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Vicky Featherstone
Vicky Featherstone (born 5 April 1967) is a theatre and artistic director. She has been artistic director of London's Royal Court Theatre since April 2013. Prior to that she was founding artistic director of the National Theatre of Scotland, and before that artistic director of the UK new writing touring theatre company Paines Plough. Her career has been characterised by significant involvement with new writing. Early life and career Featherstone was born in Redhill, Surrey but moved to Scotland at 6 weeks old, where she lived in Clackmannanshire until the age of 7, when her father's work took her around the world. Her father is a chemical engineer and her mother a nurse. She is the eldest of three children. Featherstone was privately educated. Featherstone studied Drama at Manchester University, and soon discovered she favoured directing over acting. "I really realised, very quickly, that what I wanted to be was a director, because I'm not a very good actor, and I saw people ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Redhill, Surrey
Redhill () is a town in the borough of Reigate and Banstead within the county of Surrey, England. The town, which adjoins the town of Reigate to the west, is due south of Croydon in Greater London, and is part of the London commuter belt. The town is also the post town, entertainment and commercial area of three adjoining communities : Merstham, Earlswood and Whitebushes, as well as of two small rural villages to the east in the Tandridge District, Bletchingley and Nutfield. The town is situated on the junction of the north–south A23 (London to Brighton) road, and the east–west A25 road which runs from Guildford through to Sevenoaks. It is also on the railway junction, served by Redhill railway station, of the Brighton Main Line, North-Downs line, and Redhill-Tonbridge line. Geography Redhill is located within the Weald Basin, and the Weald-Artois Anticline. The town is situated in the east–west lying Vale of Holmesdale at a place where there is a natural water-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashley Pharoah
Ashley Pharoah (born 13 September 1959) is a British screenwriter and television producer. He is best known as the co-creator/writer of the successful drama series ''Life on Mars'', which began on BBC One in 2006, and creator/writer of the family drama '' Wild at Heart'', which aired on ITV1 from 2006 until 2012. Early life was born in Southampton but grew up in Nailsea, North Somerset. He attended Waycroft Junior School in Stockwood and continued at Queen Elizabeth's Hospital, an independent school in Bristol. studied at the University of Sussex and the National Film and Television School in Beaconsfield in the 1980s. His graduation film ''Water's Edge'' was nominated for a BAFTA. Career played rugby for Wimbledon and began his television writing career on the BBC soap opera ''EastEnders'' in 1991, on which he worked for four years and where he met co-writer Matthew Graham. He went on in 1994–1995 to contribute five episodes to the popular BBC One drama series ''Casualty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish Arts Council
The Scottish Arts Council ( gd, Comhairle Ealain na h-Alba, sco, Scots Airts Cooncil) was a Scottish public body responsible for the funding, development and promotion of the arts in Scotland. The Council primarily distributed funding from the Scottish Government as well as National Lottery funds received via the Department for Culture, Media and Sport. The Scottish Arts Council was formed in 1994 following a restructuring of the Arts Council of Great Britain, but had existed as an autonomous body since a royal charter of 1967. In 2010 it merged with Scottish Screen to form Creative Scotland. Activities The Council funded all the major areas of the arts, seeking to maintain balance between the many diverse communities of Scotland. In addition, it funded cultural groups and events affiliated with immigrant communities and minorities in Scotland. It sponsored two book awards: * The Scottish Arts Council Book of the Year Award (worth £5,000); and * The Scottish Arts Council ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Scottish Devolution
Devolution is the process in which the central British parliament grants administrative powers (excluding principally reserved matters) to the devolved Scottish Parliament. Prior to the advent of devolution, some had argued for a Scottish Parliament within the United Kingdom – while others have since advocated for complete independence. The people of Scotland first got the opportunity to vote in a referendum on proposals for devolution in 1979 and, although a majority of those voting voted 'Yes', the referendum legislation also required 40% of the electorate to vote 'Yes' for the plans to be enacted and this was not achieved. A second referendum opportunity in 1997, this time on a strong proposal, resulted in an overwhelming 'Yes' victory, leading to the Scotland Act 1998 being passed and the Scottish Parliament being established in 1999. Scottish voters were given the chance to vote 'Yes' on outright independence in a 2014 referendum. In an effort to persuade Scots to rema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tiffany
John Richard Tiffany (born c. 1971) is an English theatre director. He directed the internationally successful productions ''Harry Potter and the Cursed Child'', ''Black Watch'' and ''Once''. He has won 2 Tony Awards, an Olivier Award, a Drama Desk Award and an Obie Award. Early life and career Tiffany was brought up in Marsden, near Huddersfield, England. His mother was a nurse, also a chorus girl; his father was an engineer, and also played in a brass band. As a youth, he participated in the Huddersfield Choral Society Youth Choir and held jobs at Boots UK and a restaurant. He initially studied biology at Glasgow University, but switched to classics and drama. Tiffany's theatrical background is in "developing and directing new plays at Scottish theaters". He was literary director at Edinburgh's Traverse Theatre from 1997 to 2001. He then began his working association with Vicky Featherstone, becoming Associate Director at UK new writing touring theatre company Paines Plough, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graeae Theatre Company
Graeae Theatre Company, often abbreviated to just Graeae (pronounced "grey-eye") is a British organisation composed of deaf and disabled artists and theatre makers. As well as producing theatre which it tours nationally and internationally to traditional theatres and outdoor spaces, Graeae run a large and varied Creative Learning and training programme for emerging, young and mid-career deaf and disabled artists. Graeae was founded in 1980 by Nabil Shaban and Richard Tomlinson, who named the company after the Graeae of Greek mythology. In 1981 the company was offered the use of an office, rehearsal space and facilities for 18 months by the West End Centre, an Arts Centre in Aldershot in Hampshire. During that year, the Company became eligible to receive full funding from the Arts Council of Great Britain. Graeae are currently a National Portfolio Organisation of Arts Council England. In 1984 the Graeae Theatre Company won a Special Award in the Evening Standard Awards, and has since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Greig (dramatist)
David Greig (born 1969) is a Scottish playwright and theatre director. His work has been performed at many of the major theatres in Britain, including the Traverse Theatre, Royal Court Theatre, Royal National Theatre, Royal Lyceum Theatre and the Royal Shakespeare Company, and been produced around the world. Early life Greig was born in Edinburgh in 1969, and was brought up in Nigeria. Returning to Edinburgh in his teens, he was a pupil at the independent Stewart's Melville College. He later studied English and Drama at Bristol University. Career After university, in 1990 he co-founded Suspect Culture Theatre Company with Graham Eatough and Nick Powell in Glasgow; he would go on to write the texts for almost all of their shows until 2004, including ''Timeless'' (1997), ''Mainstream'' (1999), ''Candide 2000'' (2000), ''Casanova'' (2001), ''Lament'' (2002), and ''8000m'' (2004). His stand-alone plays, from ''Stalinland'' (1992) began to be picked up by major theatres; the Tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Ronde (play)
''La Ronde'' (also known by its original German title, ''Reigen'') is a play in which ten people form an unwitting interpersonal circle with their secret, sexual relationships. It was written by Arthur Schnitzler in 1897 and was controversial at that time. It scrutinizes the sexual morality and class ideology of its day through successive encounters between pairs of characters (before or after a sexual encounter). By choosing characters across all levels of society, the play offers social commentary on how sexual contact transgresses class boundaries. Printed privately in 1900, it was not publicly performed until 1920, when it provoked strong reactions. The play's two titles —in German ''Reigen'' and in French ''La Ronde''— refer to a round dance, as portrayed in the English rhyme Ring a Ring o' Roses. Publication and reception ''La Ronde'' was first printed in 1900 for private circulation amongst friends. In 1903, the first German-language edition was published in Vienna, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crave (play)
''Crave'' is a one-act play by British playwright Sarah Kane. It was first performed in 1998 by the theatre company Paines Plough, with which Kane was writer-in-residence for the year, at the Traverse Theatre, Edinburgh. The play was initially presented under the pseudonym Marie Kelvedon; Kane used a pseudonym to avoid the distraction of her reputation for graphic staged violence from her previous works. ''Crave'' was Kane's fourth play. It is dedicated by the author to Mark Ravenhill.http://www.curtainup.com/crave.html Review of ''Crave'' by Les Gutman at CurtainUp Structure The play reflects a stylistic departure from Kane's previous works, using a non-linear, poetic style, and is notable for its lack of staged violence that had been a hallmark of the author's previous work; this style is continued in her next and final work, '' 4.48 Psychosis.'' The dialogue is intertextual, and often it is unclear whom each line is addressed to. Much of the delivery of the text is left up to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
False Memory Syndrome
In psychology, false memory syndrome (FMS) is a condition in which a person's identity and relationships are affected by false memories of psychological trauma, recollections that are factually incorrect yet strongly believed. Peter J. Freyd originated the term partly to explain what he said was a false accusation of sexual abuse made against him by his daughter Jennifer Freyd and his False Memory Syndrome Foundation (FMSF) subsequently popularized the concept. The principle that individuals can hold false memories and the role that outside influence can play in their formation is widely accepted by scientists. However FMS is not recognized as a psychiatric illness in any medical manuals including the ICD-10 or the DSM-5. False memory syndrome may be the result of recovered memory therapy, a term also defined by the FMSF in the early 1990s, which describes a range of therapy methods that are prone to creating confabulations. The most influential figure in the genesis of the the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Kane
Sarah Kane (3 February 1971 – 20 February 1999) was an English playwright, screenwriter and theatre director. She is known for her plays that deal with themes of redemptive love, sexual desire, pain, torture—both physical and psychological—and death. They are characterised by a poetic intensity, pared-down language, exploration of theatrical form and, in her earlier work, the use of extreme and violent stage action. Kane herself and scholars of her work, such as Graham Saunders, have identified some of her inspirations as expressionist theatre and Jacobean tragedy. The critic Aleks Sierz saw her work as part of a confrontational style and sensibility of drama termed "in-yer-face theatre". Sierz originally called Kane "the quintessential in-yer-face writer of the 990s but later remarked in 2009 that although he initially "thought she was very typical of the new writing of the middle 1990s. The further we get away from that in time, the more un-typical she seems to be". Ka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
