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Visual Variable
A visual variable, in cartographic design, graphic design, and data visualization, is an aspect of a graphical object that can visually differentiate it from other objects, and can be controlled during the design process. The concept was first systematized by Jacques Bertin, a French cartographer and graphic designer, and published in his 1967 book, ''Sémiologie Graphique.''Jacque Bertin, ''Sémiologie Graphique. Les diagrammes, les réseaux, les cartes''. With Marc Barbut t al. Paris : Gauthier-Villars. ''Semiology of Graphics'', English Edition, Translation by William J. Berg, University of Wisconsin Press, 1983.) Bertin identified a basic set of these variables and provided guidance for their usage; the concept and the set of variables has since been expanded, especially in cartography, where it has become a core principle of education and practice.Roth, Robert EVisual Variables in D. Richardson, N. Castree, M.F. Goodchild, A. Kobayashki, W. Liu, and R.A. Marston, eds. ''The Int ...
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Cartographic Design
Cartographic design or map design is the process of crafting the appearance of a map, applying the principles of design and knowledge of how maps are used to create a map that has both aesthetic appeal and practical function. It shares this dual goal with almost all forms of design; it also shares with other design, especially graphic design, the three skill sets of artistic talent, scientific reasoning, and technology. As a discipline, it integrates design, geography, and geographic information science. Arthur H. Robinson, considered the father of cartography as an academic research discipline in the United States, stated that a map not properly designed "will be a cartographic failure." He also claimed, when considering all aspects of cartography, that "map design is perhaps the most complex." History From ancient times to the 20th century, cartography was a craft or trade. Most map makers served several years as an apprentice, learning the skills of the master, with littl ...
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Semiotic Theory Of Charles Sanders Peirce
Charles Sanders Peirce began writing on semiotics, which he also called semeiotics, meaning the philosophical study of signs, in the 1860s, around the time that he devised his system of three categories. During the 20th century, the term "semiotics" was adopted to cover all tendencies of sign researches, including Ferdinand de Saussure's semiology, which began in linguistics as a completely separate tradition. Peirce adopted the term '' semiosis'' (or ''semeiosis'') and defined it to mean an "action, or influence, which is, or involves, a cooperation of ''three'' subjects, such as a sign, its object, and its interpretant, this trirelative influence not being in any way resolvable into actions between pairs". This specific type of triadic relation is fundamental to Peirce's understanding of "logic as formal semiotic". By "logic" he meant philosophical logic. He eventually divided (philosophical) logic, or formal semiotics, into (1) speculative grammar, or stechiology on the el ...
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Visual Hierarchy
Visual hierarchy, according to Gestalt psychology, is a pattern in the visual field wherein some elements tend to "stand out," or attract attention, more strongly than other elements, suggesting a hierarchy of importance. While it may occur naturally in any visual field, the term is most commonly used in design (especially graphic design and cartography), where elements are intentionally designed to make some look more important than others. This order is created by the visual contrast between forms in a field of perception. Objects with highest contrast to their surroundings are recognized first by the human mind. Evidence There is some scientific evidence for visual hierarchy using eye tracking. For example, one study found that when people agree that a graphic design is good, they exhibit more similar eye movements; measured by the Fréchet distance. Theory The concept of visual hierarchy is based in Gestalt psychological theory, an early 20th-century German theory that propo ...
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Figure-ground Contrast (cartography)
Figure-ground contrast, in the context of map design, is a property of a map in which the map image can be partitioned into a single feature or type of feature that is considered as an object of attention (the ''figure''), with the remainder of the map being relegated to the background, outside the current focus of attention.Tait, Alex (2018Visual Hierarchy and Layout ''The Geographic Information Science & Technology Body of Knowledge (2nd Quarter 2018 Edition)'', John P. Wilson (ed.). DOI: 10.22224/gistbok/2018.2.4 It is thus based on the concept of figure–ground from Gestalt psychology. For example, in a street map with strong figure-ground contrast, the reader would be able to isolate and focus attention on individual features, like a given street, park, or lake, as well as layers of related features, like the street network. Strong figure-ground contrast has been seen as a desirable goal of map design, because it helps the map reader to perceive distinct geographic phenomen ...
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COL Orthographic (San Andrés And Providencia Special)
In geomorphology, a col is the lowest point on a mountain ridge between two peaks.Whittow, John (1984). ''Dictionary of Physical Geography''. London: Penguin, 1984, p. 103. . It may also be called a gap. Particularly rugged and forbidding cols in the terrain are usually referred to as notches. They are generally unsuitable as mountain passes, but are occasionally crossed by mule tracks or climbers' routes. The term col tends to be associated more with mountain rather than hill ranges. It is derived from the French ''col'' ("collar, neck") from Latin ''collum'', "neck". The height of a summit above its highest col (called the key col) is effectively a measure of a mountain's topographic prominence. Cols lie on the line of the watershed between two mountains, often on a prominent ridge or arête. For example, the highest col in Austria, the ''Obere Glocknerscharte'' ("Upper Glockner Col", ), lies between the Kleinglockner () and Grossglockner () mountains, giving the Kleinglock ...
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Visual Hierarchy
Visual hierarchy, according to Gestalt psychology, is a pattern in the visual field wherein some elements tend to "stand out," or attract attention, more strongly than other elements, suggesting a hierarchy of importance. While it may occur naturally in any visual field, the term is most commonly used in design (especially graphic design and cartography), where elements are intentionally designed to make some look more important than others. This order is created by the visual contrast between forms in a field of perception. Objects with highest contrast to their surroundings are recognized first by the human mind. Evidence There is some scientific evidence for visual hierarchy using eye tracking. For example, one study found that when people agree that a graphic design is good, they exhibit more similar eye movements; measured by the Fréchet distance. Theory The concept of visual hierarchy is based in Gestalt psychological theory, an early 20th-century German theory that propo ...
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Choropleth Map
A choropleth map () is a type of statistical thematic map that uses pseudocolor, i.e., color corresponding with an aggregate summary of a geographic characteristic within spatial enumeration units, such as population density or per-capita income. Choropleth maps provide an easy way to visualize how a variable varies across a geographic area or show the level of variability within a region. A heat map or isarithmic map is similar but uses regions drawn according to the pattern of the variable, rather than the ''a priori'' geographic areas of choropleth maps. The choropleth is likely the most common type of thematic map because published statistical data (from government or other sources) is generally aggregated into well-known geographic units, such as countries, states, provinces, and counties, and thus they are relatively easy to create using GIS, spreadsheets, or other software tools. History The earliest known choropleth map was created in 1826 by Baron Pierre Charles D ...
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Thematic Map
A thematic map is a type of map that portrays the geographic pattern of a particular subject matter (theme) in a geographic area. This usually involves the use of map symbols to visualize selected properties of geographic features that are not naturally visible, such as temperature, language, or population. In this, they contrast with general reference maps, which focus on the location (more than the properties) of a diverse set of physical features, such as rivers, roads, and buildings. Alternative names have been suggested for this class, such as ''special-subject'' or ''special-purpose maps'', ''statistical maps'', or ''distribution maps'', but these have generally fallen out of common usage. Thematic mapping is closely allied with the field of Geovisualization. Several types of thematic maps have been invented, starting in the 18th and 19th centuries, as large amounts of statistical data began to be collected and published, such as national censuses. These types, such as c ...
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World Human Population Density Map
In its most general sense, the term "world" refers to the totality of entities, to the whole of reality or to everything that is. The nature of the world has been conceptualized differently in different fields. Some conceptions see the world as unique while others talk of a "plurality of worlds". Some treat the world as one simple object while others analyze the world as a complex made up of many parts. In ''scientific cosmology'' the world or universe is commonly defined as " e totality of all space and time; all that is, has been, and will be". '' Theories of modality'', on the other hand, talk of possible worlds as complete and consistent ways how things could have been. ''Phenomenology'', starting from the horizon of co-given objects present in the periphery of every experience, defines the world as the biggest horizon or the "horizon of all horizons". In ''philosophy of mind'', the world is commonly contrasted with the mind as that which is represented by the mind. ''Th ...
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Transit Map
A transit map is a topological map in the form of a schematic diagram used to illustrate the routes and stations within a public transport system—whether this be bus, tram, rapid transit, commuter rail or ferry routes. The main components are color-coded lines to indicate each route or service, with named icons to indicate stations or stops. Transit maps can be found in the transit vehicles, at the platforms or in printed timetables. Their primary function is to help users to efficiently use the public transport system, including which stations function as interchange between lines. Unlike conventional maps, transit maps are usually not geographically accurate—instead they use straight lines and fixed angles, and often illustrate a fixed distance between stations, compressing those in the outer area of the system and expanding those close to the center. History The mapping of transit systems was at first generally geographically accurate, but abstract route-maps of indivi ...
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Cartographic Generalization
Cartographic generalization, or map generalization, includes all changes in a map that are made when one derives a smaller-scale map from a larger-scale map or map data. It is a core part of cartographic design. Whether done manually by a cartographer or by a computer or set of algorithms, generalization seeks to abstract spatial information at a high level of detail to information that can be rendered on a map at a lower level of detail. The cartographer has license to adjust the content within their maps to create a suitable and useful map that conveys spatial information, while striking the right balance between the map's purpose and the precise detail of the subject being mapped. Well generalized maps are those that emphasize the most important map elements while still representing the world in the most faithful and recognizable way. History During the first half of the 20th century, cartographers began to think seriously about how the features they drew depended on scale. E ...
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