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Volkher Häusler
Volkher Häusler (born 14 August 1958) is a German conductor, composer and church musician. He is artistic director of the MendelssohnKammerChor in Berlin. Life Born in Krumbach, Bavaria, Häusler passed his Abitur in 1979 at the . He then began studying music at the Hochschule für Musik und Theater München, where he was taught, among others, by Hedwig Bilgram and in choral conducting by Fritz Schieri. At a summer course, he was taught by the musicologist Wilhelm Ehmann. In 1980, he took part in a master class on Baroque performance practice, led by the tenor Ernst Haefliger and the conductor Diethard Hellmann. In 1981, he began additional studies in concert organ with Bilgram. In 1983, he completed his studies in Munich with the A exam. In 1983, Häusler moved to Berlin where he worked as an organist and continued his studies at the Berlin University of the Arts in 1983. In 1989, he also took over the direction of a seminaron Voice training at the . During his last two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krumbach, Bavaria
Krumbach (also: ''Krumbach (Schwaben)'') is a town with 13,000 residents in the district Günzburg in Swabia, Bavaria, Germany. It is the second biggest town in the district. Geography Krumbach (elevation 512 m (1680 ft)) is situated in Mittelschwaben in the natural region Lower Iller-Lech Gravel Plateau (a part of the region between Danube and the Alps) in the valley of the Kammel, a left tributary of the Mindel river and so an indirect tributary of the Danube river. The landscape is marked by forests and areas in agricultural acreage (fields and grassland). The next bigger cities respectively towns are Ulm, approximately 40 kilometres northwest of Krumbach, Augsburg, 48 kilometres northeast of Krumbach, Memmingen, about 40 kilometres southwest of Krumbach, Mindelheim, 30 kilometres south of Krumbach and Günzburg, 27 kilometres north of Krumbach. The distance to Munich is approximately 120 kilometres. History In 1156 Krumbach was mentioned in documents the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Pedagogy
Vocal pedagogy is the study of the art and science of voice instruction. It is used in the teaching of singing and assists in defining what singing is, how singing works, and how proper singing technique is accomplished. Vocal pedagogy covers a broad range of aspects of singing, ranging from the physiological process of vocal production to the artistic aspects of interpretation of songs from different genres or historical eras. Typical areas of study include: : * Human anatomy and physiology as it relates to the physical process of singing. * Breathing and air support for singing * Posture for singing * Phonation * Vocal resonation or voice projection * Diction, vowels and articulation * Vocal registration * Sostenuto and legato for singing * Other singing elements, such as range extension, tone quality, vibrato, coloratura * Vocal health and voice disorders related to singing * Vocal styles, such as learning to sing opera, belt, or art song * Phonetics * Voice classification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gert Frischmuth
Gert Frischmuth (18 July 1932 – 4 May 2012) was a German choral conductor and music educator. Life Born in Jena, Frischmuth studied music education at the Friedrich Schiller University of Jena. After twelve years of teaching at the Humboldt-Oberschule in Erfurt, he was appointed to the Hochschule für Musik Franz Liszt, Weimar for the subject of choral singing/choral conducting after additional studies in choral conducting. There he successfully directed, among other things, the chamber choir of the conservatoire, which won several awards. In 1979, he was appointed a Professor. In 1988, after twelve years as guest conductor and two years as interim leader, he was appointed choir director of the Leipzig Radio Choir, later to become the MDR Rundfunkchor. He led the choir until 1998, and under his direction it developed into one of the top choirs in Europe. He also conducted the Erfurt Male Choir for over forty years and, in 1998 and 1999, the . Frischmuth died in Erfurt at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colin Metters
Colin Metters, is an English conductor, orchestral trainer and conducting pedagogue. He is Professor of Conducting at the Royal Academy of Music in London where he founded the Conductors' Course in 1983. In September 2013, he retired as Head of Studies after serving in the post for 30 years. He remains as Professor of Conducting at the Academy's Postgraduate Conductors' Course. Biography Colin Metters was appointed Music Director of Ballet Rambert when he finished his studies at The Royal College of Music. Subsequently, he was appointed conductor with Sadlers Wells Royal Ballet and conducted for Sadlers Wells on tours in the UK and worldwide and conducted Gala concerts at Covent Garden. He has conducted for many of the world's leading dance companies, most recently for New York City Ballet at The Lincoln Centre. Metters has conducted many of the major symphony orchestras in the United Kingdom and abroad in Poland, Spain, Germany, Australia, Singapore, Venezuela, United State ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmuth Rilling
Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie Stuttgart (1981) and other Bach Academies worldwide, as well as the "Festival Ensemble Stuttgart" (2001) and the "Junges Stuttgarter Bach Ensemble" (2011). He taught choral conducting at the Frankfurt Musikhochschule from 1965 to 1989 and led the Frankfurter Kantorei from 1969 to 1982. Education Rilling was born into a musical family. He received his early training at the Protestant Seminaries in Württemberg. From 1952 to 1955 he studied organ, composition, and choral conducting at the Stuttgart College of Music. He completed his studies with Fernando Germani in Rome and at the Accademia Musicale Chigiana in Siena. While still a student in 1954, he founded his first choir, the Gächinger Kantorei. Starting in 1957, he was organist and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internationale Bachakademie Stuttgart
Internationale Bachakademie Stuttgart is a foundation in Stuttgart, founded by Helmuth Rilling in 1981 to foster international concerts and workshops, namely Musikfest Stuttgart, dedicated especially to the music of Johann Sebastian Bach in relation to present day composition. Its director has been Hans-Christoph Rademann from 1 June 2013. Musikfest Stuttgart The foundation has organized several concert series including the annual "Musikfest Stuttgart" (until 2008 "Europäisches Musikfest Stuttgart"). Ensembles It has supported the ensembles Gächinger Kantorei, Bach-Collegium Stuttgart and the annual Festivalensemble Stuttgart and has conducted master classes and lecture recitals. International collaboration Bachakademie Stuttgart has collaborated with the Oregon Bach Festival and other Bach Academies in Caracas, Buenos Aires, Tokyo, Osaka, Sendai, Budapest, Cluj-Napoca, Kraków, Krasnoyarsk, Moscow, Prague, Riga, Tallinn, Athens, and also with the Israel Philharmonic Orchestra. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Mendelssohn
Bust of Arnold Mendelssohn, at the Holy Trinity Community Cemetery, Berlin Arnold Ludwig Mendelssohn (26 December 1855 – 18 February 1933), was a German composer and music teacher. He was born in Ratibor, Province of Silesia; the son of Felix Mendelssohn's cousin Wilhelm Mendelssohn (1821–1866) who, in 1854, had married Louise Aimee Cauer (sister to Bertha Cauer). In 1885, Arnold Ludwig himself married his second cousin, Maria Cauer, daughter of Karl Cauer (sister of Ludwig Cauer). Mendelssohn was originally a lawyer before studying music, then was director of church music and a professor in Darmstadt. Paul Hindemith was one of his students. After his death his works were banned in Nazi Germany because of his Jewish heritage. He died in Darmstadt. Works, editions and recordings Mendelssohn composed chorale cantatas, three operas, and other works. Operas *''Elsi, die seltsame Magd'' (op. 8), Oper in 2 Aufzügen. Libretto: Hermann Wette; premier 16 April 1896 Stadtth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanny Hensel
Fanny Mendelssohn (14 November 1805 – 14 May 1847) was a German composer and pianist of the early Romantic era who was also known as Fanny (Cäcilie) Mendelssohn Bartholdy and, after her marriage, Fanny Hensel (as well as Fanny Mendelssohn Hensel). Her compositions include a piano trio, a piano quartet, an orchestral overture, four cantatas, more than 125 pieces for the piano, and over 250 lieder, most of which went unpublished in her lifetime. Although praised for her piano technique, she rarely gave public performances outside her family circle. She grew up in Berlin and received a thorough musical education from teachers including her mother, as well as the composers Ludwig Berger and Carl Friedrich Zelter. Her younger brother Felix Mendelssohn, also a composer and pianist, shared the same education and the two developed a close relationship. Due to her family's reservations, and to social conventions of the time about the roles of women, six of her songs were published und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for '' A Midsummer Night's Dream'' (which includes his "Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio ''St. Paul'', the oratorio ''Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volker Wangenheim
Volker Wangenheim (1 July 1928 – 23 April 2014) was a German conductor, composer and academic teacher. He was conductor of the orchestra in Bonn from 1957, shaping the orchestra and opening the new concert hall Beethovenhalle in 1959 after which the orchestra was named from 1963. He was also co-founder and conductor of the Bundesjugendorchester, and professor at the Musikhochschule Köln. Life Berlin Wangenheim grew up in Berlin where he was born and studied violin, oboe, piano, composition and conducting at the Universität der Künste Berlin. From 1951 to 1952, he was repetiteur and Kapellmeister at the Mecklenburg State Theatre in Schwerin. In 1952, he founded the Berliner Mozart-Orchester, which he headed to 1959. From 1954 to 1957 he also conducted the . He made his debut with the Berlin Philharmonic on 22 June 1954. Bonn In 1957, Wangenheim became conductor of the Städtisches Orchester (municipal orchestra) in Bonn, the provisional capital of Germany. His first d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
