Vica Pota
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Vica Pota
In ancient Roman religion, Vica Pota was a goddess whose shrine ''(aedes)'' was located at the foot of the Velian Hill, on the site of the '' domus'' of Publius Valerius Publicola. This location would place the temple on the same side of the Velia as the Forum and perhaps not far from the Regia. Cicero explains her name as deriving from ''vincendi atque potiundi'', "conquering and gaining mastery." In the '' Apocolocyntosis'', Vica Pota is the mother of Diespiter; although usually identified with Jupiter, Diespiter is here treated as a separate deity, and in the view of Arthur Bernard Cook should perhaps be regarded as the chthonic Dispater. The festival of Vica Pota was January 5. Asconius identifies her with Victoria, but she is probably an earlier Roman or Italic form of victory goddess that predated Victoria and the influence of Greek Nike; Vica Pota was thus the older equivalent of Victoria but probably not a personification of victory as such. In a conjecture not wide ...
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Religion In Ancient Rome
Religion in ancient Rome consisted of varying imperial and provincial religious practices, which were followed both by the people of Rome as well as those who were brought under its rule. The Romans thought of themselves as highly religious, and attributed their success as a world power to their collective piety ''( pietas)'' in maintaining good relations with the gods. Their polytheistic religion is known for having honored many deities. The presence of Greeks on the Italian peninsula from the beginning of the historical period influenced Roman culture, introducing some religious practices that became fundamental, such as the '' cultus'' of Apollo. The Romans looked for common ground between their major gods and those of the Greeks ('' interpretatio graeca''), adapting Greek myths and iconography for Latin literature and Roman art, as the Etruscans had. Etruscan religion was also a major influence, particularly on the practice of augury, used by the state to seek the ...
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Chthonic
The word chthonic (), or chthonian, is derived from the Ancient Greek word ''χθών, "khthon"'', meaning earth or soil. It translates more directly from χθόνιος or "in, under, or beneath the earth" which can be differentiated from Γῆ, or "ge", which speaks to the living surface of land on the earth. In Greek, chthonic is a descriptive word for things relating to the underworld and can be used in the context of chthonic gods, chthonic rituals, chthonic cults, and more. This is as compared to the more commonly referenced Olympic gods and their associated rites and cults. Olympic gods are understood to reference that which exists above the earth, particularly in the sky. Gods that are related to agriculture are also considered to have chthonic associations as planting and growing takes place in part under the earth. Chthonic deities Chthonic and ouranic, or olympic, are not completely opposite descriptors. They do not cleanly differentiate types of gods and worship in ...
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Vacuna
Vacuna was an ancient Sabine goddess, identified by ancient Roman sources and later scholars with numerous other goddesses, including Ceres, Diana, Nike, Minerva, Bellona, Venus and Victoria. She was mainly worshipped at a sanctuary near Horace's villa (now in the commune of Licenza), in sacred woods at Reate, and at Rome. The protection she was asked to provide remains obscure. Pomponius Porphyrion calls her ''incerta specie'' (of an uncertain kind) in his commentaries on Horace. Renaissance authors and Leonhard Schmitz state that she was a divinity to whom the country people offered sacrifices when the labours of the field were over, that is, when they were at leisure, ''vacui''. The etymology of her name is linked to lack and privation, and Horace appears to call upon her in favour of a friend to whom one of his epistles is addressed. From this, it has been conjectured that she was prayed to in favour of absent people, family members or friends.G. Dumézil, ''La religion ...
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Etruscan Mythology
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, doing away with monsters a ...
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Ludwig Preller
Ludwig Preller (15 September 1809 – 21 June 1861) was a German philologist and antiquarian. Biography Born in Hamburg, he studied at Leipzig, Berlin and Göttingen, in 1838 he was appointed to the professorship of philology at the University of Dorpat, which, however, he resigned in 1843. He afterwards spent some time in Italy, but settled in Jena in 1844, where he became professor in 1846. In 1847 he relocated as head librarian to Weimar. His chief works are: ''Demeter und Persephone'' (1837), ''Griechische Mythologie'' (1854–1855) and ''Römische Mythologie'' (1858). He also co-operated with Heinrich Ritter in the preparation of ''Historia philosophiae graecae et romanae ex fontium locis contexta'' (1838). WorldCat Identities
(publications) He contributed extensively to
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Personification
Personification occurs when a thing or abstraction is represented as a person, in literature or art, as a type of anthropomorphic metaphor. The type of personification discussed here excludes passing literary effects such as "Shadows hold their breath", and covers cases where a personification appears as a character in literature, or a human figure in art. The technical term for this, since ancient Greece, is prosopopoeia. In the arts many things are commonly personified. These include numerous types of places, especially cities, countries and the four continents, elements of the natural world such as the months or Four Seasons, Four Elements, Four Winds, Five Senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death. In many polytheistic early religions, deities had a strong element of personification, suggested by descriptions such as "god of". In ancient Greek religion, and the related ancient ...
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Nike (mythology)
In Greek mythology, Nike (; grc, Νίκη, lit=victory, ancient: , modern: ) was a goddess who personified victory in any field including art, music, war, and athletics. She is often portrayed in Greek art as Winged Victory in the motion of flight; however, she can also appear without wings as "Wingless Victory" when she is being portrayed as an attribute of another deity such as Athena.Suidas. ''The Suda on Line: Byzantine Lexicography''. Translated by Whitehead, David, et al. (2014). Accessed 9 December 2022. https://www.cs.uky.edu/~raphael/sol/sol-html/ In Greek literature Nike is described as both an attribute and attendant to the gods Zeus and Athena. Nike gained this honored role beside Zeus during the Titanomachy where she was one of the first gods to offer her allegiance to Zeus. At Athens, Nike became a servant to Athena as well as an attribute of her due to the prominent status Athena held in her patron city. The fusion of the two goddesses at Athens has contributed to ...
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Ancient Peoples Of Italy
This list of ancient peoples living in Italy summarises groupings existing before and during the Roman expansion and conquest of Italy. Many of the names are either scholarly inventions or exonyms assigned by the ancient writers of works in ancient Greek and Latin. In regard to the specific names of particular ancient Italian tribes and peoples, the time-window in which historians know the historical ascribed names of ancient Italian peoples mostly falls into the range of about 750 BC (at the legendary foundation of Rome) to about 200 BC (in the middle Roman Republic), the time range in which most of the written documentation first exists of such names and prior to the nearly complete assimilation of Italian peoples into Roman culture. Nearly all of these peoples and tribes spoke Indo-European languages: Italics, Celts, Ancient Greeks, and tribes likely occupying various intermediate positions between these language groups. On the other hand, some Italian peoples (such as the ...
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Victoria (goddess)
In ancient Roman religion Victoria was the deified personification of victory. She first appears during the first Punic War, seemingly as a Romanised re-naming of Nike, the goddess of victory associated with Rome's Greek allies in the Greek mainland and in Magna Graecia. Thereafter she comes to symbolise Rome's eventual hegemony and right to rule. She is a deified abstraction, entitled to cult but unlike Nike, she has virtually no mythology of her own. History and iconography Victoria first appears during the first Punic War, as a translation or renaming of Nike, the Greek goddess of victory in peace or war. Nike would have become familiar to the Roman military as a goddess of Rome's Greek allies in the Punic wars. She was worshipped in Magna Graecia and mainland Greece, and was a subject of Greek myth. Around this time, various Roman war-deities begin to receive the epithet ''victor'' (conqueror) or ''invictus'' (unconquered). By the late republican and early imperial eras, V ...
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Asconius
Quintus Asconius Pedianus (BC 9 - AD 76) was a Roman historian. There is no evidence that Asconius engaged in a public career, but he was familiar both with Roman government of his time and with the geography of the city. He may, therefore, have written much of his works in the city. During the reigns of Claudius and Nero he compiled for his two sons, from various sources – e.g. the Gazette (''acta publica''), shorthand reports or skeletons (''commentarii'') of Cicero's unpublished speeches, Tiro's life of Cicero, speeches and letters of Cicero's contemporaries, various historical writers, e.g. Varro, Atticus, Antias, Tuditanus and Fenestella (a contemporary of Livy whom he often criticizes) – historical commentaries on Cicero's speeches, of which only five survive: ''in Pisonem'', ''pro Scauro'', ''pro Milone'', ''pro Cornelio de maiestate'', and '' in toga candida''. Other works attributed to Asconius include a ''Vita Sallustii'', a work referenced in Pliny's Naturalis Hi ...
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Roman Festival
Festivals in ancient Rome were a very important part in Roman religious life during both the Republican and Imperial eras, and one of the primary features of the Roman calendar. ''Feriae'' ("holidays" in the sense of "holy days"; singular also ''feriae'' or ''dies ferialis'') were either public ''(publicae)'' or private ''( privatae)''. State holidays were celebrated by the Roman people and received public funding. Games ''( ludi)'', such as the Ludi Apollinares, were not technically ''feriae'', but the days on which they were celebrated were '' dies festi'', holidays in the modern sense of days off work. Although ''feriae'' were paid for by the state, ''ludi'' were often funded by wealthy individuals. ''Feriae privatae'' were holidays celebrated in honor of private individuals or by families. This article deals only with public holidays, including rites celebrated by the state priests of Rome at temples, as well as celebrations by neighborhoods, families, and friends held ...
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