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Virtuoso No. 4
''Virtuoso No. 4'' is an album by jazz guitarist Joe Pass that was recorded in 1973 and released in 1983. It was re-issued in 1993 on CD with three additional tracks ("Weaselocity", "Blues for Pete", and "What Are You Doing the Rest of Your Life?"). ''Virtuoso No. 4'' differs from the three previous ''Virtuoso'' releases in that it is performed on acoustic guitar instead of electric (with the exception of "Indian Summer"). Reception Writing for Allmusic, music critic Scott Yanow wrote of the album "The relatively little-known set finds the guitarist sounding very much like a self-sufficient orchestra, and although his tone is necessarily softer on acoustic than electric, he swings hard on the uptempo pieces." Track listing #" Lush Life" (Billy Strayhorn) – 4:55 #"Indian Summer" (Victor Herbert, Al Dubin) – 3:16 #" Autumn Leaves" (Joseph Kosma, Jacques Prévert, Johnny Mercer) – 5:40 #" Yesterday" (Lennon–McCartney) – 4:24 #"Come Sunday" (Duke Ellington) – 3:46 #"Lov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Pass
Joe Pass (born Joseph Anthony Jacobi Passalaqua; January 13, 1929 – May 23, 1994) was an American jazz guitarist. Pass is well known for his work stemming from numerous collaborations with pianist Oscar Peterson and vocalist Ella Fitzgerald, and is often heralded as one of the most unique and notable jazz guitarists of the 20th century. Early life Pass was born in New Brunswick, New Jersey, New Brunswick, New Jersey, on January 13, 1929. His father, Mariano Passalaqua, was a steel mill worker who was born in Sicily. The family later moved to Johnstown, Pennsylvania. Pass became interested in the guitar after he saw Gene Autry on television. He got his first guitar when he was nine. He took guitar lessons every Sunday with a local teacher for 6-8 months and also practiced for many hours each day. Pass found work as a performer as early as age 14. He played with bands led by Tony Pastor (bandleader), Tony Pastor and Charlie Barnet, honing his guitar skills while learning the ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autumn Leaves (1945 Song)
"Autumn Leaves" is a popular song and jazz standard composed by Joseph Kosma in 1945 with original lyrics by Jacques Prévert in French (original French title: "Les Feuilles mortes"), and later by Johnny Mercer in English. An instrumental version by pianist Roger Williams was a number one best-seller in the US ''Billboard'' charts of 1955. Background Kosma was a native of Hungary who was introduced to Prévert in Paris. They collaborated on the song ' ("The Dead Leaves") for the 1946 film '' Les Portes de la nuit (Gates of the Night)'' where it was sung by Irène Joachim and Yves Montand. The poem was published, after the death of Jacques Prévert, in the book " Soleil de Nuit" in 1980. Kosma was influenced by a piece of ballet music, "Rendez-vous" written for Roland Petit, performed in Paris at the end of the Second World War, large parts of the melodies are exactly the same, which was itself borrowed partially from "Poème d'octobre" by Jules Massenet. The first commercial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Shining Hour
"My Shining Hour" is a song composed by Harold Arlen with lyrics by Johnny Mercer for the film '' The Sky's the Limit'' (1943). In the film, the song is sung by Fred Astaire and Sally Sweetland, who dubbed it for actress Joan Leslie. The orchestra was led by Freddie Slack. "My Shining Hour" was nominated for an Academy Award for Best Song but lost to "You'll Never Know". The film was released on July 13, 1943. The song became a hit the following year by Glen Gray's Casa Loma Orchestra with Eugenie Baird as vocalist, reaching No. 4 on the ''Billboard'' "Best Selling Retail Records" chart. The song's title may have been a reference to Winston Churchill's speech to British citizens during World War II: "if the British Empire and its Commonwealth last for a thousand years, men will still say, this was their finest hour." In the 1944 film ''Youth Runs Wild'' an instrumental version of the song plays during a scene with Kent Smith and Glen Vernon. The song was also used in the film ''Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come Rain Or Come Shine
"Come Rain or Come Shine" is a popular music song, with music by Harold Arlen and lyrics by Johnny Mercer. It was written for the Broadway musical '' St. Louis Woman'', which opened on March 30, 1946, and closed after 113 performances. Chart performance It "became a modest hit during the show's run, making the pop charts with a Margaret Whiting (Paul Weston and His Orchestra) recording rising to number seventeen, and, shortly after, a Helen Forrest and Dick Haymes recording rising to number twenty-three." Other recordings The song has subsequently been recorded by a host of artists, including: *In 1955, Billie Holiday included it on her ''Music for Torching'' LP. *In 1956, Judy Garland included it on her '' Judy'' LP, as well her 1961 live album, ''Judy at Carnegie Hall''. *In 1956, Fran Warren included it on her album ''Mood Indigo''. *In 1958, Art Blakey & The Jazz Messengers recorded it for their album released in 1959, ''Moanin’''. *In 1959, Connie Francis included it on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ram Ramirez
Roger "Ram" Ramirez (September 15, 1913 – 11 January 1994) was a Puerto Rican jazz pianist and composer. He was a co-composer of the song "Lover Man (Oh, Where Can You Be?)" Early life Ramirez was born in San Juan, Puerto Rico on September 15, 1913. He grew up in New York and started playing the piano at a young age. Later life and career Ramirez's first professional performances were in the early 1930s. In 1933 he played with Monette Moore, then with Rex Stewart and Sid Catlett in New York. He joined Willie Bryant in 1935, and toured Europe with Bobby Martin in 1937. During the first half of the 1940s Ramirez played with Ella Fitzgerald, Frankie Newton, Charlie Barnet, John Kirby, and Catlett, in addition to leading his own band. Ramirez wrote "Lover Man (Oh, Where Can You Be?)" in 1942, which became a jazz standard following Billie Holiday's recording of it two years later. He was a freelance into the mid-1950s, when he added electronic organ to his instruments. In 1953 he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Davis (songwriter)
James Edward Davis (1915 – 1997) was an American songwriter, composer, singer, pianist and actor. He co-wrote the song "Lover Man (Oh, Where Can You Be?)". Davis was born in Madison, Georgia. He and his family moved to Gary, Illinois, and then to Englewood, New Jersey, where he completed his high school education. Being musically gifted, he was accepted into the Juilliard School in New York to study piano and composition, his fees being paid by a benefactress. In the late 1930s he wrote the song "Lover Man (Oh, Where Can You Be?)" with Ram Ramirez but could not initially place it, until he offered it to Billie Holiday in 1942. Because of the 1942–44 musicians' strike Holiday didn't record the song until October 1944, and although at first only a minor hit it soon achieved widespread success and went on to become a jazz standard, recorded by numerous artists including Linda Ronstadt, Barbra Streisand and Petula Clark. During the early 1940s Davis struggled to make a li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lover Man (Oh Where Can You Be?)
"Lover Man (Oh, Where Can You Be?)" (often called simply "Lover Man") is a 1941 popular song written by Jimmy Davis, Roger ("Ram") Ramirez, and James Sherman. It is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame in 1989. Holiday's version reached No. 5 on the R&B chart and No. 16 on pop in 1945. In July 1946, Charlie Parker recorded a rendition of "Lover Man" while he was intoxicated. Dial Records producer Ross Russell had to hold him up to the microphone during the recording. Sonny Stitt played the song many times on alto saxophone in a virtuoso way, in the original key of D flat. Most jazz musicians play the song nevertheless in F. Barbra Streisand recorded a version for her album Simply Streisand in 1967, her version peaked #29 at Billboard Adult Contemporary chart. Cover versions *Sarah Vaughan recorded the song for the Guild label in 1945 with backing by an instrumental ensemble that includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come Sunday
"Come Sunday" is a piece by Duke Ellington, which became a jazz standard. It was written in 1942 as a part of the first movement of a suite entitled ''Black, Brown and Beige''. Ellington was engaged for a performance at Carnegie Hall on January 23, 1943, for which he wrote the entire composition (that whole concert was released in 1977 as '' The Carnegie Hall Concerts: January 1943''). In 1958 he revised the piece and recorded it in its entirety for the 1958 album of the same name. "Come Sunday" was originally a centerpiece for alto saxophone player Johnny Hodges; the 1958 album, which contained a vocal version of the piece with new lyrics by Ellington featuring gospel singer Mahalia Jackson, greatly increased its popularity. Notable recordings * Duke Ellington – ''Black, Brown and Beige'' (rel. 1946), recording of 1943 Carnegie Hall concert * Duke Ellington – ''Black, Brown and Beige'' (1958, with Mahalia Jackson) *Abbey Lincoln – ''Abbey is Blue'' (1959) * Dizzy Gilles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lennon–McCartney
Lennon–McCartney was the songwriting partnership between English musicians John Lennon (1940–1980) and Paul McCartney (born 1942) of the Beatles. It is the best-known and most successful musical collaboration ever by records sold, with the Beatles selling over 600 million records worldwide as of 2004. Between 5 October 1962 and 8 May 1970, the partnership published approximately 180 jointly credited songs, of which the vast majority were recorded by the Beatles, forming the bulk of their catalogue. Unlike many songwriting partnerships that comprise a separate lyricist and composer, such as George and Ira Gershwin, Richard Rodgers and Oscar Hammerstein, or Elton John and Bernie Taupin, both Lennon and McCartney wrote lyrics and music. Sometimes, especially early on, they would collaborate extensively when writing songs, working "eyeball to eyeball" as Lennon phrased it. During the latter half of their partnership, it became more common for either of them to write most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yesterday (Beatles Song)
"Yesterday" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was first released on the album ''Help!'' in August 1965, except in the United States, where it was issued as a single in September. The song reached number one on the US charts. It subsequently appeared on the UK EP '' Yesterday'' in March 1966 and made its US album debut on '' Yesterday and Today'', in June 1966. McCartney's vocal and acoustic guitar, together with a string quartet, essentially made for the first solo performance of the band. It remains popular today and, with more than 2,200 cover versions, is one of the most covered songs in the history of recorded music. "Yesterday" was voted the best song of the 20th century in a 1999 BBC Radio 2 poll of music experts and listeners and was also voted the No. 1 pop song of all time by MTV and ''Rolling Stone'' magazine the following year. In 1997, the song was inducted into the Grammy Hall of Fame. Bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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