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Vittorio Ghielmi
Vittorio Ghielmi is an Italian musician (viola da gamba), conductor, compose Compared by critics to Jasha Heifetz ("Diapason") for his virtuosity, and described as "An Alchemist of sound" ("Diario de Sevilla") for the intensity and versatility of his musical interpretations, Vittorio Ghielmi attracted notice while still very young for his new approach to the viola da gamba and to the sound of early music repertoire. He is Professor for viola da gamba and Head of the ''Department für Alte Musik'' at the Mozarteum Universität Salzburg and visiting professor at the Royal College of London. He is graduate (Docteur ès lettres) at the Università Cattolica di Milano. He was born in Milan, Italy, where as a child he began his study of music with the violin (teacher Dora Piatti) and later the viola da gamba. In 1995 he was the winner of the "Concorso Internazionale Romano Romanini per strumenti ad arco" (Brescia). His fieldwork within old musical traditions surviving in forgotten part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittorio Ghielmi (foto Holger Schneider)
Vittorio Ghielmi is an Italian musician (viola da gamba), conductor, compose Compared by critics to Jasha Heifetz ("Diapason") for his virtuosity, and described as "An Alchemist of sound" ("Diario de Sevilla") for the intensity and versatility of his musical interpretations, Vittorio Ghielmi attracted notice while still very young for his new approach to the viola da gamba and to the sound of early music repertoire. He is Professor for viola da gamba and Head of the ''Department für Alte Musik'' at the Mozarteum Universität Salzburg and visiting professor at the Royal College of London. He is graduate (Docteur ès lettres) at the Università Cattolica di Milano. He was born in Milan, Italy, where as a child he began his study of music with the violin (teacher Dora Piatti) and later the viola da gamba. In 1995 he was the winner of the "Concorso Internazionale Romano Romanini per strumenti ad arco" (Brescia). His fieldwork within old musical traditions surviving in forgotten part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol Players
The viol (), viola da gamba (), or informally gamba, is any one of a family of bow (music), bowed, fretted, and stringed instruments, stringed instruments with hollow wooden bodies and Tuning mechanisms for stringed instruments, pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance music, Renaissance and Baroque music, Baroque (1600–1750) periods. Early ancestors include the Arabic ''rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Performers Of Early Music
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Goldberg Variations (Uri Caine Album)
''The Goldberg Variations'' is a double CD album by pianist Uri Caine's Ensemble performing Johann Sebastian Bach's Goldberg Variations recorded in remembrance of 250th anniversary of his death and released on the Winter & Winter label. accessed December 3, 2014 Reception In his review for , Alex Henderson said " Occasionally, this double-CD comes across as for the sake of iconoclasm; things become forced and unnatural when Caine employs DJs and unsuccessfully tries to convince us that[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uri Caine
Uri Caine (born June 8, 1956, Philadelphia, United States) is an American classical and jazz pianist and composer. Biography Early years The son of Burton Caine, a professor at Temple Law School, and poet Shulamith Wechter Caine, Caine began playing piano at seven and studied with French jazz pianist Bernard Peiffer at 12. He later studied at the University of Pennsylvania, where he came under the tutelage of George Crumb. He also gained a greater familiarity with classical music in this period and worked at clubs in Philadelphia. Caine played professionally after 1981, and by 1985 had his recording debut with the Rochester-Gerald Veasley band. In the 1980s, he moved to New York City, where he continues to live. His solo recording debut was in 1992. He also appeared on a klezmer album (Don Byron Plays the Music of Mickey Katz, 1993) and other recordings with modern jazz musicians Don Byron and Dave Douglas, among many others. Later years Caine has recorded 16 mostly classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbarian Beauty
A barbarian (or savage) is someone who is perceived to be either uncivilized or primitive. The designation is usually applied as a generalization based on a popular stereotype; barbarians can be members of any nation judged by some to be less civilized or orderly (such as a tribal society) but may also be part of a certain "primitive" cultural group (such as nomads) or social class (such as bandits) both within and outside one's own nation. Alternatively, they may instead be admired and romanticised as noble savages. In idiomatic or figurative usage, a "barbarian" may also be an individual reference to a brutal, cruel, warlike, and insensitive person. The term originates from the el, βάρβαρος (''barbaros'' pl. βάρβαροι ''barbaroi''). In Ancient Greece, the Greeks used the term not only towards those who did not speak Greek and follow classical Greek customs, but also towards Greek populations on the fringe of the Greek world with peculiar dialects. In Ancient R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lieder
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For German sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gottlieb Graun
Johann Gottlieb Graun (1702/1703 – 28 October 1771) was a German Baroque/Classical era composer and violinist, born in Wahrenbrück. His brother Carl Heinrich was a singer and also a composer, and is the better known of the two. Johann Gottlieb studied with J.G. Pisendel in Dresden and Giuseppe Tartini in Padua. Appointed Konzertmeister in Merseburg in 1726, he taught the violin to J.S. Bach's son Wilhelm Friedemann. He joined the court of the Prussian crown prince (the future Frederick the Great) in 1732. Graun was later made ''Konzertmeister'' of the Berlin Opera in 1740. He composed over 50 songs and compositions. Graun's compositions were highly respected, and continued to be performed after his death: "The concert-master, John Gottlib Graun, brother to the opera-composer, his admirers say, 'was one of the greatest performers on the violin of his time, and most assuredly, a composer of the first rank'," wrote Charles Burney. He was primarily known for his instrumental wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German Classical period musician and composer, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. C. P. E. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. His personal approach, an expressive and often turbulent one known as ' or 'sensitive style', applied the principles of rhetoric and drama to musical structures. His dynamism stands in deliberate contrast to the more mannered galant style also then in vogue. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, C. P. E. Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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