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Viva Lula
Uropa Lula were a British pop group, consisting of David Lloyd (vocals and guitar), Allan Dias (bass guitar), Pete Fromm (keyboards), Andrew Edge (drums/percussion), Chester Kamen (guitar), and Carol Isaacs (keyboards). The group were managed by Hilde Swendgaard. The group signed a recording contract with Arista Records in 1982. History In 1980, Lloyd formed Uropa Lula with Hilde Swendgaard (manager) and Kevin Smith (drums), making two short films, "Here in the Sun" and "At Night Time" with Video Active. They were joined by Colin Prior (bass) and Peter Fromm (keyboards) in 1981 and began performing live in London, opening for John Cale, Alternative TV and Depeche Mode. American bass player Allan Dias replaced Prior in August of the same year. In September, the band recorded three songs, "Here's a Medal", "Timber Fall" I and "My Black Hour" for the Nicky Horne Capital Radio show. Leeds-born drummer Andrew Edge joined the group later that year. Uropa Lula signed to Arista R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Townhouse Studios
The Town House (also known as Townhouse Studios) was a recording studio located at 150 Goldhawk Road, Shepherd's Bush in London, built in 1978 under the direction of Richard Branson for Virgin Records. The studios changed ownership and eventually ceased operation in 2008, with luxury apartments now in its place. Artists that recorded at The Town House included Elton John, Queen, Phil Collins, Philip Bailey, The Jam, Asia, Bryan Ferry, Coldplay, Muse, Duran Duran, Jamiroquai, Kylie Minogue, Oasis, XTC, Robbie Williams, Peter Gabriel, and Joan Armatrading. Studio Two's "Stone Room" was an especially popular place to record drum sounds during the 1980s, directly as a result of producer Hugh Padgham's treatment of the drums on Phil Collins' "In the Air Tonight". History The Town House was originally managed by Barbara Jeffries as part of the Virgin Studios Group. The Goldhawk Road facility had three recording rooms, numbered One, Two, and Four, with the Townhouse Three designation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Venue (Victoria Street, London)
The Venue was a live music club at 160–162 Victoria Street, London, England, owned by Virgin Records. It opened its doors on 1 November 1978 and operated until 1984. The first act to play there was Graham Parker and The Rumour, followed by the last live performances by Alex Harvey before his death. Todd Rundgren played some dates there just before Christmas in 1978, as part of the tour to back up the ''Back to the Bars'' album; released for the Christmas market, at the time. Two shows were sometimes played per night, and the ambience was akin to a nightclub, where audience members sat at tables and could have drinks and meals while listening to the acts. It was also popular for use by record companies showcasing new signings to the music media. Additional info The original sound system was supplied by Eastlake systems, it was their first foray into live sound. Soon afterwards, Dave Martin from Martin Audio, a company that designed installed and touring PA sound system of the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Court Theatre, Liverpool
The Royal Court Theatre is a theatre located at 1 Roe Street in Liverpool, England. The current Royal Court Theatre was opened on 17 October 1938, after fire destroyed its predecessor. It was rebuilt in Art Deco style and soon became Liverpool's premier theatre. The interior of the building has a nautical theme, in line with Liverpool's seafaring traditions. The design of the basement lounge is based on the Cunard liner ''Queen Mary''. There are three viewing levels within the main auditorium: the Stalls, the Grand Circle and the Balcony. Although the Liverpool Blitz during the Second World War destroyed many of the buildings around it, the Royal Court itself remained intact. Throughout the war, many well-known artists performed here, including Ivor Novello, Margot Fonteyn and John Gielgud. Richard Burton made his stage debut here and Judi Dench made her professional stage debut in September 1957. In the 1980s it became home to rock and pop concerts, hosting artists such as Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Country
Big Country are a Scottish rock band formed in Dunfermline, Fife, in 1981. The height of the band's popularity was in the early to mid 1980s, although it has retained a cult following for many years since. The band's music incorporated Scottish folk and martial music styles, and the band engineered their guitar-driven sound to evoke the sound of bagpipes, fiddles, and other traditional folk instruments. Career Formation Big Country comprised Stuart Adamson (formerly of Skids, vocals/guitar/ keyboards), Bruce Watson (guitar/ mandolin/sitar/vocals), Tony Butler (bass guitar/vocals) and Mark Brzezicki ( drums/percussion/vocals). Before the recruitment of Butler and Brzezicki an early incarnation of Big Country was a five-piece band, featuring Peter Wishart (later of Runrig and now a Scottish National Party MP) on keyboards, his brother Alan on bass, and Clive Parker, drummer from Spizz Energi/Athletico Spizz '80. Adamson auditioned Parker (1981) at The Members' rehea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koko (venue)
KOKO (previously called The Music Machine and Camden Palace) is a concert venue and former theatre in Camden Town, London, England. The building was known as Camden Palace from 1982 until its 2004 purchase and extensive restoration, led by Oliver Bengough and Mint Entertainment. Since, the club has been known as KOKO and is one of the premier live music venues in London. On the evening of 6 January 2020, a large fire broke out in the building. History 1900–1945: Theatre and cinema The Camden Theatre opened on Boxing Day 1900. With a capacity of 2,434 it was one of the largest theatres in London outside the West End. The theatre was designed by the prolific theatre architect W. G. R. Sprague. Ellen Terry opened the theatre, then the most celebrated actress in England, who had lived in nearby Stanhope Street as a child. The ''St Pancras Gazette'', a local newspaper, commented as follows in a review of the theatre's production of an opera called ''The Geisha'' in 1901: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holly And The Italians
Holly Beth Vincent (born Holly Beth Cernuto in 1956) is an American singer, songwriter, multi-instrumentalist and record producer. In her youth Vincent sang and played drums and guitar in several bands and took part in the Los Angeles punk scene. In 1978, she formed Holly and the Italians and moved to London, England, where the band was welcomed by the British press and gained a recording contract with Virgin Records on the strength of the single " Tell That Girl to Shut Up". Holly and the Italians' debut album '' The Right to Be Italian'' had a troubled and long production and was a commercial failure, which led to the band's dissolution at the end of 1980, after a US tour supporting The Clash and the Ramones. Vincent recorded under her name the album '' Holly and the Italians'' in the UK and was then deported to the US by the British authorities. She went to live in New York City, where she was a member of The Waitresses for a short time and played in other local groups. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
30 Club
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudd Club
The Mudd Club was a nightclub located at 77 White Street in the TriBeCa neighborhood of Lower Manhattan in New York City. It operated from 1978 to 1983 as a venue for underground music and counterculture events. It was opened by Steve Maas, Diego Cortez and Anya Phillips. History The Mudd Club was founded by filmmaker Steve Maas, art curator Diego Cortez, and downtown punk scene figure Anya Phillips in 1978. Maas named the club after Samuel Alexander Mudd, the physician who treated John Wilkes Booth in the aftermath of Abraham Lincoln's assassination. To secure the space for the venue, which was a loft owned by artist Ross Bleckner, Maas described the future venue as essentially an art bar cabaret, like Mickey Ruskin's One University Place, itself based on Ruskin's successful Max's Kansas City. Mudd Club featured a bar, gender-neutral bathrooms, and an art gallery curated by Keith Haring on the fourth floor.Gruen, John (ed). ''Keith Haring: The Authorized Biography'', Prentic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritz (rock Club)
The Ritz was a New York City rock club in the 1980s and early 1990s. History The Ritz was founded in 1980 by Jerry Brandt in the historic Webster Hall ballroom and concert space on 11th Street between Third and Fourth Avenues in the East Village neighborhood of New York City. The address was 119 East 11th Street. The Ritz focused primarily on live performances, often of newer acts, but also featured dancing. The Ritz was one of the first clubs to incorporate video screens into the club experience with a 30' screen and a projector which cost $120,000. MTV made its debut at The Ritz. In April 1989, The Ritz moved to the site of the former Studio 54 on 254 West 54th Street, where it was called "The New Ritz" and continued to host concerts for several years. From 1990 onward it reverted to the name "The Ritz." The original 11th Street space is now known as Webster Hall. MTV's "Live at The Ritz" MTV aired a series of concerts called "Live at The Ritz" on Saturday nights in the 1980s. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mott The Hoople
Mott the Hoople were an English rock band formed in Herefordshire. Originally known as the Doc Thomas Group, the group changed their name after signing with Island Records in 1969. The band released albums throughout the early 1970s but failed to find commercial success. On the verge of breaking up, the band were encouraged by David Bowie to stay together. Bowie wrote the glam rock song "All the Young Dudes" for them, which became a huge commercial success in 1972. Bowie subsequently produced an album of the same name for them, which continued their success. Despite personnel changes, the band had further commercial success with ''Mott'' (1973) and ''The Hoople'' (1974). Lead singer Ian Hunter departed the band in 1974, after which the band's commercial fortunes began to dwindle. They remained together with continuing personnel changes until their break-up in 1980. The band have had reunions in 2009, 2013, 2018 and 2019. History Pre-Mott The Doc Thomas Group were formed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dale Griffin
Terence Dale "Buffin" Griffin (24 October 1948 – 17 January 2016) was an English drummer and a founding member of 1970s rock band Mott the Hoople. Later, he worked as a producer, and produced many of the BBC Radio 1 John Peel sessions from 1981 to 1994. Life and career Born in Ross-on-Wye, Herefordshire, Griffin attended Ross-on-Wye Grammar School. He played in local bands with future fellow Mott the Hoople member Overend Watts and it was during this time he gained the nickname "Buffin". Griffin's bands during this time included the Silence and the Charles Kingsley Creation. He appeared on two singles in 1966 by Yemm and the Yemen. Also in 1966, again with Watts and also with Mick Ralphs, Griffin played in the Doc Thomas Group. Successful in Italy, the group performed until the summer of 1968 when further changes of band personnel took place. Organist Verden Allen was added and the group changed its name to the Shakedown Sound and then to Silence. In 1969 they moved to London ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
