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Violin Concerto (Brahms)
The Violin Concerto in D major, Op. 77, was composed by Johannes Brahms in 1878 and dedicated to his friend, the violinist Joseph Joachim. It is Brahms's only violin concerto, and, according to Joachim, one of the four great German violin concerti: Instrumentation The Violin Concerto is scored for solo violin and orchestra consisting of 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons; 2 natural horns crooked in D, and 2 natural horns crooked in E, 2 trumpets in D, timpani, and strings. Despite Brahms' scoring for natural (non-valved) horns in his orchestral works, valved horns have always been used in actual performance, even in Brahms' time. Structure The concerto follows the standard concerto form, with three movements in the pattern quick–slow–quick: Originally, the work was planned in four movements like the second piano concerto. The middle movements, one of which was intended to be a scherzo—a mark that Brahms intended a symphonic concerto rather tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the " Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crook (music)
A crook, also sometimes called a shank, is an exchangeable segment of tubing in a natural horn (or other brass instrument, such as a natural trumpet) which is used to change the length of the pipe, altering the fundamental pitch and harmonic series which the instrument can sound, and thus the key in which it plays. Apel, pp. 392, 926. Master crook and coupler system Early horns had unalterable lengths and permanently attached mouthpieces. This presented problems in concert situations. A different horn was required for different keys, and the instrument could not be tuned. Around 1700 the Leichnamschneider brothers in Vienna developed a horn with a removable mouthpiece that could be connected to a short piece of tubing, called a master crook. Additional pieces, couplers, of different lengths were inserted between the master crook and the body of the horn to change the horn's length, and thus the pitch. Fine-tuning was done with even shorter segments called tuning bits. This simp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slur (music)
A slur is a symbol in Western musical notation indicating that the notes it embraces are to be played without separation (that is, with legato articulation). A slur is denoted with a curved line generally placed over the notes if the stems point downward, and under them if the stems point upwards. The example below shows two measures in with a slur for each measure: : \relative c'' Performance Slurs mean different things for different instruments: *For bowed string instruments, the notes should be played in one bow stroke. * For plucked string instruments, such as guitars, the notes should be played without plucking the individual strings ( hammer-ons and pull-offs). * For wind instruments, the notes should be played without re-articulating each note ( tonguing), except for the slide trombone (and other instruments that control the pitch with a slide), on which only certain kinds of combinations can be played with no tongue without making a glissando – thu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute The minute is a unit of time usually equal to (the first sexagesimal fraction) of an hour, or 60 seconds. In the UTC time standard, a minute on rare occasions has 61 seconds, a consequence of leap seconds (there is a provision to insert a nega ... (or bpm). In modern classical compositions, a " metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter (music), meter, or these aspects may be indicated along with tempo, all contributing to the overall texture (music), texture. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yakov Kreizberg
Yakov Kreizberg (russian: Яков Крейцберг; born Yakov Mayevich Bychkov, 24 October 1959 – 15 March 2011) was a Russian-born American conductor. Early years In the Soviet Union Yakov Bychkov was born in Leningrad into a family of Jewish ancestry. His father, May Bychkov, was a doctor and military scientist. His maternal great-grandfather, Yakov Kreizberg, was a conductor at the Odessa Opera.Roland De Beer, "Yakov Kreizberg" in ''Dirigenten''. Meulenhoff (Amsterdam), , pp. 137–143 (2003). His brother is Semyon Bychkov (born in 1952). Yakov began studying piano at age 5. He attended the Glinka Choir School, where he began composing at age 13. He subsequently studied conducting with Ilya Musin, as did his brother. In later years, Kreizberg summarised his conducting education as follows: What Musin taught was a foundation; everything else I learned from master classes of very good and bad conductors. From the bad, I learned what not to do. Semyon had emigr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netherlands Philharmonic Orchestra
The Netherlands Philharmonic Orchestra (NedPhO; nl, Nederlands Philharmonisch Orkest) is a Dutch symphony orchestra based in Amsterdam. History The NedPhO was formed in 1985 from the merger of three orchestras: the Amsterdam Philharmonic Orchestra, the Utrecht Symphony Orchestra Utrecht and the Netherlands Chamber Orchestra. The Netherlands Chamber Orchestra ( nl, Nederlands Kamer Orkest, NKO) continues to give concerts under its own name, with both it and the NedPhO as part of the Netherlands Philharmonic Orchestra Foundation (), which is headquartered in Amsterdam. The NedPhO Foundation comprises the largest orchestra organisation in the Netherlands, with 130 musicians on staff. Since 2012, both the NedPhO and the NKO rehearse at the NedPho Koepel, a former church converted into a dedicated rehearsal space in eastern Amsterdam. The NedPhO gives concerts in Amsterdam at the Concertgebouw. In addition, the NedPhO currently serves as the principal orchestra for productions at Dutch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julia Fischer
Julia Fischer (born 15 June 1983) is a German classical violinist and pianist.Biography of Julia Fischer site of Pentatone Music.Violinists of the century selected and edited by music expert Harald Eggebrecht for the Sueddeutsche Zeitung Edition, 2006, catalogue of the ZVAB. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's) and the Vienna horn uses double-pis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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