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Virgin Nikopoios
The Virgin Nikopoios also known as Panagia Nikopoios is a tempera painting by Thomas Bathas. Bathas was active in Heraklion, Venice, and Corfu during the second half of the 16th century. The painting follows the traditional Byzantine style characteristic of the traditional maniera greca. The painting also featured the Venetian style. The position of the Virgin and Child is the Nikopoios (the bringer of victory). The word Nicopeia is indicative of Constantinople. There are actually many different types. The name "bringer of the victory" has been associated with this position and style after 7th century Byzantine Emperor Heraclius choose the image of the Theotokos and Child and made them his protectors when he sailed from Carthage to Constantinople in 610 AD. Byzantine Emperor Heraclius left the image in Constantinople after the victory. According to legend, the siege of the Avaren and Slaves was averted in 626, after praying to the image. Another legend states that Empress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Bathas
Thomas Bathas ( el, Θωμάς Μπαθάς, 1554 – 1599; also known as Tomios or Tomio, Batta Tornio) was a Greek painter, educator, and Vikar. He employed the maniera greca in some of his work but he also broke from tradition by employing the Venetian style. He traveled around the Venetian Empire going from Heraklion to Corfu and Venice. He was a prominent member of the Greek Confraternity in Venice. He was friends with Gabriel Severus, Metropolitan of Philadelphia. He was very popular among both Greek and Italian patrons. He influenced the works of countless artists both Italian and Greek. Some of his works are in San Giorgio dei Greci and the Hellenic Institute of Venice. Emmanuel Tzanes, Konstantinos Tzanes, Ioannis Moskos, and Philotheos Skoufos were some Greek artists influenced by his work. One of his students was the famous painter Emmanuel Tzanfournaris. He left him a fortune in his will. His most famous works include: '' Portrait of Gabriel Sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theotokos
''Theotokos'' (Greek: ) is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are ''Dei Genitrix'' or ''Deipara'' (approximately "parent (fem.) of God"). Familiar English translations are "Mother of God" or "God-bearer" – but these both have different literal equivalents in Greek, Μήτηρ Θεοῦ and Θεοφόρος ("Who gave birth to one who was God", "Whose child was God", respectively). The title has been in use since the 3rd century, in the Syriac tradition (as ) in the Liturgy of Mari and Addai (3rd century)''Addai and Mari, Liturgy of''. Cross, F. L., ed. ''The Oxford Dictionary of the Christian Church''. Oxford University Press. 2005. and the Liturgy of St James (4th century). The Council of Ephesus in AD 431 decreed that Mary is the ''Theotokos'' because Her Son Jesus is both God and man: one divine person from two natures (divine and human) intimately and hypostatically united. The title of Mother o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Paintings
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelagonitissa
The Pelagonitissa (also known as "The Virgin with the Playing Child") is a type of depiction of the Virgin Mary (often in icons) in which the Virgin holds an infant Jesus in an abrupt movement, his head back and grabbing onto her. Pelagonitissa was developed in the twelfth and thirteenth centuries in the Byzantine Empire, particularly in Macedonia. The name ''Pelagonitissa'' refers to the city of Bitola, previously known as ''Pelagonia''. Pelagonitissa is often seen as a variant of the Eleusa icon in which the infant Jesus rests. One of the best-known examples is in the Church of St. George, Staro Nagoričane, restored by the Serbian king Milutin in the 13th century. See also * List of Theotokos of St. Theodore icons * Marian devotions Marian devotions are external pious practices directed to the person of Mary, mother of God, by members of certain Christian traditions. They are performed in Catholicism, High Church Lutheranism, Anglo-Catholicism, Eastern Orthodoxy and O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleusa Icon
The Eleusa (or ''Eleousa''; el, Ἐλεούσα – ''tenderness'' or ''showing mercy'') is a type of depiction of the Virgin Mary in icons in which the Christ Child is nestled against her cheek. In the Western Church the type is often known as the Virgin of Tenderness. Depictions Such icons have been venerated in the Eastern Church for centuries. Similar types of depiction are also found in Madonna paintings in the Western Church where they are called the Madonna Eleusa, or the Virgin of Tenderness. By the 19th century examples such as th '' Lady of Refuge'' type (e.g. the ''Refugium Peccatorum Madonna'' by Luigi Crosio) were widespread and they were also used in retablos in Mexican art.''Art and faith in Mexico: the nineteenth-century retablo tradition'' by Charles Muir Lovell pages 93–94 In Eastern Orthodoxy the term Panagia Eleousa is often used. The Theotokos of Vladimir and Theotokos of Pochayiv are well-known examples of this type of icon. Eleusa is also used as epi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hodegetria
A Hodegetria , ; russian: Одиги́трия, Odigítria ; Romanian: Hodighitria, or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for humankind. The Virgin's head usually inclines towards the child, who raises his hand in a blessing gesture. In the Western Church this type of icon is sometimes called Our Lady of the Way. The most venerated icon of the Hodegetria type, regarded as the original, was displayed in the Monastery of the Panaghia Hodegetria in Constantinople, which was built specially to contain it. Unlike most later copies it showed the Theotokos standing full-length. It was said to have been brought back from the Holy Land by Eudocia, the wife of emperor Theodosius II (408–450), and to have been painted by Saint Luke the apostle himself. The icon was double-sided, with a crucifixion on the other side, and was "perhaps the most prominent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Our Lady Of The Sign
The Icon of ''Our Lady of the Sign'' ( el, Panagia or Παναγία Ορωμένη or Παναγία Πλατυτέρα; cu, italic=yes, Ikona Bozhey Materi "Znamenie"; pl, Ikona Bogurodzicy "Znamienie") is the term for a particular type of icon of the Theotokos (Virgin Mary), facing the viewer directly, depicted either full length or half, with her hands raised in the ''orans'' position, and with the image of the Child Jesus depicted within a round aureole upon her breast. Iconography The icon depicts the Theotokos during the Annunciation at the moment of saying, "May it be done to me according to your word."(). The image of the Christ child represents him at the moment of his conception in the womb of the Virgin. He is depicted not as a fetus, but rather vested in divine robes, and often holding a scroll, symbolic of his role as teacher. Sometimes his robes are gold or white, symbolizing divine glory; sometimes they are blue and red, symbolizing the two natures of Christ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Core
Core or cores may refer to: Science and technology * Core (anatomy), everything except the appendages * Core (manufacturing), used in casting and molding * Core (optical fiber), the signal-carrying portion of an optical fiber * Core, the central part of a fruit * Hydrophobic core, the interior zone of a protein * Nuclear reactor core, a portion containing the fuel components * Pit (nuclear weapon) or core, the fissile material in a nuclear weapon * Semiconductor intellectual property core (IP core), is a unit of design in ASIC/FPGA electronics and IC manufacturing * Atomic core, an atom with no valence electrons Geology and astrophysics * Core sample, in Earth science, a sample obtained by coring ** Ice core * Core, the central part of a galaxy; see Mass deficit * Core (anticline), the central part of an anticline or syncline * Planetary core, the center of a planet ** Earth's inner core ** Earth's outer core * Stellar core, the region of a star where nuclear fusion takes place ** ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Mark's Basilica
The Patriarchal Cathedral Basilica of Saint Mark ( it, Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica ( it, Basilica di San Marco; vec, Baxéłega de San Marco), is the cathedral church of the Catholic Church, Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello (church), San Pietro di Castello. It is dedicated to and holds the Relic#Christianity, relics of Mark the Evangelist, Saint Mark the Evangelist, the patron saint of the city. The church is located on the eastern end of Piazza San Marco, Saint Mark's Square, the former political and religious centre of the Republic of Venice, and is attached to the Doge's Palace. Prior to the Fall of the Republic of Venice, fall of the republic in 1797, it was the chapel of the Doge of Venice, Doge and was subject to his jurisdiction, with the concurrence of the procurators of Saint Mark ''de supra' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heraclius
Heraclius ( grc-gre, Ἡράκλειος, Hērákleios; c. 575 – 11 February 641), was List of Byzantine emperors, Eastern Roman emperor from 610 to 641. His rise to power began in 608, when he and his father, Heraclius the Elder, the Exarchate of Africa, exarch of Africa, led a revolt against the unpopular usurper Phocas. Heraclius's reign was marked by several military campaigns. The year Heraclius came to power, the empire was threatened on multiple frontiers. Heraclius immediately took charge of the Byzantine–Sasanian War of 602–628. The first battles of the campaign ended in defeat for the Byzantines; the Persian army fought their way to the Bosphorus but Constantinople was protected by impenetrable walls and a strong navy, and Heraclius was able to avoid total defeat. Soon after, he initiated reforms to rebuild and strengthen the military. Heraclius drove the Persians out of Asia Minor and pushed deep into their territory, defeating them decisively in 627 at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cretan School
Cretan School describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the Fall of Constantinople, becoming the central force in Greek painting during the 15th, 16th and 17th centuries. The Cretan artists developed a particular style of painting under the influence of both Eastern and Western artistic traditions and movements; the most famous product of the school, El Greco, was the most successful of the many artists who tried to build a career in Western Europe, and also the one who left the Byzantine style farthest behind him in his later career. 15th century There was a substantial demand for Byzantine icons in Europe throughout the Middle Ages and, as a Venetian possession since 1204, Crete had a natural advantage and soon came to dominate the supply. A probable early example is the famous icon of the Virgin in Rome known as Our M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venetian Painting
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.Gardner, p. 679. By chance, the main phases of Venetian painting fit rather neatly into the centuries. The glories of the 16th century were followed by a great fall-off in the 17th, but an unexpected revival in the 18th, when Venetian painters enjoyed great success around Europe, as Baroque painting turned to Rococo. This had ended c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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