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Virtual Rabbit
''Virtual Rabbit'' is Susumu Hirasawa's third solo album. Overview ''Virtual Rabbit'' was made in the same style as the previous two albums, although greater in scale, with compositions more in line with Hirasawa's later solo work, and with a larger focus on orchestral styled instrumentation. It explores reality, religion, science, and dreams. With this album, Hirasawa continued to streamline his production methods, reducing the use of guest musicians in the album almost completely to choral backing. This was the first Hirasawa album to be engineered by Masanori Chinzei, who has since worked as engineer on all of Hirasawa's music. Track listing Personnel * Susumu Hirasawa - vocals, classical guitar, electric guitar, synthesizers, drum machine, sampler, sequencer, programming, acoustic piano (3), toy accordion (4), Amiga 2500 ("Say" program - Narration (5)), autoharp (7), production ;additional musicians * - backing vocals (2) *Teru Uchida Strings - strings (2) *Toshi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susumu Hirasawa
is a Japanese musician and composer. In the fifth year of elementary school, Hirasawa took up the electric guitar, inspired by the surf and instrumental rock bands he heard on the radio and on TV, later joining his junior high school's band. In 1973 he formed Mandrake, a progressive rock band that incorporated elements from heavy metal and krautrock. Being one of the few Japanese progressive rock bands of its time, Mandrake achieved little success and released no albums during its lifetime. After discovering punk rock and working on synthesizer-heavy projects, Hirasawa felt that progressive rock became just for entertainment and decided to reform the band as the electronic rock band P-Model in 1979. Originally met with success, they turned to decidedly uncommercial post-punk and experimental rock after Hirasawa went through an adverse reaction to his fame. With Hirasawa at the forefront, the band went through various lineups and achieved some popularity in the Japanese indep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurora (Susumu Hirasawa Album)
''Aurora'' is Susumu Hirasawa's fourth solo album. Overview His first main solo album in three years following a period where focus was directed on the Defrosted P-Model, ''Aurora'', which Hirasawa has said can be considered a second solo debut, is a turning point in his career. Unlike the previous solo albums, ''Aurora'' doesn't feature guest musicians, with almost all instrumentation handled by MIDI-compatible devices. The music was composed with the Amiga The Blue Ribbon SoundWorks programs Bars & Pipes Professional, which he started using for "more natural orchestration", and SuperJAM!, whose " Bartok" style he modified by inputting data from his own songs, irreversibly turning its patterns and variations into "Hirasawa" style ones. ''Aurora'' was created to appeal to the instinctual side of the listener as opposed to the logical, in likeness to tales and myths, emphasizing vocals and melody. The songs were written so that the album would lack any inherent story or concept, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrator
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot (the series of events). Narration is a required element of all written stories (novels, short stories, poems, memoirs, etc.), with the function of conveying the story in its entirety. However, narration is merely optional in most other storytelling formats, such as films, plays, television shows, and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narrator to establish whether or not the narrator and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amiga 2000
The Amiga 2000, or A2000, is a personal computer released by Commodore in March 1987. It was introduced as a "big box" expandable variant of the Amiga 1000 but quickly redesigned to share most of its electronic components with the contemporary Amiga 500 for cost reduction. Expansion capabilities include two 3.5" drive bays (one of which is used by the included floppy drive) and one 5.25" bay that could be used by a 5.25" floppy drive (for IBM PC compatibility), a hard drive, or CD-ROM once they became available. The Amiga 2000 is the first Amiga model that allows expansion cards to be added internally. SCSI host adapters, memory cards, CPU cards, network cards, graphics cards, serial port cards, and PC compatibility cards were available, and multiple expansions can be used simultaneously without requiring an expansion cage like the Amiga 1000 does. Not only does the Amiga 2000 include five Zorro II card slots, the motherboard also has four PC ISA slots, two of which are inline wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
