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Vox Luminis
Vox Luminis are a Belgian early music vocal ensemble led by Lionel Meunier. Their recording of Heinrich Schütz's '' Musicalische Exequien'' for Ricercar won a Gramophone Award and International Classical Music Awards (ICMA) in 2012. Recordings (choice) * Domenico Scarlatti: Stabat Mater a 10 voci. Te Deum. Salve Regina. Vox Luminis Ensemble Ricercar 2007 * Samuel Scheidt - Cantiones Sacræ Vox Luminis, Lionel Meunier Ricercar 2010 * Heinrich Schütz: Musicalische Exequien Ricercar, * English Royal Funeral Music. Morley Purcell Tomkins Weelkes Les Trompettes des Plaisirs, Lingua Franca & Vox Luminis, Lionel Meunier 2013 * Reinhard Keiser: Brockes-Passion. Tóth, Van Elsacker, Kooij, Les Muffatti and Vox Luminis, Peter Van Heyghen Ramee 2014 * Lassus: Biographie Musicale Volume V Lassus l’Européen Musique en Wallonie 2015 * J. Bach, J.Chr. Bach & J.M. Bach: Motetten Ricercar 2015 * Johann Fux: Kaiserrequiem Kerll: Missa pro defunctis. Vox Luminis, Lionel Meunier Ricer ...
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Heinrich Schütz
Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the Early Baroque. Most of his surviving music was written for the Lutheran church, primarily for the Electoral Chapel in Dresden. He wrote what is traditionally considered the first German opera, ''Dafne'', performed at Torgau in 1627, the music of which has since been lost, along with nearly all of his ceremonial and theatrical scores. Schütz was a prolific composer, with more than 500 surviving works. He is commemorated as a musician in the Calendar of Saints of some North American Lutheran churches on 28 July with Johann Sebastian Bach and George Frideric Handel. Early life Schütz was born in Köstritz, the eldest son of C ...
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Kerll
Johann Caspar Kerll (9 April 1627 – 13 February 1693) was a German baroque composer and organist. He is also known as Kerl, Gherl, Giovanni Gasparo Cherll and Gaspard Kerle. Born in Adorf in the Electorate of Saxony as the son of an organist, Kerll showed outstanding musical abilities at an early age, and was taught by Giovanni Valentini, court Kapellmeister at Vienna. Kerll became one of the most acclaimed composers of his time, known both as a gifted composer and an outstanding teacher. He worked at Vienna, Munich and Brussels, and also travelled widely. His pupils included Agostino Steffani, Franz Xaver Murschhauser, and possibly Johann Pachelbel, and his influence is seen in works by Handel and Johann Sebastian Bach: Handel frequently borrowed themes and fragments of music from Kerll's works, and Bach arranged the ''Sanctus'' movement from Kerll's ''Missa superba'' as BWV 241, Sanctus in D major. Although Kerll was a well-known and influential composer, many of his works ar ...
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Early Music Groups
Early may refer to: History * The beginning or oldest part of a defined historical period, as opposed to middle or late periods, e.g.: ** Early Christianity ** Early modern Europe Places in the United States * Early, Iowa * Early, Texas * Early Branch, a stream in Missouri * Early County, Georgia Other uses * ''Early'' (Scritti Politti album), 2005 * ''Early'' (A Certain Ratio album), 2002 * Early (name) * Early effect, an effect in transistor physics * Early Records, a record label * the early part of the morning See also * Earley (other) Earley is a town in England. Earley may also refer to: * Earley (surname), a list of people with the surname Earley * Earley (given name), a variant of the given name Earlene * Earley Lake, a lake in Minnesota *Earley parser, an algorithm *Earley ...
{{disambiguation, geo ...
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Heinrich Ignaz Franz Biber
Heinrich Ignaz Franz Biber ( bapt. 12 August 1644, Stráž pod Ralskem – 3 May 1704, Salzburg) was a Bohemian-Austrian composer and violinist. Biber worked in Graz and Kroměříž before he illegally left his employer, Prince-Bishop Karl Liechtenstein-Kastelkorn, and settled in Salzburg. He remained there for the rest of his life, publishing much of his music but apparently seldom, if ever, giving concert tours. Biber was among the major composers for the violin in the history of the instrument. His own technique allowed him to easily reach the 6th and 7th positions, employ multiple stops in intricate polyphonic passages, and explore the various possibilities of scordatura tuning.A Survey of the Unaccompanied Violin Repertoire, Centering on Wor ...
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Andreas Hammerschmidt
Andreas Hammerschmidt (1611 or 1612 – 29 October 1675), the "Orpheus of Zittau," was a German Bohemian composer and organist of the early to middle Baroque era. He was one of the most significant and popular composers of sacred music in Germany in the middle 17th century. Life He was born at Brüx, a small Protestant community in Bohemia, to a Saxon father and a Bohemian mother. In 1626 the family had to flee Bohemia, during the Thirty Years' War, after it had become Catholic; they settled in Freiberg, Saxony, where Andreas must have received his musical education. He probably did not study with composer Christoph Demantius, who was ''Kantor'' at Freiberg and the most significant musician in the city while Hammerschmidt was there; however he may have known him. Many famous musicians of the early Baroque spent time in Freiberg but it is uncertain which of them taught Hammerschmidt; at any rate he received a superb musical training while there. Hammerschmidt left Freiberg ...
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King Arthur (opera)
''King Arthur, or The British Worthy'' (Z. 628), is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. It was first performed at the Queen's Theatre, Dorset Garden, London, in late May or early June 1691. The plot is based on the battles between King Arthur's Britons and the Saxons, rather than the legends of Camelot (although Merlin does make an appearance). It is a Restoration spectacular, including such supernatural characters as Cupid and Venus plus references to the Germanic gods of the Saxons, Woden, Thor, and Freya. The tale centres on Arthur's endeavours to recover his fiancée, the blind Cornish Princess Emmeline, who has been abducted by his arch-enemy, the Saxon King Oswald of Kent. ''King Arthur'' is a "dramatick opera" or semi-opera: the principal characters do not sing, except if they are supernatural, pastoral or, in the case of Comus and the popular ''Your hay it is mow'd'', drunk. Secondary characters sing to them, usually as d ...
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Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of the b ...
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Ein Feste Burg Ist Unser Gott
"A Mighty Fortress Is Our God" (originally written in the German language with the title ) is one of the best known hymns by the Protestant Reformers, Protestant Reformer Martin Luther, a prolific hymnwriter. Luther wrote the words and composed the hymn tune between 1527 and 1529.John D. Julian, Julian, John, ed., ''A Dictionary of Hymnology: Setting forth the Origin and History of Christian Hymns of All Ages and Nations'', Second revised edition, 2 vols., n.p., 1907, reprint, New York: Dover Publications, Inc., 1957, 1:322–25 It has been translated into English at least seventy times and also into many other languages. The words are mostly original, although the first line paraphrases that of Psalm 46.Marilyn Kay Stulken, ''Hymnal Companion to the Lutheran Book of Worship'' (Philadelphia: Fortress Press, 1981), 307–08, nos. 228–229. History "A Mighty Fortress" is one of the best known hymns of the Lutheran tradition, and among Protestantism, Protestants more generally. I ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Actus Tragicus
(God's time is the very best time), , also known as ''Actus tragicus'', is an early sacred cantata composed by Johann Sebastian Bach in Mühlhausen, intended for a funeral. The earliest source for the composition is a copied manuscript dated 1768, therefore the date of the composition is not certain. Research leads to a funeral of a former mayor of Mühlhausen on 16 September 1708. The text is a carefully compiled juxtaposition of biblical texts, three quotations from the Old Testament and four from the New Testament, combined with funeral hymns, of which two are sung and one is quoted instrumentally, and some additions by an anonymous author. Bach scored the work for four vocal parts and a small ensemble of Baroque instruments, two recorders, two violas da gamba and continuo. The work is opened by an instrumental Sonatina, followed by through-composed sections which have been assigned to four movements. The structure is symmetrical around a turning point, when the lower voice ...
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Johann Fux
Johann Joseph Fux (; – 13 February 1741) was an Austrian composer, music theory, music theorist and pedagogy, pedagogue of the late Baroque music, Baroque era. His most enduring work is not a musical composition but his treatise on counterpoint, ''Gradus ad Parnassum#Music and art, Gradus ad Parnassum'', which has become the single most influential book on the Giovanni Pierluigi da Palestrina, Palestrinian style of Renaissance music, Renaissance polyphony. Life Fux's exact date of birth is unknown. He was born to a peasant family in Langegg bei Graz, Hirtenfeld, Styria, Austria. Relatively little is known about his early life, but likely he went to nearby Graz for music lessons. In 1680 he was accepted at the Jesuit Ferdinandeum University there, where his musical talent became apparent. From 1685 until 1688 he served as organist at St. Moritz in Ingolstadt. Sometime during this period he must have made a trip to Italy, as evidenced by the strong influence of Arcangelo Corelli, ...
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Musicalische Exequien
Musikalische Exequien (Funeral music), Op. 7, SWV 279–281 is a sacred composition that Heinrich Schütz wrote in 1635 or 1636. Written for the funeral services of Count Henry II, Count of Reuss-Gera, who had died on 3 December 1635, it is Schütz's most famous work of funeral music. It comprises the following sections: :I ''Concert in Form einer teutschen Begräbnis-Messe'' :II Motet ''Herr, wenn ich nur Dich habe'' :III Canticum B. Simeonis ''Herr, nun lässest du deinen Diener'' Henry II had planned the service himself and chosen the texts, some of which are scriptural and others of which are from 16th-century Lutheran writers, including Martin Luther himself. He also commissioned Schütz to compose the music on the occasion of his death. Part I, by far the longest part of the work, is scored for SSATTB (2 sopranos, alto, 2 tenors, bass) chorus alternating with small ensembles of soloists. Part II is scored for double choir SATB SATB, and part III for SATTB choir and a trio ...
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