of a barber and a cinema cashier, Franco Fabrizi started his career as a model and an actor in fotoromanzi. Fabrizi also starred on several revues and stage works, then he debuted on the big screen with a supporting role in '' Chronicle of a Love'' (''Cronaca di un amore'') (1950), Michelangelo Antonioni's long film debut. The role that made him known was as Fausto in Federico Fellini's ''I vitelloni''; from then he was inextricably linked to the character of a full-time seducer, a young wastrel, a young not-so-young man who refuses to grow up, a character that he reprised, with different facets, in a great number of films. Past the 1950s, Fabrizi was mainly relegated to character roles in Italian, French and Spanish minor productions; he still appeared on several major works of Italian cinema, and one of his last great roles was in Luchino Visconti's ''Death in Venice''. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silvana Pampanini
Silvana Pampanini (25 September 1925 – 6 January 2016) was an Italian film actress, director and singer. She was also the niece of the well-known soprano of the golden era of opera, Dame Rosetta Pampanini. Silvana Pampanini caused a sensation when she took part in the 1946 Miss Italy contest and the following year she started her movie career. Madame Pampanini was born into a well-off family, she was educated, and studied opera and ballet since her childhood. According to interviews, Pampanini was a contralto with notable voice extension. However, she also said many times over the years that she preferred to pursue a career in cinema as it required less training and it was much less demanding than a career as an opera singer. Beauty pageant It was her singing teacher's idea to make her participate in the Miss Italy contest which had been cancelled during the war. Tall, attractive and self-confident, she was riotously appreciated by the audience, not by the panelists who had to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodolfo Lombardi
Rodolfo Lombardi (1908–1985) was an Italian cinematographer.Bondanella p.154 Selected filmography * '' The Prisoner of Santa Cruz'' (1941) * ''After Casanova's Fashion'' (1942) * ''Non ti pago!'' (1942) * ''Music on the Run'' (1943) * ''Special Correspondents'' (1943) * ''Down with Misery'' (1945) * '' The Black Eagle'' (1946) * '' Desire'' (1946) * '' Eleonora Duse'' (1947) * '' The White Devil'' (1947) * ''Eleven Men and a Ball'' (1948) * ''Les Misérables'' (1948) * '' The Mysterious Rider'' (1948) * '' Cavalcade of Heroes'' (1950) * '' The Lion of Amalfi'' (1950) * '' Nobody's Children'' (1951) * ''Seven Hours of Trouble'' (1951) * '' Who Is Without Sin'' (1952) * ''Falsehood'' (1952) * ''Three Girls from Rome'' (1952) * '' I Chose Love'' (1953) * ''The World Condemns Them'' (1953) * ''Vortice'' (1953) * ''Cardinal Lambertini'' (1954) * ''Theodora, Slave Empress ''Theodora, Slave Empress'' ( it, Teodora, imperatrice di Bisanzio) is a 1954 film about Theodora, a former slav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Serandrei
Mario Serandrei (23 May 1907 – 17 April 1966) was an Italian film editor and screenwriter. Born in Naples, he started in the film industry in 1931 as an assistant director. He edited over two hundred films during his career, and worked steadily until his death in 1966. As an editor, Serandrei's credits included Federico Fellini's ''Il bidone'' (1955), Pietro Francisci's ''Hercules'' (1958) and ''Hercules Unchained'' (1959), Valerio Zurlini's ''Estate violenta'' (1959), ''La ragazza con la valigia'' (1961) and '' Cronaca familiare'' (1962), and the Robert Aldrich/Sergio Leone film of ''Sodom and Gomorrah'' (1963). He enjoyed a long working relationship with director Luchino Visconti, editing ''Ossessione'' (1943), '' Bellissima'' (1951), '' Senso'' (1954), ''Rocco and His Brothers'' (1960) and ''The Leopard'' (1963). At the end of his career, he edited many films directed by Mario Bava, including '' Black Sunday'' (1960) (which he also co-wrote), ''Black Sabbath'' (1963), and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lux Film
Lux Film was an Italian film distribution (and later production) company founded by Riccardo Gualino in 1934. Gualino was an anti-fascist businessman who had clashed with the regime of Mussolini in 1931 and had been forced into internal exile on the island of Lipari.Gian Piero Brunetta, Jeremy Parzen ''The History of Italian Cinema: a Guide to Italian Film From its Origins to the Twenty-First Century'', 2009, Princeton & Woodstock: Princeton University Press, p. 71, 117 Founded in 1934, the Turin-based company specialised in distributing non-Italian films during its first few years. Relocating in Rome in 1940, Lux began making its own films around this time, with the aim of its output being "low risk and low budget by packaging high-quality art films with cultural content". Unlike the studio system current in Hollywood at the time, the company did not have its own studios, but financed, distributed, and exhibited projects which others brought to it with 'fixed-price contracts' wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Language
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Itali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama Film
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
