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Villa Pojana
Villa Pojana or Poiana, is a patrician villa in Pojana Maggiore, a town of the Province of Vicenza in the Veneto region of Italy. It was designed by the Italian Renaissance architect Andrea Palladio. It is conserved as part of the UNESCO World Heritage Site " City of Vicenza and the Palladian Villas of the Veneto". History The Villa Pojana was built in the years 1548–1549 for Bonifacio Pojana, a member of the Pojana family who had been local landowners for centuries. Bonifacio's military background is expressed on the one hand by the severity and austere purity of the architecture and on the other hand by the decorative programme described below. Architecture Palladio's design was inspired by ancient Roman baths, which he had studied during a trip to Rome. The main floor is characterized by a large hall with a barrel vault ceiling (see also Villa Pisani in Bagnolo). At each side of the central hall, secondary rooms extend, each with a different type of vault. Villa Pojana r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Pojana Photo By Marcok 2009-08-08 N04 Rect
A villa is a type of house that was originally an ancient Roman upper class country house. Since its origins in the Roman villa, the idea and function of a villa have evolved considerably. After the fall of the Roman Republic, villas became small farming compounds, which were increasingly fortified in Late Antiquity, sometimes transferred to the Church for reuse as a monastery. Then they gradually re-evolved through the Middle Ages into elegant upper-class country homes. In the Early Modern period, any comfortable detached house with a garden near a city or town was likely to be described as a villa; most survivals have now been engulfed by suburbia. In modern parlance, "villa" can refer to various types and sizes of residences, ranging from the suburban semi-detached double villa to, in some countries, especially around the Mediterranean, residences of above average size in the countryside. Roman Roman villas included: * the ''villa urbana'', a suburban or country seat th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broken Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Etrusc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pater Familias
The ''pater familias'', also written as ''paterfamilias'' (plural ''patres familias''), was the head of a Roman family. The ''pater familias'' was the oldest living male in a household, and could legally exercise autocratic authority over his extended family. The term is Latin for "father of the family" or the "owner of the family estate". The form is archaic in Latin, preserving the old genitive ending in (see Latin declension), whereas in classical Latin the normal first declension genitive singular ending was . The ''pater familias'' always had to be a Roman citizen. Roman law and tradition ('' mos majorum'') established the power of the ''pater familias'' within the community of his own extended ''familia''. In Roman family law, the term "Patria potestas" (Latin: “power of a father”) refers to this concept. He held legal privilege over the property of the ''familia'', and varying levels of authority over his dependents: these included his wife and children, certain ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Zelotti
Giovanni Battista Zelotti (; 1526 – 28 August 1578) was an Italian painter of the late Renaissance, active in Venice and her mainland territories. He appears to have been born in Verona, then part of the Venetian mainland, and trained with Antonio Badile and Domenico Riccio, as well as perhaps Titian. Bernasconi claims he trained with his uncle ''Paolo Farinati''. He is called ''Battista da Verona'' by Vasari, and was also known as ''Battista Farinati''. He was a contemporary of Paolo Veronese and shared work in the '' Villa Soranza'' near Castelfranco (1551) and at Venice: the ceiling of the ''Sala del Consiglio dei Dieci'' in the Doge's Palace (1553-4); the Biblioteca Marciana (1556-7), and the Palazzo Trevisan (1557) on Murano. Zelotti came to embody the Veronese tradition on the mainland. He frescoed villas designed by Andrea Palladio, notably Villa Emo and Villa Foscari, where he worked with Bernardino India and Battista Franco: the exact number of Palladian villas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortuna
Fortuna ( la, Fortūna, equivalent to the Greek goddess Tyche) is the goddess of fortune and the personification of luck in Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance. The blindfolded depiction of her is still an important figure in many aspects of today's Italian culture, where the dichotomy ''fortuna / sfortuna'' (luck / unluck) plays a prominent role in everyday social life, also represented by the very common refrain "La eafortuna è cieca" (latin ''Fortuna caeca est''; "Luck oddessis blind"). Fortuna is often depicted with a gubernaculum (ship's rudder), a ball or Rota Fortunae (wheel of fortune, first mentioned by Cicero) and a cornucopia (horn of plenty). She might bring good or bad luck: she could be represented as veiled and blind, as in modern depictions of Lady Justice, except that Fortuna does not hold a balance. Fortuna came to represent life's capriciousness. She w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pompei
Pompei (; nap, Pumpeje, ) or Pompeii (, as in the name of the ancient city) is a city and commune in the Metropolitan City of Naples, Italy, home of the ancient Roman ruins of Pompeii that are part of the UNESCO World Heritage Sites. History Modern Pompei was founded in 1891 after the building of the Shrine of Our Lady of Pompei by the lawyer Bartolo Longo. Geography The town of Pompei is located at the eastern borders of its province, and its urban area is contiguous with Scafati, in the Province of Salerno. It borders also with Torre Annunziata, Castellammare di Stabia, Boscoreale, Santa Maria la Carità and Sant'Antonio Abate. Main attractions The ancient city of Pompeii Modern Pompei is mainly famous for the ruins of the ancient city of Pompeii, located in the zone of Pompei Scavi. The vast archaeological area is under Unesco patronage and attracts tourists from all around the world. The Shrine of Our Lady of Pompei The Shrine of Our Lady of Pompei, dedicated to Our L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monochrome
A monochrome or monochromatic image, object or palette is composed of one color (or values of one color). Images using only shades of grey are called grayscale (typically digital) or black-and-white (typically analog). In physics, monochromatic light refers to electromagnetic radiation that contains a narrow band of wavelengths, which is a distinct concept. Application Of an image, the term monochrome is usually taken to mean the same as black and white or, more likely, grayscale, but may also be used to refer to other combinations containing only tones of a single color, such as green-and-white or green-and-red. It may also refer to sepia displaying tones from light tan to dark brown or cyanotype ("blueprint") images, and early photographic methods such as daguerreotypes, ambrotypes, and tintypes, each of which may be used to produce a monochromatic image. In computing, monochrome has two meanings: *it may mean having only one color which is either on or off (also known as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atrium (architecture)
In architecture, an atrium (plural: atria or atriums) is a large open-air or skylight-covered space surrounded by a building. Atria were a common feature in Ancient Roman dwellings, providing light and ventilation to the interior. Modern atria, as developed in the late 19th and 20th centuries, are often several stories high, with a glazed roof or large windows, and often located immediately beyond a building's main entrance doors (in the lobby). Atria are a popular design feature because they give their buildings a "feeling of space and light." The atrium has become a key feature of many buildings in recent years. Atria are popular with building users, building designers and building developers. Users like atria because they create a dynamic and stimulating interior that provides shelter from the external environment while maintaining a visual link with that environment. Designers enjoy the opportunity to create new types of spaces in buildings, and developers see atria as prest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anselmo Canera
Anselmo Canera, or Canneri (active 1522–1584), was an Italian painter of the late Renaissance, born and mainly active in Verona. He is noted for his frescoes and his collaborations with other Italian Renaissance artists such as Bernardino India and Paolo Veronese. Biography Little is known of Canera's biography. He is said to have trained with Giovanni Francesco Caroto. He painted in fresco in some of the Palladian construction in and around Verona, including Palazzo Thiene and those of Villa Pojana in Pojana Maggiore. During 1550-1560, he collaborated in such fresco work with Bernardino India. They were considered two of the top painters during their time. This collaboration included their work for Villa Pojana, an estate in Vicentino. Canera is noted in this project for his well-preserved frescoes on walls and cove vaults dedicated to the Roman emperors. Canera also worked with the young Paolo Veronese at the Villa Soranzo near Treviso in 1552, and subsequently is record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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