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Visions Of The Daughters Of Albion
''Visions of the Daughters of Albion'' is a 1793 poem by William Blake, produced as a book with his own illustrations. It is a short and early example of his prophetic books, and a sequel of sorts to '' The Book of Thel''. Plot The central narrative is of the female character Oothoon, called the "soft soul of America", and of her sexual experience. S. Foster Damon (''A Blake Dictionary'') suggested that Blake had been influenced by Mary Wollstonecraft's '' A Vindication of the Rights of Woman'', published in 1792. Oothoon is in love with Theotormon, who represents the chaste man, filled with a false sense of righteousness. Oothoon desires Theotormon but is suddenly, violently raped by Bromion. After Oothoon is raped neither Bromion nor Theotormon want anything to do with her. Symbolism As is usual in Blake, the names of the characters represent their symbolic roles. Theotormon's name is derived from the Greek ''theos'', which means "god", and the Latin ''tormentum'', which m ...
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William Blake
William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his " prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God" or "human existence itself". Although Blake was considered mad by contemporaries for his idiosyncratic views, he is held in high regard b ...
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William Blake's Prophetic Books
The prophetic books of the 18th-century English poet and artist William Blake are a series of lengthy, interrelated poetic works drawing upon Blake's own personal mythology. They have been described as forming "what is in proportion to its merits the least read body of poetry in the English language". While Blake worked as a commercial illustrator, these books were ones that he produced, with his own engravings, as an extended and largely private project. Overview In these works, concluding with the epic '' Jerusalem The Emanation of the Giant Albion'', he elaborated a personal invented mythology ( mythopoeia). The mythopoeia is largely Biblical in inspiration; apart from that, it has been extensively debated for both its political and religious content. While ''The French Revolution'' from 1791 is not illustrated and is usually excluded from the list of prophetic books, David V. Erdman contends that the separation of this work from the corpus removes a key to the symbolism us ...
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The Book Of Thel
''The Book of Thel'' is a poem by William Blake, dated 1789 and probably composed in the period 1788 to 1790. It is illustrated by his own plates, and compared to his later prophetic books is relatively short and easier to understand. The metre is a fourteen-syllable line. It was preceded by '' Tiriel'', which Blake left in manuscript. A few lines from ''Tiriel'' were incorporated into ''The Book of Thel''. Most of the poem is in unrhymed verse. This book consists of eight plates executed in illuminated printing. Sixteen copies of the original print of 1789–1793 are known. Three copies bearing a watermark of 1815 are more elaborately colored than the others. Thel's Motto Thel’s Motto can be interpreted as Blake’s rejection of the Church of England. The “silver rod” where Wisdom cannot be found represents a scepter or staff that would have been used in traditional kingship or even high-ranking ecclesiasts before the rise of nationalism and the consequent fall of th ...
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Visions Of The Daughters Of Albion Copy G Plate 01
Vision, Visions, or The Vision may refer to: Perception Optical perception * Visual perception, the sense of sight * Visual system, the physical mechanism of eyesight * Computer vision, a field dealing with how computers can be made to gain understanding from digital images or videos * Machine vision, technology for imaging-based automatic inspection Perception of the future * Foresight (psychology), in business, the ability to envisage future market trends and plan accordingly * Goal, a desired result ** Vision statement, a declaration of objectives to guide decision-making Other perceptions * Vision (spirituality), a supernatural experience that conveys a revelation * Hallucination, a perception of something that does not exist Arts and media Events * Visions (convention), a science fiction event * Vision Festival, a New York City art festival Film and television * "The Vision", episode of ''Alcoa Presents: One Step Beyond'' * The Vision (film), ''The Vision'' (film), 1998 ...
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Mary Wollstonecraft
Mary Wollstonecraft (, ; 27 April 1759 – 10 September 1797) was a British writer, philosopher, and advocate of women's rights. Until the late 20th century, Wollstonecraft's life, which encompassed several unconventional personal relationships at the time, received more attention than her writing. Today Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and her works as important influences. During her brief career, she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Wollstonecraft is best known for ''A Vindication of the Rights of Woman'' (1792), in which she argues that women are not naturally inferior to men, but appear to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason. After Wollstonecraft's death, her widower published a ''Memoir ...
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A Vindication Of The Rights Of Woman
''A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects'' (1792), written by British philosopher and women's rights advocate Mary Wollstonecraft (1759–1797), is one of the earliest works of feminist philosophy. In it, Wollstonecraft responds to those educational and political theorists of the eighteenth century who did not believe women should receive a rational education. She argues that women ought to have an education commensurate with their position in society, claiming that women are essential to the nation because they educate its children and because they could be "companions" to their husbands, rather than mere wives. Instead of viewing women as ornaments to society or property to be traded in marriage, Wollstonecraft maintains that they are human beings deserving of the same fundamental rights as men. Wollstonecraft was prompted to write the ''Rights of Woman'' after reading Charles Maurice de Talleyrand-Périgord's 1791 report to the ...
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Allegory Of The Cave
The Allegory of the Cave, or Plato's Cave, is an allegory presented by the Ancient Greece, Greek philosopher Plato in his work ''Republic (Plato), Republic'' (514a–520a) to compare "the effect of education (Wiktionary:παιδεία, παιδεία) and the lack of it on our physis, nature". It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates, narrated by the latter. The allegory is presented after the analogy of the sun (508b–509c) and the analogy of the divided line (509d–511e). In the allegory "The Cave," Plato describes a group of people who have lived chained to the wall of a cave all their lives, facing a blank wall. The people watch shadows projected on the wall from objects passing in front of a fire behind them and give names to these shadows. The shadows are the prisoners' reality, but are not accurate representations of the real world. The shadows represent the fragment of reality that we can normally perceive through our senses, ...
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Convention (norm)
A convention is a set of agreed, stipulated, or generally accepted standards, norms, social norms, or criteria, often taking the form of a custom. In a social context, a convention may retain the character of an "unwritten law" of custom (for example, the manner in which people greet each other, such as by shaking each other's hands). Certain types of rules or customs may become law and sometimes they may be further codified to formalize or enforce the convention (for example, laws that define on which side of the road vehicles must be driven). In outline of physical science, physical sciences, numerical values (such as constants, quantities, or scales of measurement) are called conventional if they do not represent a measured property of nature, but originate in a convention, for example an average of many measurements, agreed between the scientists working with these values. General A convention is a selection from among two or more alternatives, where the rule or alternativ ...
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John Gabriel Stedman
John Gabriel Stedman (1744 – 7 March 1797) was a Dutch-born Scottish soldier who wrote ''The Narrative of a Five Years Expedition against the Revolted Negroes of Surinam'' (1796). This narrative covers his years in Suriname as a soldier in the Dutch military deployed to assist local troops fighting against groups of escaped slaves.Price, xxi He first recorded his experiences in a personal diary that he later rewrote and expanded into the ''Narrative''. The ''Narrative'' was a bestseller of the time and, with its firsthand depictions of slavery and other aspects of colonialism, became an important tool in the fledgling abolitionist movement. When compared with Stedman's personal diary, his published ''Narrative'' is a sanitized and romanticized version of Stedman's time in Surinam. Early life Stedman was born in 1744 in Dendermonde, then in the Austrian Netherlands, to Robert Stedman, a Scotsman and officer in the Dutch Republic's Scots Brigade, and his Franco-Dutch wife, An ...
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Suriname
Suriname (; srn, Sranankondre or ), officially the Republic of Suriname ( nl, Republiek Suriname , srn, Ripolik fu Sranan), is a country on the northeastern Atlantic coast of South America. It is bordered by the Atlantic Ocean to the north, French Guiana to the east, Guyana to the west, and Brazil to the south. At just under , it is the smallest sovereign state in South America. It has a population of approximately , dominated by descendants from the slaves and labourers brought in from Africa and Asia by the Dutch Empire and Republic. Most of the people live by the country's (north) coast, in and around its capital and largest city, Paramaribo. It is also List of countries and dependencies by population density, one of the least densely populated countries on Earth. Situated slightly north of the equator, Suriname is a tropical country dominated by rainforests. Its extensive tree cover is vital to the country's efforts to Climate change in Suriname, mitigate climate ch ...
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Bromion
Bromion is a character in the mythology of William Blake. According to S. Foster Damon (''A Blake Dictionary'') he represents Reason, from the side of the poet's mind. Incidence * ''Visions of the Daughters of Albion'', in which he plays a major role * ''Milton'' * ''Jerusalem'' * ''Vala, or The Four Zoas'' Relationships In ''Vala, or the Four Zoas'' he is one of a quartet of four sons, with Rintrah, Palamabron, and Theotormon, whose parents are Los and Enitharmon (or alternatively, sons of Jerusalem Jerusalem (; he, יְרוּשָׁלַיִם ; ar, القُدس ) (combining the Biblical and common usage Arabic names); grc, Ἱερουσαλήμ/Ἰεροσόλυμα, Hierousalḗm/Hierosóluma; hy, Երուսաղեմ, Erusałēm. i ...). He is a major character in ''Visions of the Daughters of Albion''. He rapes Oothoon, and then is bound to her, back to back. References * * William Blake's mythology Literary characters {{Myth-stub ...
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Dionysos
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he was ...
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