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Valentin Haussmann
Valentin Haussmann ( – ) was a German composer, music editor and poet, known from the publications of his compositions, derived from Italian and Polish models. Life Little is known of Haussmann's life, and information is ascertained from the titles, prefaces and dedications of his printed works. He published compositions between 1588 and 1611, and was very active from 1602 to 1606. He appended "Gerbipola" (a Latinized form of Gerbstedt, a town in Saxony-Anhalt) to his name, so this is assumed to be his home town. It is thought he did not have a permanent position anywhere, but travelled throughout Germany, composing in various places works which he dedicated to princes and towns. There are many songs in German that are derived from Italian canzonettas, and there is instrumental music where he uses the melodies and rhythms of Polish folk music. In later years, from 1606 to 1609, he published, with German translations, villanellas by Luca Marenzio, canzonettas by Orazio Vecchi, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerbstedt
Gerbstedt () is a small town in Saxony-Anhalt, district Mansfeld-Südharz. It was traditionally dominated by of copper mining, presently agriculture is dominant. File:KlosterturmGerbstedt.JPG, Tower of former monastery Gerbstedt File:Rathaus Gerbstedt1.JPG, Town hall Gerbstedt File:GerbstedtRobur.JPG, View of Gerbstedt with a rare Robur (truck), Robur bus Geography The town Gerbstedt is located west of Hettstedt and north of the town Eisleben. Divisions The town of Gerbstedt is divided into twelve localities (''Ortschaften''),Hauptsatzung der Stadt Gerbstedt June 2021. corresponding to the twelve former municipalities that formed the current town in 2010. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxony-Anhalt
Saxony-Anhalt (german: Sachsen-Anhalt ; nds, Sassen-Anholt) is a state of Germany, bordering the states of Brandenburg, Saxony, Thuringia and Lower Saxony. It covers an area of and has a population of 2.18 million inhabitants, making it the 8th-largest state in Germany by area and the 11th-largest by population. Its capital is Magdeburg and its largest city is Halle (Saale). The state of Saxony-Anhalt was formed in July 1945 after World War II, when the Soviet army administration in Allied-occupied Germany formed it from the former Prussian Province of Saxony and the Free State of Anhalt. Saxony-Anhalt became part of the German Democratic Republic in 1949, but was dissolved in 1952 during administrative reforms and its territory divided into the districts of Halle and Magdeburg. Following German reunification the state of Saxony-Anhalt was re-established in 1990 and became one of the new states of the Federal Republic of Germany. Saxony-Anhalt is renowned for its ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canzonetta
In music, a canzonetta (; pl. canzonette, canzonetti or canzonettas) is a popular Italian secular vocal composition that originated around 1560. Earlier versions were somewhat like a madrigal but lighter in style—but by the 18th century, especially as it moved outside of Italy, the term came to mean a song for voice and accompaniment, usually in a light secular style. Origins in Italy In its earliest form, the canzonetta was closely related to a popular Neapolitan form, the villanella. The songs were always secular, and generally involved pastoral, irreverent, or erotic subjects. The rhyme and stanza schemes of the poems varied but always included a final "punch line." Typically the early canzonetta was for three unaccompanied voices, moved quickly, and shunned contrapuntal complexity, though it often involved animated cross-rhythms. It was fun to sing, hugely popular, and quickly caught on throughout Italy, paralleling the madrigal, with which it later began to interact. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villanella
In music, a villanella (; plural villanelle) is a form of light Italian secular vocal music which originated in Italy just before the middle of the 16th century. It first appeared in Naples, and influenced the later canzonetta, and from there also influenced the madrigal. The subject matter is generally rustic, comic, and often satirical; frequently the mannerisms of art music, such as the madrigal, are a subject of parody. The rhyme scheme of the verse in the earlier Neapolitan forms of the villanelle is usually abR abR abR ccR. The villanelle became one of the most popular forms of song in Italy around mid-century. The music of the early villanella (known as the canzone villanesca) is invariably for three unaccompanied voices. The first composers of villanelle were the Neapolitans Giovanni Domenico da Nola and Giovan Tomaso di Maio; later composers, no longer from Naples, included Adrian Willaert, Luca Marenzio, Adriano Banchieri, Orlande de Lassus, and others. References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Marenzio
Luca Marenzio (also Marentio; October 18, 1553 or 1554 – August 22, 1599) was an Italian composer and singer of the late Renaissance. He was one of the most renowned composers of madrigals, and wrote some of the most famous examples of the form in its late stage of development, prior to its early Baroque transformation by Monteverdi. In all, Marenzio wrote around 500 madrigals, ranging from the lightest to the most serious styles, packed with word-painting, chromaticism, and other characteristics of the late madrigal style. Marenzio was influential as far away as England, where his earlier, lighter work appeared in 1588 in the ''Musica Transalpina'', the collection that initiated the madrigal craze in that country. Marenzio worked in the service of several aristocratic Italian families, including the Gonzaga, Este, and Medici, and spent most of his career in Rome. Early years According to biographer Leonardo Cozzando, writing in the late 17th century, Marenzio was born at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orazio Vecchi
Orazio Vecchi (6 December 1550 (baptized) in Modena – 19 February 1605) was an Italian composer of the late Renaissance. He is most famous for his madrigal comedies, particularly ''L'Amfiparnaso''. Life He was born in Modena, and studied with Salvatore Essenga, a Servite monk there. In addition he prepared for holy orders with early education at the Benedictine monastery, and took holy orders sometime before 1577. By the end of the 1570s he was well-connected with the composers of the Venetian school (for example Claudio Merulo and Giovanni Gabrieli) since he collaborated with them in writing a sestina for a ducal marriage. During this period he accompanied Count Baldassare Rangoni on his travels, going to Bergamo and Brescia. He was ''maestro di cappella'' (director of music) at the Salò cathedral between 1581 and 1584. Following this, he was the choirmaster at the cathedral of Reggio Emilia, until 1586. In that year he moved to Correggio where he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tricinia
In music of the Renaissance and early Baroque eras, a bicinium (pl. bicinia) was a composition for only two parts, especially one for the purpose of teaching counterpoint or singing. The term has had two usages in music history: # Recently, the term has come to mean any composition at all from the Renaissance or early Baroque period for two vocal or instrumental parts. # Historically, a bicinium referred specifically to a two-part composition used as a teaching tool, most often in Protestant, German-speaking areas. The term was first used in Poland, by Jan z Lublina in a treatise of 1540. Volumes of bicinia were published in the next several decades in Germany, the Low Countries, and even in Italy, as the usefulness of bicinia as teaching aids became apparent. In addition, Martin Luther had strongly expressed that children should learn both music and the psalms: bicinia with German texts from the Psalms fulfilled his purpose. Students could be expected to master singing a sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Giacomo Gastoldi
Giovanni Giacomo Gastoldi (c. 1554 – 4 January 1609) was an Italian composer of the late Renaissance and early Baroque periods. He is known for his 1591 publication of ''balletti'' for five voices. Career Gastoldi was born at Caravaggio, Lombardy. In 1592 he succeeded Giaches de Wert as choirmaster at Santa Barbara's, Mantua, and served until 1605 under the Dukes Guglielmo and Vincenzo Gonzaga. According to Filippo Lomazzo, Gastoldi became choirmaster at the Duomo, Milan, afterwards, but other considerations seem to make this point doubtful. Works Gastoldi composed several books of madrigals, a variety of sacred vocal music, and a few instrumental works. Particularly noteworthy among his secular vocal works is his ''Quarto libro de' madrigali a cinque voci'' (1602), which consists almost entirely of settings of texts from Battista Guarini's hugely popular "pastoral tragicomedy" ''Il pastor fido'' (The Faithful Shepherd). According to Gastoldi himself, at least one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Morley
Thomas Morley (1557 – early October 1602) was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, ''The New Grove Dictionary of Music and Musicians'' states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music." Living in London at the same time as Shakespeare, Morley was the most famous composer of secular music in Elizabethan England. He and Robert Johnson are the composers of the only surviving contemporary settings of verse by Shakespeare. Morley was active in church music as a singer, composer and organist at St Paul's Cathedral. He was also involved in music publishing. From 1598 up to his death he held a printing patent (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allgemeine Deutsche Biographie
''Allgemeine Deutsche Biographie'' (ADB, german: Universal German Biography) is one of the most important and comprehensive biographical reference works in the German language. It was published by the Historical Commission of the Bavarian Academy of Sciences between 1875 and 1912 in 56 volumes, printed in Leipzig by Duncker & Humblot. The ADB contains biographies of about 26,500 people who died before 1900 and lived in the German language Sprachraum of their time, including people from the Netherlands before 1648. Its successor, the '' Neue Deutsche Biographie'', was started in 1953 and is planned to be finished in 2023. The index and full-text articles of ADB and NDB are freely available online via the website ''German Biography'' (''Deutsche Biographie''). Notes References * * External links * ''Allgemeine Deutsche Biographie'' - full-text articles at German Wikisource Wikisource is an online digital library of free-content textual sources on a wiki, operated b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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