Violin Concerto (Schoenberg)
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Violin Concerto (Schoenberg)
The Violin Concerto ( Op. 36) by Arnold Schoenberg dates from Schoenberg's time in the United States, where he had moved in 1933 to escape Nazi Germany. The piece was written in 1936, the same year as the String Quartet No. 4. At the time of its completion, Schoenberg was living in Brentwood, Los Angeles, and had just accepted a teaching position at the University of California, Los Angeles. The work is dedicated to Anton Webern. Style and form Schoenberg had made a return to tonal writing upon his move to America and, though the Violin Concerto uses twelve-tone technique, its neoclassical form demanded a mimesis of tonal melody, and hence a renunciation of the motivic technique used in his earlier work in favour of a thematic structure. The basic row of the concerto is: \new Staff \with \relative c'' While the row is not necessary for understanding any good twelve-note piece, an awareness of it in this concerto is useful because the row is very much in the foreground, a ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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Hexachordal Combinatoriality
In music using the twelve tone technique, combinatoriality is a quality shared by twelve-tone tone rows whereby each section of a row and a proportionate number of its transformations combine to form aggregates (all twelve tones). Whittall, Arnold. 2008. ''The Cambridge Introduction to Serialism. Cambridge Introductions to Music'', p. 272. New York: Cambridge University Press. (hardback) (pbk). Much as the pitches of an aggregate created by a tone row do not need to occur simultaneously, the pitches of a combinatorially created aggregate need not occur simultaneously. Arnold Schoenberg, creator of the twelve-tone technique, often combined P-0/I-5 to create "two aggregates, between the first hexachords of each, and the second hexachords of each, respectively." Combinatoriality is a side effect of derived rows, where the initial segment or set may be combined with its transformations (T,R,I,RI) to create an entire row. "Derivation refers to a process whereby, for instance, the ...
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Western Concert Flute
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist (in British English), flutist (in American English), or simply a flute player. This type of flute is used in many ensembles, including concert bands, military bands, marching bands, orchestras, flute ensembles, and occasionally jazz bands and big bands. Other flutes in this family include the piccolo, the alto flute, and the bass flute. A large repertory of works has been composed for flute. Predecessors The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern fifes. These were later modified to include between one and eight keys for chromatic notes. "Six-finger" D is the most common pitch for keyless wooden transverse flutes, which continue to be used to ...
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Artur Rodziński
Artur Rodziński (2 January 1892 – 27 November 1958) was a Polish-American conductor of orchestral music and opera. He began his career after World War I in Poland, where he was discovered by Leopold Stokowski, who invited him to be his assistant with the Philadelphia Orchestra. This engagement led to Rodziński becoming music director of the Los Angeles Philharmonic, Cleveland Orchestra, New York Philharmonic, and the Chicago Symphony Orchestra. He also prepared the NBC Symphony Orchestra for Arturo Toscanini before the Italian conductor's debut with them. A dispute in Chicago led to Rodziński's dismissal in 1948, whereupon he shifted his career to Europe, eventually settling in Italy, although continuing to maintain a home in Lake Placid, New York. In November 1958, beset by heart disease, he made his professional return to the United States for the first time in a decade, conducting acclaimed performances of Richard Wagner's ''Tristan und Isolde'' with the Lyric Opera of Chic ...
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Venice Festival Of Contemporary Music
The Venice Festival of Contemporary Music (Italian: ''Festival Internazionale di Musica Contemporanea della Biennale di Venezia'') was founded in 1930 as an adjunct of the older Venice Biennale festival. Some works by Prokofiev and Stravinsky were premiered at the festival. Among composers featured in the first year were William Walton, Manuel De Falla, Zoltán Kodály, Ernest Bloch, Ferruccio Busoni, Arthur Honegger, and Paul Hindemith Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Ne .... Excluding interruptions in World War II, the festival has continued to the present. External linksOfficial website References Music in Venice Venice Biennale 1930 establishments in Italy {{music-festival-stub ...
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La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Hist ...
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New York Philharmonic
The New York Philharmonic, officially the Philharmonic-Symphony Society of New York, Inc., globally known as New York Philharmonic Orchestra (NYPO) or New York Philharmonic-Symphony Orchestra, is a symphony orchestra based in New York City. It is one of the leading American orchestras popularly referred to as the "Big Five (orchestras), Big Five". The Philharmonic's home is David Geffen Hall, located in New York's Lincoln Center for the Performing Arts. Founded in 1842, the orchestra is one of the oldest musical institutions in the United States and the oldest of the "Big Five" orchestras. Its record-setting 14,000th concert was given in December 2004. History Founding and first concert, 1842 The New York Philharmonic was founded in 1842 by the American conductor Ureli Corelli Hill, with the aid of the Irish composer William Vincent Wallace. The orchestra was then called the Philharmonic Society of New York. It was the third Philharmonic on American soil since 1799, and had as it ...
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Dimitri Mitropoulos
Dimitri Mitropoulos ( el, Δημήτρης Μητρόπουλος; The dates 18 February 1896 and 1 March 1896 both appear in the literature. Many of Mitropoulos's early interviews and program notes gave 18 February. In his later interviews, however, the conductor said he was born on 1 March, and most American sources also show this birthdate. The reason for the different dates is that Greece was still using the Julian calendar in 1896, and did not adopt the Gregorian calendar until 1923, when Mitropulos was 27. By then, the calendars were 13 days apart, but in 1896 they were only 12 days apart. The date 18 February 1896 under the Julian calendar corresponded to 1 March 1896 in the Gregorian. The earlier sources used the original Julian calendar date, and the later sources used the equivalent Gregorian date. – 2 November 1960) was a Greek conductor, pianist, and composer. Life and career Mitropoulos was born in Athens, the son of Yannis and Angelikē Mitropoulos. His father ...
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Alban Berg
Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively small ''oeuvre'', he is remembered as one of the most important composers of the 20th century for his expressive style encompassing "entire worlds of emotion and structure". Berg was born and lived in Vienna. He began to compose only at the age of fifteen. He studied counterpoint, music theory and harmony with Arnold Schoenberg between 1904 and 1911, and adopted his principles of ''developing variation'' and the twelve-tone technique. Berg's major works include the operas ''Wozzeck'' (1924) and ''Lulu'' (1935, finished posthumously), the chamber pieces '' Lyric Suite'' and Chamber Concerto, as well as a Violin Concerto. He also composed a number of songs ('' lieder''). He is said to have brought more "human values" to the twelve-tone system, ...
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Violin Concerto (Berg)
Alban Berg's Violin Concerto was written in 1935 (the score is dated 11 August 1935). It is probably Berg's best-known and most frequently performed instrumental piece, in which the composer sought to reconcile diatonicism and dodecaphony. The work was commissioned by Louis Krasner, and dedicated by Berg to "the memory of an angel", Manon Gropius. It was the last work that Berg completed. Krasner performed the solo part in the premiere at the Palau de la Música Catalana, Barcelona, on 19 April 1936, after the composer's death. Conception and composition The piece stemmed from a commission from the violinist Louis Krasner. When he first received the commission, Berg was working on his opera ''Lulu'', and he did not begin work on the concerto for some months. The event that spurred him into writing was the death by polio of 18-year-old Manon Gropius, the daughter of Alma Mahler (once Gustav Mahler's wife) and Walter Gropius. Berg set ''Lulu'' aside to write the concerto, which ...
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Louis Krasner
Louis Krasner (4 May 1995) was a Russian Empire-born American classical violinist who premiered the violin concertos of Alban Berg and Arnold Schoenberg. Biography Louis Krasner was born in Cherkasy, Russian Empire. He arrived in the United States at the age of 5, and graduated from the New England Conservatory of Music in 1922. He continued his studies with Lucien Capet in Paris, Otakar Ševčík in Písek, Czechoslovakia, and Carl Flesch in Berlin. His concert career began in Europe, where he championed the concertos of Joseph Achron and Alfredo Casella. In 1935 he commissioned Alban Berg's Violin Concerto, which he premiered on 19 April 1936 in Barcelona, with Hermann Scherchen conducting the Pablo Casals Orchestra. He also premiered Arnold Schoenberg's Violin Concerto in December 1940, with Leopold Stokowski leading the Philadelphia Orchestra. Among the American composers whose works he premiered were Roger Sessions, Henry Cowell, and Roy Harris. Krasner retired from s ...
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Leopold Stokowski
Leopold Anthony Stokowski (18 April 1882 – 13 September 1977) was a British conductor. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra and his appearance in the Disney film ''Fantasia'' with that orchestra. He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed. Stokowski was music director of the Cincinnati Symphony Orchestra, the Philadelphia Orchestra, the NBC Symphony Orchestra, New York Philharmonic Symphony Orchestra, the Houston Symphony Orchestra, the Symphony of the Air and many others. He was also the founder of the All-American Youth Orchestra, the New York City Symphony, the Hollywood Bowl Symphony Orchestra and the American Symphony Orchestra. Stokowski conducted the music for and appeared in several Hollywood films, most notably Disney's ''Fant ...
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