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Vicente Sardinero
Vicente (Vicenç) Sardinero (12 January 1937 – 9 February 2002), ''né'' Sardinero-Puerto, was a Spanish operatic lyric baritone. Born in Barcelona, he made his debut at the Gran Teatre del Liceu in his native city in the 1964–65 season, as Escamillo in ''Carmen''. His first appearance at the Teatro alla Scala was in 1967, as Enrico in ''Lucia di Lammermoor'', opposite Renata Scotto, subsequently appearing there in ''Il trovatore'' (1978), ''I due Foscari'' (1980), and ''Falstaff'' (as Ford, conducted by Lorin Maazel, and directed by Giorgio Strehler, 1981). Sardinero also sang at London's Covent Garden (Marcello in ''La bohème'', 1976) and was often heard in zarzuela. In 1968, he appeared at the New York City Opera, in ''Il barbiere di Siviglia'' and ''Pagliacci''. In 1977, Sardinero sang at the Metropolitan Opera, as Marcello in ''La bohème''. His alternating Mimìs were Ileana Cotrubaș, Katia Ricciarelli and Scotto; Dame Josephine Barstow, José Carreras and Justino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luciano Pavarotti
Luciano Pavarotti (, , ; 12 October 19356 September 2007) was an Italian operatic tenor who during the late part of his career crossed over into popular music, eventually becoming one of the most acclaimed tenors of all time. He made numerous recordings of complete operas and individual arias, gaining worldwide fame for his tone, and gaining the Honorific nicknames in popular music, nickname "King of the High Cs". As one of the Three Tenors, who performed their first concert during the 1990 FIFA World Cup before a global audience, Pavarotti became well known for his televised concerts and media appearances. From the beginning of his professional career as a tenor in 1961 in Italy to his final performance of "Nessun dorma" at the 2006 Winter Olympics in Turin, Pavarotti was at his best in bel canto operas, pre-''Aida'' Giuseppe Verdi, Verdi roles, and Giacomo Puccini, Puccini works such as ''La bohème'', ''Tosca'', ''Turandot'' and ''Madama Butterfly''. He sold over 100 milli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Ramey
Samuel Edward Ramey (born March 28, 1942) is an American operatic bass. At the height of his career, he was greatly admired for his range and versatility, having possessed a sufficiently accomplished bel canto technique to enable him to sing the music of Handel, Mozart and Rossini, yet with power enough to handle the more overtly dramatic roles in Verdi and Puccini. Early life Ramey graduated from Colby High School in Colby, Kansas in 1960. He studied music in high school and in college at Kansas State University, as well as at Wichita State with Arthur Newman. In college at Kansas State, he was a member of the Kappa Sigma Fraternity. After further study in Central City (where he was in the chorus of ''Don Giovanni'' in 1963, with Norman Treigle in the title role) and as an apprentice with the Santa Fe Opera, he went to New York City where he worked for an academic publisher before he had his first breakthrough at the New York City Opera, debuting on March 11, 1973, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Solti
Sir Georg Solti ( , ; born György Stern; 21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic conductor, known for his appearances with opera companies in Munich, Frankfurt and London, and as a long-serving music director of the Chicago Symphony Orchestra. Born in Budapest, he studied there with Béla Bartók, Leó Weiner and Ernő Dohnányi. In the 1930s, he was a répétiteur at the Hungarian State Opera and worked at the Salzburg Festival for Arturo Toscanini. His career was interrupted by the rise of the Nazis' influence on Hungarian politics and, being of Jewish background, he fled the increasingly harsh Hungarian anti-Jewish laws in 1938. After conducting a season of Russian ballet in London at the Royal Opera House he found refuge in Switzerland, where he remained during the Second World War. Prohibited from conducting there, he earned a living as a pianist. After the war, Solti was appointed musical director of the Bavarian State O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruggero Raimondi
Ruggero Raimondi (born 3 October 1941) is an Italian bass-baritone opera singer who has also appeared in motion pictures. Life and career Early training and career Ruggero Raimondi was born in Bologna, Italy, during World War II. His voice matured early into its adult timbre, and at the age of 15, he auditioned for conductor Francesco Molinari-Pradelli, who encouraged him to pursue an operatic career. He began vocal studies with Ettore Campogalliani, and was accepted at age 16 as a student at the Giuseppe Verdi Conservatory in Milan. He then continued his studies in Rome, under the guidance of Teresa Pediconi and Armando Piervenanzi. After having won the National Competition for young opera singers in Spoleto, he made his debut in the same city in the role of Colline in ''La bohème'' in the Festival dei Due Mondi. Subsequently, an opportunity arose for him at the Teatro dell'Opera in Rome when he was called upon to substitute in the role of Procida in Giuseppe Verdi's ''I vespr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judith Blegen
Judith Blegen (April 27, 1943, Lexington, Kentucky) is an American soprano, particularly associated with light lyric roles of the French, Italian and German repertories. Life and career Blegen was raised and attended high school in Missoula, Montana, during which time she began voice lessons with John L. Lester, head of the voice department at the University of Montana. She studied first the violin with Toshiya Eto, and later voice at the Curtis Institute of Music in Philadelphia with Eufemia Giannini-Gregory. In 1962 she attended the Music Academy of the West where she studied with Martial Singher. In Rome she studied with Luigi Ricci. She made her operatic debut in Nuremberg, Germany, as Olympia in ''The Tales of Hoffmann'', in 1965, where she subsequently sang Lucia, Susanna, and Zerbinetta. That same year, she appeared in Spoleto, Italy, as Mélisande in '' Pelléas et Mélisande''. She made her debut with the Vienna State Opera as Olympia in ''Les contes d'Hoffmann'' in Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sherrill Milnes
Sherrill Milnes (born January 10, 1935) is an American dramatic baritone most famous for his Verdi roles. From 1965 until 1997 he was associated with the Metropolitan Opera. His voice is a high dramatic baritone, combining good legato with an incisive rhythmic style. By 1965, aged 30, he had made his debut at the Metropolitan Opera. His international debuts followed soon thereafter, and Milnes became one of the world's prominent Verdi baritones of the 1970s and 1980s. Early life Milnes was born in Downers Grove, Illinois. His mother and father were dairy farmers. As a child, he exhibited strong and varied musical talents. In addition to singing, he also played piano, violin, viola, double bass, clarinet, and tuba. Although his interests did not always lean toward opera, he spent many hours singing to his father's cows and was once found on a tractor practicing an operatic laugh. While in high school, Milnes planned to be an anesthesiologist, but later returned to music, studyi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamberto Gardelli
Lamberto Gardelli (8 November 191517 July 1998) was a Swedish conductor of Italian birth,Lamberto Gardelli. ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. particularly associated with the Italian opera repertory, especially the works of Giuseppe Verdi. Life and career Born in Venice, Italy, Gardelli studied with Amilcare Zanella and Adriano Ariani at the Liceo Musicale Rossini in Pesaro, and later at the Accademia Nazionale di Santa Cecilia in Rome. He started his career as a pianist (appearing in public at the age of eight) and double-bass player in Italy. In addition to vocal studies he took composition classes with Goffredo Petrassi, and later spent eight years as an assistant to Serafin, also working with Mascagni during this period.Lamberto Gardelli (biographical note). In: booklet accompanying ''I Due Foscari'', Philips LPs 6700 105, 1977, p4. He made his conducting debut at the Rome Opera with ''La traviata'' in 1944. Professionally, he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ingvar Wixell
Karl Gustaf Ingvar Wixell (7 May 19318 October 2011) was a Swedish baritone who had an active international career in operas and concerts from 1955 to 2003. He mostly sang roles from the Italian repertory, and, according to ''The New York Times'', "was best known for his steady-toned, riveting portrayals of the major baritone roles of Giuseppe Verdi — among them Rigoletto, Simon Boccanegra, Amonasro in ''Aida'', and Germont in ''La traviata''". Life and career Ingvar Wixell was born in Luleå in 1931. After studies at the Stockholm Academy of Music, he made his debut in Gävle in 1952, Alain Pâris. ''Dictionnaire des interprètes et de l'interprétation musicale au XX siècle.'' Éditions Robert Laffont, Paris, 1995 (p988). then in 1955 as Papageno in Mozart's ''The Magic Flute'' at the Royal Swedish Opera in Stockholm where he was member of the company until 1967.Forbes E. Ingvar Wixell. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. He made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiorenza Cossotto
Fiorenza Cossotto (born 22 April 1935) is an Italian operatic mezzo-soprano. Life and career Born on 22 April 1935, in Crescentino, Province of Vercelli, Italy, Cossotto attended the Turin Academy of Music and studied with Mercedes Llopart. She made her operatic debut as Sister Matilde in the world premiere of Poulenc's ''Dialogues of the Carmelites'' in 1957 at La Scala in Milan. Her international debut was at the 1958 Wexford Festival as Giovanna Seymour in Donizetti's ''Anna Bolena''. Her Covent Garden debut was in 1959 as Neris in Cherubini's ''Médée'', with Maria Callas in the title role. A 1962 performance of the lead in ''La favorita'' at La Scala led to wider fame and she made her American debut in the same role in 1964 at the Lyric Opera of Chicago and as Amneris at the Metropolitan Opera in 1968. Between the seasons of 1967–68 and 1988–89, Cossotto gave 148 performances at the Met (exclusively leading roles). She was considered an expert in portrayals of major m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jessye Norman
Jessye Mae Norman (September 15, 1945 – September 30, 2019) was an American opera singer and recitalist. She was able to perform dramatic soprano roles, but refused to be limited to that voice type. A commanding presence on operatic, concert and recital stages, Norman was associated with roles including Beethoven's Leonore, Wagner's Sieglinde and Kundry, Cassandre and Didon by Berlioz and Bartók's Judith. ''The New York Times'' music critic Edward Rothstein described her voice as a "grand mansion of sound", and wrote that "it has enormous dimensions, reaching backward and upward. It opens onto unexpected vistas. It contains sunlit rooms, narrow passageways, cavernous halls." Norman trained at Howard University, the Peabody Institute, and the University of Michigan. Her career began in Europe, where she won the ARD International Music Competition in Munich in 1968, which led to a contract with the Deutsche Oper Berlin. Her operatic début came as Elisabeth in Wagner's ''Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plácido Domingo
José Plácido Domingo Embil (born 21 January 1941) is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a ''lirico-spinto'' tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into exclusively baritone parts, most notably Simon Boccanegra. As of 2020, he has performed 151 different roles. Domingo has also achieved significant success as a crossover artist, especially in the genres of Latin and popular music. In addition to winning fourteen Grammy and Latin Grammy Awards, several of his records have gone silver, gold, platinum an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
