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Vicenza Cathedral
Vicenza Cathedral ( it, Cattedrale di Santa Maria Annunziata, ''Duomo di Vicenza'') is a Roman Catholic cathedral in Vicenza, Veneto, northern Italy. It is the seat of the Bishop of Vicenza, and is dedicated to the Annunciation of the Virgin Mary. History Construction of the cathedral was begun in 1482, to plans by Lorenzo of Bologna, and completed in the 1560s. The cupola was planned by Andrea Palladio and probably the north doorway also. Only the original façade survived the bombing of World War II; the rest of the present building has been reconstructed. The maestri di cappella include Fra Ruffino d'Assisi (1525–31), Nicola Vicentino (1563–65), Giammateo Asola and his pupil Leone Leoni (1588-1627). Exterior Facade - Gable The original facade is Gothic and attributed to Domenico da Venezia 16th century. It is divided into four sections: the lower one has five arches in transoms, the second with arches in the center of an oculus, the third is smooth, the fourth is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathedral (Vicenza) - Sud Esposizione
A cathedral is a church that contains the '' cathedra'' () of a bishop, thus serving as the central church of a diocese, conference, or episcopate. Churches with the function of "cathedral" are usually specific to those Christian denominations with an episcopal hierarchy, such as the Catholic, Eastern Orthodox, Anglican, and some Lutheran churches.''New Standard Encyclopedia'', 1998 by Standard Educational Corporation, Chicago, Illinois; page B-262c. Church buildings embodying the functions of a cathedral first appeared in Italy, Gaul, Spain, and North Africa in the 4th century, but cathedrals did not become universal within the Western Catholic Church until the 12th century, by which time they had developed architectural forms, institutional structures, and legal identities distinct from parish churches, monastic churches, and episcopal residences. The cathedral is more important in the hierarchy than the church because it is from the cathedral that the bishop governs the are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oculus (architecture)
An oculus (; ) is a circular opening in the center of a dome or in a wall. Originating in antiquity, it is a feature of Byzantine and Neoclassical architecture. It is also known as an '' œil-de-boeuf'' from the French, or simply a "bull's-eye". History Classical The oculus was used by the Ancient Romans, one of the finest examples being that in the dome of the Pantheon. Open to the weather, it allows rain and air to enter and fall to the floor, where it is carried away through drains. Though the opening looks small, it actually has a diameter of , allowing it to light the building. Byzantine The oculus was widely used in the architecture of the Byzantine Empire. It was applied to buildings in Syria in the 5th and 6th centuries and again in the 10th century. In Constantinople's Myrelaion Church (c. 920), there are two oculi above the stringcourse on both lateral facades. Renaissance Early examples of the oculus in Renaissance architecture can be seen in Florence Cathedral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Roman Catholic Church Buildings In Italy
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathedral (Vicenza) - Interior - Organ
A cathedral is a church (building), church that contains the ''cathedra'' () of a bishop, thus serving as the central church of a diocese, Annual conferences within Methodism, conference, or episcopate. Churches with the function of "cathedral" are usually specific to those Christian denominations with an episcopal hierarchy, such as the Catholic Church, Catholic, Eastern Orthodox Church, Eastern Orthodox, Anglicanism, Anglican, and some Lutheranism, Lutheran churches.''New Standard Encyclopedia'', 1998 by Standard Educational Corporation, Chicago, Illinois; page B-262c. Church buildings embodying the functions of a cathedral first appeared in Italy, Gaul, Spain, and North Africa in the 4th century, but cathedrals did not become universal within the Western Catholic Church until the 12th century, by which time they had developed architectural forms, institutional structures, and legal identities distinct from parish churches, monastery, monastic churches, and episcopal residence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Vittoria
Alessandro Vittoria funerary monument - San Zaccaria, Venice Alessandro Vittoria (1525–1608) was an Italian Mannerist sculptor of the Venetian school, "one of the main representatives of the Venetian classical style" and rivalling Giambologna as the foremost sculptors of the late 16th century in Italy, producing works such as ''Annunciation'' (Art Institute of Chicago). Biography Vittoria was born Alessandro Vittoria di Vigilio della Volpa in Trento, in what is now northern Italy, and was the son of a tailor. Vittoria was trained in the atelier of the architect-sculptor Jacopo Sansovino; he was a contemporary of Titian whose influence can be detected in his compositions. He was a virtuoso in terracotta, often presented with gilded surfaces, marble and bronze. Like all Italian sculptors of his generation, Vittoria was influenced also by Michelangelo and by the Florentine Mannerist, Bartolomeo Ammanati. The closeness of his associations in projects by architects Sansovi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Montagna
Bartolomeo (or Bartolommeo) Montagna (, , ; 1450?– 11 October 1523) was an Italian Renaissance painter who mainly worked in Vicenza. He also produced works in Venice, Verona, and Padua. He is most famous for his many Madonnas and his works are known for their soft figures and depiction of eccentric marble architecture. He is considered to be heavily influenced by Giovanni Bellini, in whose workshop he might have worked around 1470. Benedetto Montagna, a productive engraver, was his son and pupil and active until about 1540. He was mentioned in Vasari's ''Lives'' as a student of Andrea Mantegna but this is widely contested by art historians. Life He was born Bartolomeo Cincani and later changed his name to Bartolomeo Montagna. The first known written record of his existence is from 1459 and list him as a minor. The first known documentation of him as an adult is in 1480 as a witness of a will. Differences in two documents regarding his father's property from 1467 and 1469 impl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Romano
Giulio Romano (, ; – 1 November 1546), is the acquired name of Giulio Pippi, who was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the renown Renaissance artist, Raphael. He was an important member of Raphael's studio. He worked on the frescos in the Vatican loggias using designs by Raphael and, in Raphael's ''Stanze'' in the Vatican, painted a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly he became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Maganza
Adorazione della Vergine con gli Angeli (1581) Alessandro Maganza (1556–1630) was an Italian painter of the Mannerist style, born and active in Vicenza, as well as in Venice. He likely trained with his father, Giovanni Battista Maganza, also a painter; as well as by Giovanni Antonio Fasolo. He is said to have spent the years 1572–76 in Venice. His first documented work, ''Virgin and Child with Four Evangelists'' (1580) was painted for the monastery built around the basilica and sanctuary of Monte Berico in Vicenza. Maganza also frescoed the inner cupola of Palladio's famous Villa Rotonda located near Vicenza, with allegorical figures in colour, again recalling the Paolo Veronese; he also executed large ceiling canvases in tempera for the South and West rooms. His style is described as derivative of Palma il Giovane. He had three sons who became painters: Giovanni Battista the younger, Marcantonio, and Girolamo. Works Vicenza * ''Madonna and Child with four Evangelist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Cajetan
Gaetano dei Conti di Thiene (6 October 1480 – 7 August 1547), known as Saint Cajetan (), was an Italian Catholic priest and religious reformer, co-founder of the Theatines. He is recognised as a saint in the Catholic Church, and his feast day is 7 August. Life Cajetan was born in October 1480, the son of Gaspar, lord of Thiene, and Mary Porta, persons of the first rank among the nobility of the territory of Vicenza, in Veneto Region. His father died when he was two years of age. Quiet and retiring by nature, he was predisposed to piety by his mother. Cajetan studied law in Padua, receiving his degree as ''doctor utriusque juris'' (i.e., in civil and canon law) at age 24. In 1506 he worked as a diplomat for Pope Julius II, with whom he helped reconcile the Republic of Venice. But he was not ordained a priest until the year 1516. With the death of Pope Julius II in 1513, Cajetan withdrew from the papal court. Recalled to Vicenza by the death of his mother, he founded in 1522 a h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UNESCO
The United Nations Educational, Scientific and Cultural Organization is a specialized agency of the United Nations (UN) aimed at promoting world peace and security through international cooperation in education, arts, sciences and culture. It has 193 member states and 12 associate members, as well as partners in the non-governmental, intergovernmental and private sector. Headquartered at the World Heritage Centre in Paris, France, UNESCO has 53 regional field offices and 199 national commissions that facilitate its global mandate. UNESCO was founded in 1945 as the successor to the League of Nations's International Committee on Intellectual Cooperation.English summary). Its constitution establishes the agency's goals, governing structure, and operating framework. UNESCO's founding mission, which was shaped by the Second World War, is to advance peace, sustainable development and human rights by facilitating collaboration and dialogue among nations. It pursues this objective t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Giorgio Maggiore
San Giorgio Maggiore ( vec, San Zorzi Mazor) is one of the islands of Venice, northern Italy, lying east of the Giudecca and south of the main island group. The island, or more specifically its Palladian church, is an important landmark. It has been much painted, featuring for example in a series by Monet. Location The isle is surrounded by ''Canale della Grazia'', ''Canale della Giudecca'', '' Saint Mark Basin'', '' Canale di San Marco'' and the southern lagoon. It forms part of the San Marco sestiere. File:Districts venice - san giorgio maggiore.png, San Giorgio Maggiore within Venice History San Giorgio Maggiore was probably occupied in the Roman period; after the foundation of Venice it was called ''Insula Memmia'' after the Memmo family who owned it. By 829 it had a church consecrated to St George; thus it was designated as ''San Giorgio Maggiore'' to be distinguished from San Giorgio in Alga. The San Giorgio Monastery was established in 982, when the Benedictine mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Republic Of Venice
The Republic of Venice ( vec, Repùblega de Venèsia) or Venetian Republic ( vec, Repùblega Vèneta, links=no), traditionally known as La Serenissima ( en, Most Serene Republic of Venice, italics=yes; vec, Serenìsima Repùblega de Venèsia, links=no), was a sovereign state and Maritime republics, maritime republic in parts of present-day Italy (mainly Northern Italy, northeastern Italy) that existed for 1100 years from AD 697 until AD 1797. Centered on the Venetian Lagoon, lagoon communities of the prosperous city of Venice, it incorporated numerous Stato da Màr, overseas possessions in modern Croatia, Slovenia, Montenegro, Greece, Albania and Cyprus. The republic grew into a Economic history of Venice, trading power during the Middle Ages and strengthened this position during the Renaissance. Citizens spoke the still-surviving Venetian language, although publishing in (Florentine) Italian became the norm during the Renaissance. In its early years, it prospered on the salt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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