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Václav Zítek
Václav Zítek (24 March 1932 – 18 December 2011) was a Czech opera singer. A lyric baritone with a beautiful timbre and a wide vocal range, he was one of the leading Czech singers of the postwar generation. He particularly excelled in portraying Janáček and Smetana heroes. His voice is preserved on numerous opera recordings made with the Supraphon record label. Biography Born in Tisá, Zítek studied singing privately with E. Matoušková, M. Linka, D. Levytský, and Zdeněk Otava. Between 1955 and 1959, he worked on the staff at the National Theatre in Prague and sang in some smaller roles. In 1959–1960, he worked as a principal artist at the Zdeněk Nejedlý Theatre in Ostrava. He then was a leading baritone at the opera house in Ústí nad Labem from 1960 to 1969. While there he also appeared occasionally as a guest artist at the Prague National Theatre. He eventually left Ústí nad Labem for that house, singing as a leading baritone at the National Theatre from 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Czech Republic
The Czech Republic, or simply Czechia, is a landlocked country in Central Europe. Historically known as Bohemia, it is bordered by Austria to the south, Germany to the west, Poland to the northeast, and Slovakia to the southeast. The Czech Republic has a hilly landscape that covers an area of with a mostly temperate continental and oceanic climate. The capital and largest city is Prague; other major cities and urban areas include Brno, Ostrava, Plzeň and Liberec. The Duchy of Bohemia was founded in the late 9th century under Great Moravia. It was formally recognized as an Imperial State of the Holy Roman Empire in 1002 and became a kingdom in 1198. Following the Battle of Mohács in 1526, the whole Crown of Bohemia was gradually integrated into the Habsburg monarchy. The Protestant Bohemian Revolt led to the Thirty Years' War. After the Battle of White Mountain, the Habsburgs consolidated their rule. With the dissolution of the Holy Empire in 1806, the Cro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Devil's Wall
''The Devil's Wall'' ( cs, Čertova stěna) is a comic-romantic opera in three acts, with music by Bedřich Smetana and libretto by Eliška Krásnohorská, in their third operatic collaboration. The subtext of the plot is a Czech legend of a sheer rockface that overlooks the Vltava river, near the old monastery of Vyšši Brod, where the Devil was said to have halted the building of the monastery by damming the Vltava, which then rose and flooded the site. Krásnohorská had originally intended her scenario to be serious in nature, a symbolic representation of the conflict between the Church and the Devil. By contrast, Smetana had wanted a less serious treatment. She acceded to his demands and provided such a scenario, but then Smetana changed his thinking on the story. He reworked the plot such that he turned the young girl, Hedvika, into a surrogate for Lord Vok's late first wife, and the story became more serious in that aspect. As a result of these changes, Krásnohorská ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolshoi Theatre
The Bolshoi Theatre ( rus, Большо́й теа́тр, r=Bol'shoy teatr, literally "Big Theater", p=bɐlʲˈʂoj tʲɪˈatər) is a historic theatre in Moscow, Russia, originally designed by architect Joseph Bové, which holds ballet and opera performances. Before the October Revolution it was a part of the Imperial Theatres of the Russian Empire along with Maly Theatre (Moscow), Maly Theatre (''Small Theatre'') in Moscow and a few theatres in Saint Petersburg (Hermitage Theatre, Bolshoi Theatre, Saint Petersburg, Bolshoi (Kamenny) Theatre, later Mariinsky Theatre and others). The Bolshoi Ballet and Bolshoi Opera are among the oldest and best known ballet and opera companies in the world. It is by far the world's biggest ballet company, with more than 200 dancers. The theatre is the parent company of The Bolshoi Ballet Academy, a leading school of ballet. It has a branch at the Bolshoi Theater School in Joinville, Brazil. The main building of the theatre, rebuilt and renovat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Onegin (opera)
''Eugene Onegin'' ( rus, Евгений Онегин, italic=yes, Yevgény Onégin, jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, Ru-Evgeny_Onegin.ogg), Opus number, Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825-1832 Eugene Onegin, novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Best Opera Recording
The Grammy Award The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most pres ... for Best Opera Recording has been awarded since 1961. The award was originally titled Best Classical Opera Production. The current title has been used since 1962. Prior to 1961 the awards for operatic and choral performances were combined in a single award for Best Classical Performance, Operatic or Choral. According to the list of nominees for the 2023 Grammy season, the award goes to the conductor, album producer(s) and principal soloists, and also to the composer and librettist (if applicable) of a world premiere opera recording only. Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. ''Note: Performers who did not receive a nomination and/or an award (s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
From The House Of The Dead
''From the House of the Dead'' () is an opera in three acts by Leoš Janáček. The libretto was translated and adapted by the composer from the 1862 novel by Fyodor Dostoevsky. It was the composer's last opera, premiered on 12 April 1930 at the National Theatre Brno, two years after his death. The United States premiere of the work took place at Lincoln Center in 1989 when the New York City Opera mounted a production led by conductor Christopher Keene with a cast starring Harlan Foss as Alexandr Petrovič Gorjančikov, John Absalom as Filka Morozov, Jon Garrison as Skuratov, and John Lankston as Šapkin. Composition history Janáček worked on this opera from February 1927 to 8 June 1928,Ladislav Šip, "Leoš Janáček's Last Opera" – essay in LP booklet accompanying Supraphon box SU 5075-76 (translated by Christopher Hogwood), Artia, Prague, 1965. knowing that it would be his last, and for it he broke away from the habit he had developed of creating characters modeled on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Makropulos Affair (opera)
''The Makropulos Affair'' (or ''The Makropoulos Case'', ''The Makropulos Secret'', or, literally, ''The Makropulos Thing''; Czech ''Věc Makropulos'') is a Czech opera in 3 acts, with music and libretto by Leoš Janáček. Janáček based his opera on the play ''Věc Makropulos'' by Karel Čapek. Composed between 1923 and 1925, ''The Makropulos Affair'' was his penultimate opera and, like much of his later work, was inspired by his infatuation with Kamila Stösslová, a married woman much younger than himself. The opera received its world premiere at the National Theatre in Brno on 18 December 1926, conducted by František Neumann. Composition history Janáček had seen the play early in its run in Prague on 10 December 1922, and immediately saw its potential as an opera. He entered into a correspondence with Čapek, who was accommodating towards the idea, although legal problems in securing the rights to the play delayed work. When these problems were cleared on 10 September 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cunning Little Vixen
''The Cunning Little Vixen'' (original title ''Příhody lišky Bystroušky'' or ''Tales of Vixen Sharp-Ears'' in English), is a three-act Czech-language opera by Leoš Janáček completed in 1923 to a libretto the composer himself adapted from a novella by Rudolf Těsnohlídek. Name The opera's libretto was adapted by the composer from a 1920 serialized novella, ''Liška Bystrouška'', by Rudolf Těsnohlídek, which was first published in the newspaper ''Lidové noviny'' (with illustrations by Stanislav Lolek). For the title of the opera, ''Příhody'' means ''tales''; ''lišky'' is the genitive of ''vixen''. ''Bystroušky'', still genitive, is the pun ''sharp'', having the double meaning of ''pointed'', like fox ears, and ''clever''. The opera first became familiar outside Czechoslovakia in a 1927 German adaptation by Max Brod who provided the new name ''Das schlaue Füchslein'', by which Germans still know it and which in English means ''The Cunning Little Vixen''. Compositio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jenůfa
''Její pastorkyňa'' (''Her Stepdaughter''; commonly known as ''Jenůfa'' ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play ''Její pastorkyňa'' by Gabriela Preissová. It was first performed at the National Theatre, Brno on 21 January 1904. Composed between 1896 and 1902, it is among the first operas written in prose. The first of Janáček's operas in which his distinctive voice can clearly be heard, it is a grim story of infanticide and redemption. Like the playwright's original work, it is known for its unsentimental realism. While today it is heard in the composer's original version, ''Jenůfas early popularity was due to a revised version by Karel Kovařovic, altering what was considered its eccentric style and orchestration. Thus altered, it was well-received, first in Prague, and particularly after its Vienna première also worldwide. More than 70 years passed before audiences again heard it in Janáček's original ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
