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Volk (album)
''Volk'' is the seventh studio album by Slovenian industrial group Laibach, released in 2006. The word "volk" means "people" or "nation" in German and "wolf" in Slovene. The album is a collection of thirteen songs inspired by national or pan-national anthems, plus the anthem of the NSK State, a virtual state to which Laibach belong. The album is a collaboration with another Slovenian band, Silence. The anthem of the NSK is essentially the same arrangement as "The Great Seal", a song on their 1987 album ''Opus Dei''. Like "The Great Seal", the words are based on Winston Churchill's "We shall fight on the beaches" speech. Track listing # "Germania" – based on "Das Lied der Deutschen" (Germany) # "America" – based on "The Star-Spangled Banner" (United States) # "Anglia" – based on "God Save the Queen" (United Kingdom) # "Rossiya" – based on the State Anthem of the Soviet Union, post-2000 "National Anthem of Russia" (Russia), and "The Internationale" # "Fra ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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National Anthem
A national anthem is a patriotic musical composition symbolizing and evoking eulogies of the history and traditions of a country or nation. The majority of national anthems are marches or hymns in style. American, Central Asian, and European nations tend towards more ornate and operatic pieces, while those in the Middle East, Oceania, Africa, and the Caribbean use a more simplistic fanfare. Some countries that are devolved into multiple constituent states have their own official musical compositions for them (such as with the United Kingdom, Russia, and the former Soviet Union); their constituencies' songs are sometimes referred to as national anthems even though they are not sovereign states. History In the early modern period, some European monarchies adopted royal anthems. Some of these anthems have survived into current use. "God Save the King/Queen", first performed in 1619, remains the royal anthem of the United Kingdom and the Commonwealth realms. , adopted as th ...
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Marcha Real
The (; "Royal March") is the national anthem of Spain. It is one of only four national anthems in the world – along with those of Bosnia and Herzegovina, San Marino and Kosovo – that have no official lyrics. Although it had lyrics in the past, they are no longer used. One of the oldest in the world, the Spanish national anthem was first printed in a document dated 1761 and entitled (''Book of the Ordinance of Newly Played Military Fife and Drum Calls by The Spanish Infantry''), by Manuel de Espinosa. There, it is entitled (). According to the document, Manuel de Espinosa de los Monteros is the composer. There is a misconception that its author was Frederick II of Prussia, a great lover of music. That mistaken belief arose in 1861 when it was published as fact in the periodical (''Military Spain''). In 1864, Col. Antonio Vallecillo published the story in the diary (''The Public Spirit''), claiming a supposed Prussian origin for . According to Vallecillo, the anthem was ...
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Il Canto Degli Italiani
"" (; "The Song of the Italians") is a canto written by Goffredo Mameli set to music by Michele Novaro in 1847, and is the current national anthem of Italy. It is best known among Italians as the "" (, "Mameli's Hymn"), after the author of the lyrics, or "" (, "Brothers of Italy"), from its opening line. The piece, in a time signature of 4/4 and the key of B-flat major, consists of six strophes, and a refrain sung at the end of each strophe. The sixth group of verses, which is almost never performed, recalls the text of the first strophe. The song was very popular during the unification of Italy and in the following decades, although after the proclamation of the Kingdom of Italy (1861) the "Marcia Reale" (Royal March), the official hymn of the House of Savoy composed in 1831 by order of King Charles Albert of Sardinia, was chosen as the anthem of the Kingdom of Italy. "Fratelli d'Italia", of clear republican and Jacobin connotation, was difficult to reconcile with the out ...
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La Marseillaise
"La Marseillaise" is the national anthem of France. The song was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by France against Austria, and was originally titled "Chant de guerre pour l'Armée du Rhin" ("War Song for the Army of the Rhine"). The French National Convention adopted it as the Republic's anthem in 1795. The song acquired its nickname after being sung in Paris by volunteers from Marseille marching to the capital. The song is the first example of the "European march" anthemic style. The anthem's evocative melody and lyrics have led to its widespread use as a song of revolution and its incorporation into many pieces of classical and popular music. History As the French Revolution continued, the monarchies of Europe became concerned that revolutionary fervor would spread to their countries. The War of the First Coalition was an effort to stop the revolution, or at least contain it to France. Initially, the French arm ...
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The Internationale
"The Internationale" (french: "L'Internationale", italic=no, ) is an international anthem used by various communist and socialist groups; currently, it serves as the official anthem of the Communist Party of China. It has been a standard of the socialist movement since the late nineteenth century, when the Second International adopted it as its official anthem. The title arises from the "First International", an alliance of workers which held a congress in 1864. The author of the anthem's lyrics, Eugène Pottier, an anarchist, attended this congress. Pottier's text was later set to an original melody composed by Pierre De Geyter, a Marxist. It is one of the most universally translated anthems in history. It has been adopted as the anthem of the anarchist, communist, socialist, democratic socialist, and social democratic movements. French version The original French lyrics were written in June 1871 by Eugène Pottier (previously a member of the Paris Commune) and were origi ...
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National Anthem Of Russia
The "State Anthem of the Russian Federation" is the national anthem of Russia. It uses the same melody as the "State Anthem of the Soviet Union", composed by Alexander Alexandrov, and new lyrics by Sergey Mikhalkov, who had collaborated with Gabriel El-Registan on the original anthem. From 1944, that earliest version replaced "The Internationale" as a new, more Soviet-centric and Russia-centric Soviet anthem. The same melody, but without any lyrics, was used after 1956. A second version of the lyrics was written by Mikhalkov in 1970 and adopted in 1977, placing less emphasis on World War II and more on the victory of communism, and without mentioning the denounced Stalin by name. The Russian SFSR was the only constituent republic of the Soviet Union without its own regional anthem. The lyric-free " Patrioticheskaya Pesnya", composed by Mikhail Glinka, was officially adopted in 1990 by the Supreme Soviet of Russia, and confirmed in 1993, after the dissolution of the Soviet ...
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State Anthem Of The Soviet Union
The "State Anthem of the Soviet Union" was the national anthem of the Soviet Union and the regional anthem of the Russian Soviet Federative Socialist Republic from 1944 to 1991, replacing "The Internationale". Its original lyrics were written by Sergey Mikhalkov (1913–2009) in collaboration with Gabriyel’ Arkadyevich Ureklyan (1899–1945), and its music was composed by Alexander Alexandrov (1883–1946). For a two-decade interval following de-Stalinization, the anthem was performed without lyrics. The second set of lyrics, also written by Mikhalkov and in which Stalin's name was omitted, was adopted in 1977. A decade after the collapse of the Soviet Union, the music was adopted with new lyrics as the Russian national anthem. History Origins The anthem's music was originally composed by Alexander Alexandrov in 1938 for the Hymn of the Bolshevik Party. Its opening bars were borrowed from one of Alexandrov's previous pieces, " Life has become better", which was based on ...
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God Save The Queen
"God Save the King" is the national and/or royal anthem of the United Kingdom, most of the Commonwealth realms, their territories, and the British Crown Dependencies. The author of the tune is unknown and it may originate in plainchant, but an attribution to the composer John Bull is sometimes made. "God Save the King" is the ''de facto'' national anthem of the United Kingdom and one of two national anthems used by New Zealand since 1977, as well as for several of the UK's territories that have their own additional local anthem. It is also the royal anthem—played specifically in the presence of the monarch—of the aforementioned countries, in addition to Australia (since 1984), Canada (since 1980), Belize (since 1981), Antigua and Barbuda (since 1981), The Bahamas (since 1973), and most other Commonwealth realms. In countries not part of the British Empire, the tune of "God Save the King" has provided the basis for various patriotic songs, though still generally conne ...
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The Star-Spangled Banner
"The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the "Defence of Fort M'Henry", a poem written on September 14, 1814, by 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Outer Baltimore Harbor in the Patapsco River during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory. The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. This setting, renamed "The Star-Spangled Banner", soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very diffi ...
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Das Lied Der Deutschen
The "" (; "Song of Germany"), officially titled "" (; "The Song of the Germans"), has been the national anthem of Germany either wholly or in part since 1922, except for a seven-year gap following World War II in West Germany. In East Germany, the national anthem was "Auferstanden aus Ruinen" ("Risen from Ruins") between 1949 and 1990. After World War II and the fall of Nazi Germany, only the third stanza has been used as the national anthem. Its incipit "" ("Unity and Justice and Freedom") is considered the unofficial national motto of Germany, and is inscribed on modern German Army belt buckles and the rims of some German coins. The music is the hymn "Gott erhalte Franz den Kaiser", written in 1797 by the Austrian composer Joseph Haydn as an anthem for the birthday of Francis II, Holy Roman Emperor, Francis II, Emperor of the Holy Roman Empire and later of Austrian Empire, Austria. In 1841, the German linguist and poet August Heinrich Hoffmann von Fallersleben wrote the l ...
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We Shall Fight On The Beaches
"We shall fight on the beaches" is a common title given to a speech delivered by the British Prime Minister Winston Churchill to the House of Commons of the Parliament of the United Kingdom on 4 June 1940. This was the second of three major speeches given around the period of the Battle of France; the others are the "Blood, toil, tears and sweat" speech of 13 May 1940, and the "This was their finest hour" speech of 18 June 1940. Events developed dramatically over the five-week period, and although broadly similar in themes, each speech addressed a different military and diplomatic context. In this speech, Churchill had to describe a great military disaster, and warn of a possible invasion attempt by Nazi Germany, without casting doubt on eventual victory. He also had to prepare his domestic audience for France's falling out of the war without in any way releasing France to do so, and wished to reiterate a policy and an aim unchangeddespite the intervening eventsfrom his speec ...
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