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Violin Concerto No. 1 (Saint-Saëns)
Violin Concerto No. 1 may refer to any composer's first violin concerto, or to a composer's only violin concerto: *Violin Concerto in A minor (Bach) *Violin Concerto (Barber) *Violin Concerto No. 1 (Bartók) *Violin Concerto (Beethoven) in D major * Violin Concerto (Berg) * Violin Concerto (Brahms) in D major *Violin Concerto No. 1 (Bruch) in G minor * Violin Concerto No. 1 (Davies) *Violin Concerto (Dvořák) in A minor * Violin Concerto (Elgar) in B minor *Violin Concerto No. 1 (Glass) * Violin Concerto No. 1 (Goldmark) in A minor *Violin Concerto No. 1 (Haydn) in C major * Violin Concerto No. 1 (Lindberg) *Violin Concerto (Mendelssohn) in E minor *Violin Concerto No. 1 (Mozart) in B-flat major *Violin Concerto No. 1 (Paganini) in D major * Violin Concerto No. 1 (Piston) *Violin Concerto No. 1 (Prokofiev) in D major * Violin Concerto No. 1 (Saint-Saëns) in A major by Camille Saint-Saëns *Violin Concerto (Schoenberg) *Violin Concerto (Schumann) in D minor * Violin Concerto No. 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto
A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day. Many major composers have contributed to the violin concerto repertoire, with the best known works including those by Bach, Bartók, Beethoven, Brahms, Bruch, Dvořák, Khachaturian, Mendelssohn, Mozart, Paganini, Prokofiev, Sarasate, Shostakovich, Sibelius, Tchaikovsky, and Vivaldi. Traditionally a three-movement work, the violin concerto has been structured in four movements by a number of modern composers, including Dmitri Shostakovich, Igor Stravinsky, and Alban Berg. In some violin concertos, especially from the Baroque and modern eras, the violin (or group of violins) is accompanied by a chamber ensemble rather than an orchestra—for instance, in Vivaldi's ''L'estro armonico'', originally scored for four vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Mendelssohn)
Felix Mendelssohn's Violin Concerto in E minor, Op. 64, is his last concerto. Well received at its premiere, it has remained among the most prominent and highly-regarded violin concertos. It holds a central place in the violin repertoire and has developed a reputation as an essential concerto for all aspiring concert violinists to master, and usually one of the first Romantic era concertos they learn.Mendelssohn, F. ''Violin Concerto in E minor, Op. 64'', Dover Miniature Scores (1999) A typical performance lasts just under half an hour. Mendelssohn originally proposed the idea of the violin concerto to Ferdinand David, a close friend and then concertmaster of the Leipzig Gewandhaus Orchestra. Although conceived in 1838, the work took another six years to complete and was not premiered until 1845. During this time, Mendelssohn maintained a regular correspondence with David, who gave him many suggestions. The work itself was one of the foremost violin concertos of the Romantic era ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Vieuxtemps
Henri François Joseph Vieuxtemps ( 17 February 18206 June 1881) was a Belgian composer and violinist. He occupies an important place in the history of the violin as a prominent exponent of the Franco-Belgian violin school during the mid-19th century. He is also known for playing what is now known as the Vieuxtemps Guarneri del Gesù, a violin of superior workmanship. Biography Vieuxtemps was born in Verviers, Belgium (then part of the United Kingdom of the Netherlands), son of a weaver and amateur violinist and violin-maker. He received his first violin instruction from his father and a local teacher and gave his first public performance at the age of six, playing a concerto by Pierre Rode. Soon he was giving concerts in various surrounding cities, including Liège and Brussels where he met the violinist Charles Auguste de Bériot, with whom he began studies. In 1829, Bériot took him to Paris where he made a successful concert debut, again with a concerto by Rode, but he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Tchaikovsky)
The Violin Concerto in D major, Op. 35 was the only concerto for violin composed by Pyotr Ilyich Tchaikovsky. Composed in 1878, it is one of the best-known violin concertos. History The piece was written in Clarens, a Swiss resort on the shores of Lake Geneva, where Tchaikovsky had gone to recover from the depression brought on by his disastrous marriage to Antonina Miliukova. He was working on his Piano Sonata in G major but finding it heavy going. Presently he was joined there by his composition pupil, the violinist Iosif Kotek, who had been in Berlin for violin studies with Joseph Joachim. The two played works for violin and piano together, including a violin-and-piano arrangement of Édouard Lalo's '' Symphonie espagnole'', which they may have played through the day after Kotek's arrival. This work may have been the catalyst for the composition of the concerto. Tchaikovsky wrote to his patroness Nadezhda von Meck, "It he ''Symphonie espagnole''has a lot of freshness, li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Sibelius)
The Violin Concerto in D minor, Op. 47 of Jean Sibelius, originally composed in 1904 and revised in 1905, is the only concerto by Sibelius. It is symphonic in scope and included an extended cadenza for the soloist which takes on the role of the development section in the first movement. History Sibelius originally dedicated the concerto to the noted violinist Willy Burmester, who promised to play the concerto in Berlin. For financial reasons, however, Sibelius decided to premiere it in Helsinki, and since Burmester was unavailable to travel to Finland, Sibelius engaged Victor Nováček (1873–1914), a Hungarian violin pedagogue of Czech origin who was then teaching at the Helsinki Institute of Music (now the Sibelius Academy). The initial version of the concerto premiered on 8 February 1904, with Sibelius conducting. Sibelius had barely finished the work in time for the premiere, giving Nováček little time to prepare, and the piece was of such difficulty that it would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Schumann)
Robert Schumann's Violin Concerto in D minor, WoO 23, written in 1853, was his only violin concerto and one of his last significant compositions. It remained unknown to all but a very small circle for more than 80 years after it was written. Instrumentation The concerto is scored for solo violin, 2 flutes, 2 oboes, 2 clarinets in B, 2 bassoons, 2 horns in F, 2 trumpets in B, timpani and strings. Structure The concerto is in the traditional three-movement quick-slow-quick form. It belongs less to the poetic and passionate style of Schumann's early masterpieces than to the more objective, classical manner of his later music, as ushered in by the 'Rhenish' Symphony of 1850. Composition Schumann wrote it in Düsseldorf between 11 September and 3 October 1853 for the violinist Joseph Joachim. He had just previously completed another work for Joachim, the ''Fantasie in C major'', Op. 131. On 1 October, the young Johannes Brahms entered Schumann's life. It appears that Schu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Schoenberg)
The Violin Concerto ( Op. 36) by Arnold Schoenberg dates from Schoenberg's time in the United States, where he had moved in 1933 to escape Nazi Germany. The piece was written in 1936, the same year as the String Quartet No. 4. At the time of its completion, Schoenberg was living in Brentwood, Los Angeles, and had just accepted a teaching position at the University of California, Los Angeles. The work is dedicated to Anton Webern. Style and form Schoenberg had made a return to tonal writing upon his move to America and, though the Violin Concerto uses twelve-tone technique, its neoclassical form demanded a mimesis of tonal melody, and hence a renunciation of the motivic technique used in his earlier work in favour of a thematic structure. The basic row of the concerto is: \new Staff \with \relative c'' While the row is not necessary for understanding any good twelve-note piece, an awareness of it in this concerto is useful because the row is very much in the foreground, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Elgar)
Edward Elgar's Violin Concerto in B minor, Op. 61, is one of his longest orchestral compositions, and the last of his works to gain immediate popular success. The concerto was composed for the violinist Fritz Kreisler, who gave the premiere in London in 1910, with the composer conducting. Plans by the recording company His Master's Voice to record the work with Kreisler and Elgar fell through, and the composer made a recording with the teenaged Yehudi Menuhin that has remained in the catalogues since its first release in 1932. Even though Elgar's music fell out of fashion in the middle of the twentieth century, and the concerto's reputation as one of the most difficult in the violin repertoire grew (because of its use of constant multiple-stopping, fast and unorthodox string crossings, and massive, rapid shifting around the instrument), it nevertheless continued to be programmed and played by acclaimed violinists. By the end of the 20th century, when Elgar's music was restored to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto In A Minor (Bach)
The Violin Concerto in A minor, BWV 1041, was composed by Johann Sebastian Bach. While it is "generally thought to have been composed at Köthen in 1717–23", Christoph Wolff has argued that the work may have been written in Leipzig during Bach's time as director of the Collegium Musicum; John Butt also believes that Bach wrote it "probably soon after taking over the Leipzig Collegium Musicum in 1729". In any event, the only autograph source to survive are parts Bach copied out (along with other copyists) in Leipzig circa 1730 Christoph Wolff, "Bach's Leipzig Chamber Music," in ''Bach: Essays on His Life and Work'', Harvard University Press, 1991, pp. 234–37 from a now lost score or draft. Structure and analysis The piece has three movements: A typical performance of the concerto takes around 15 minutes. Instrumentations and transcriptions The Clavier Concerto in G minor, BWV 1058 is an arrangement of this concerto with harpsichord. References External links Violin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Dvořák)
The Violin Concerto in A minor, Op. 53 (B. 96 / B. 108), is a concerto for violin and orchestra composed by Antonín Dvořák in 1879. It was premiered in Prague on October 14, 1883. by František Ondříček, who also gave the Vienna and London premieres. Today it remains an important work in the violin repertoire. Instrumentation The concerto is scored for solo violin and an orchestra consisting of 2 flutes, 2 oboes 2 clarinets (in A), 2 bassoons, 4 horns, 2 trumpets, timpani, and strings. Structure The structure of the concerto is the classical three movements, fast–slow–fast. The first movement and the second movement are interconnected (''attacca subito''). History Dvořák was inspired to write the concerto after meeting Joseph Joachim in 1878, and composed the work with the intention of dedicating it to him. However, when he finished the concerto in 1879, Joachim became skeptical about it. Joachim was a strict classicist and objected, ''inter alia'', to Dvoř ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Brahms)
The Violin Concerto in D major, Op. 77, was composed by Johannes Brahms in 1878 and dedicated to his friend, the violinist Joseph Joachim. It is Brahms's only violin concerto, and, according to Joachim, one of the four great German violin concerti: Instrumentation The Violin Concerto is scored for solo violin and orchestra consisting of 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons; 2 natural horns crooked in D, and 2 natural horns crooked in E, 2 trumpets in D, timpani, and strings. Despite Brahms' scoring for natural (non-valved) horns in his orchestral works, valved horns have always been used in actual performance, even in Brahms' time. Structure The concerto follows the standard concerto form, with three movements in the pattern quick–slow–quick: Originally, the work was planned in four movements like the second piano concerto. The middle movements, one of which was intended to be a scherzo—a mark that Brahms intended a symphonic concerto rather than a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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