Vintage (Canned Heat Album)
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Vintage (Canned Heat Album)
''Vintage'' is the sixth album by Canned Heat. Produced by Johnny Otis, the album featured the Muddy Waters/ Elmore James' song "Rollin' and Tumblin'" recorded with and without Alan Wilson's harmonica leads. These sessions have surfaced on a multiple of reissues including, ''Don't Forget to Boogie: Vintage Heat'' (2002), ''Vintage Canned Heat'' (1996), ''Eternal Boogie'', ''Canned Heat in Concert'' and various other releases. Track listing Side One #"Spoonful" (Willie Dixon) – 2:30 #"Big Road Blues" (Tommy Johnson) – 2:08 #"Rollin' and Tumblin'" (Muddy Waters) – 2:17 ''without harmonica'' #" Got My Mojo Working" (Preston Foster) – 2:44 #" Pretty Thing" (Dixon) – 2:01 Side Two #"Louise" (Chester Burnett) – 3:07 #" Dimples" (John Lee Hooker) – 2:21 #" Can't Hold on Much Longer" (W. Jacobs) – 2:32 #"Straight Ahead" (Canned Heat) – 2:35 #"Rollin' and Tumblin'" (Waters) – 2:07 ''with (Alan Wilson on) harmonica'' Personnel ;Canned Heat *Bob Hite – vocals * Al ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ...
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1970 Albums
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on ...
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Frank Cook (American Musician)
Frank Lenord Clayman Cook (January 6, 1942 – July 9, 2021) was an American drummer and member of blues bands Canned Heat, Pacific Gas & Electric and Bluesberry Jam. For a time he was also the manager of Pacific Gas & Electric. Life and career He was born in Boyle Heights, Los Angeles, and raised in Brentwood, California. He attended University High School. Obituary, Dr. Frank Lenord Clayman-Cook, ''Los Angeles Times'', September 9, 2021
Retrieved October 26, 2021
Studying with , he became a drummer in his mid-teens, before studying philosophy at

Henry Vestine
Henry Charles Vestine (December 25, 1944 – October 20, 1997) a.k.a. "The Sunflower", was an American guitar player primarily known as a member of the band Canned Heat. He was with the group from its start in 1966 to July 1969. In later years he played in local bands but occasionally returned to Canned Heat for a few tours and recordings. In 2003 Vestine was ranked 77th in ''Rolling Stone'' magazine list of the " 100 Greatest Guitarists of All Time". Family Born in Takoma Park, Maryland, Vestine was the only son of Harry and Lois Vestine. His father was a noted geophysicist and meteorologist. The Vestine Crater on the Moon had been named posthumously after his father who discovered it. Henry Vestine married Lisa Lack, with whom he moved to Anderson, South Carolina. In 1980 they had a son, Jesse. In 1983, they separated and Vestine moved to Oregon. Vestine's love of music and the blues in particular was fostered at an early age when he accompanied his father on canvasses of ...
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Bob Hite
Robert Ernest Hite (February 26, 1943 – April 5, 1981) was the co-lead vocalist of the American blues and rock band Canned Heat, from 1965 to his death in 1981. His nickname was "The Bear". Biography Hite was introduced to Alan Wilson by Henry Vestine and the two of them helped convince blues pianist Sunnyland Slim (1906-1995) to get back into the recording studio to record. In 1965, aged 22, Hite formed a band with Wilson. Vestine joined soon after and this trio formed the core of Canned Heat. They were eventually joined by Larry Taylor ( bass) and Frank Cook (drums). Hite performed with Canned Heat at Woodstock in August 1969. The performances were not included in the original (1970) film ''Woodstock'', but are in the 1994 "Director's Cut" version. It appears that Canned Heat's 'Woodstock Boogie' sung by The Bear was on the original cut. Canned Heat appeared on a November 1969 episode of ''Playboy After Dark''. Hite was invited to talk with Hugh Hefner after the pe ...
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I Can't Hold Out
"I Can't Hold Out", also known as "Talk to Me Baby", is a blues song written by Willie Dixon and recorded by Elmore James in 1960 for the Chess label. Called a classic and a "popular James standard", it has been interpreted and recorded by several artists. Composition and recording Blues arranger/songwriter Willie Dixon wrote "Talk to Me Baby (I Can't Hold Out)" in late 1958 or 1959 in Los Angeles while he was on tour with Memphis Slim. According to Dixon, he was inspired to write the song after a telephone conversation with his wife Marie. When Dixon returned to Chicago, Elmore James had a recording session for Chess Records and invited Dixon to participate. Together, they "made that 'Talk to Me Baby (I Can't Hold Out Too Long)'", although Dixon does not perform on the song and James is given the composer credit on the label. For the recording session, James, who sang and played slide guitar, was accompanied by his long-time backing band the Broomdusters: J. T. Brown on sax ...
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John Lee Hooker
John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in ''Rolling Stone''s 2015 list of 100 greatest guitarists. Some of his best known songs include "Boogie Chillen'" (1948), "Crawling King Snake" (1949), "Dimples" (1956), " Boom Boom" (1962), and "One Bourbon, One Scotch, One Beer" (1966). Several of his later albums, including '' The Healer'' (1989), '' Mr. Lucky'' (1991), ''Chill Out'' (1995), and '' Don't Look Back'' (1997), were album chart successes in the U.S. and UK. ''The Healer'' (for the song "I'm In The Mood") and ''Chill Out'' (for the album) both e ...
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Dimples (song)
"Dimples" is a song written and recorded by blues singer-songwriter John Lee Hooker in 1956. It is an ensemble piece, with Hooker accompanied by Jimmy Reed's backup band. Eight years after its first release, it became Hooker's first record to appear in the British record charts. Called a "genuine Hooker classic" by music critic Bill Dahl, it is one of his best-known songs, with interpretations by several artists. Recording and composition "Dimples" was one of the first songs recorded by John Lee Hooker for Vee-Jay Records. Unlike his previous record labels, Vee-Jay producers saw Hooker as a Jimmy Reed-style performer and in fact provided him with Reed's backup band for two recording sessions in 1955 and 1956. However, when the recording commenced, it became apparent that Hooker's sense of rhythm and timing was uniquely his. The backing musicians – guitarist Eddie Taylor, bassist George Washington, and drummer Tom Whitehead – adapted to his style and by the time "Dimples" w ...
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Howlin' Wolf
Chester Arthur Burnett (June 10, 1910January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer and guitarist. He is regarded as one of the most influential blues musicians of all time. Over a four-decade career, he recorded in genres such as blues, rhythm and blues, rock and roll, and psychedelic rock. He also helped bridge the gap between Delta blues and Chicago blues. Born into poverty in Mississippi as one of six children, he went through a rough childhood where his mother kicked him out of her house, and he moved in with his great-uncle, who was particularly abusive. He then ran away to his father's house where he finally found a happy family, and in the early 1930s became a protégé of legendary Delta blues guitarist and singer, Charley Patton. He started a solo career in the Deep South, playing with other notable blues musicians of the era, and at the end of a decade had made a name for himself in the Mississippi Delta. After going t ...
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Pretty Thing
"Pretty Thing" is a 1955 song written by Bo Diddley and Willie Dixon and performed by Bo Diddley. The song was Diddley's third single release through Checker Records after "Diddley Daddy". In 1963, the song was released in the United Kingdom where it became Diddley's first of only two songs appearing on the UK Singles Chart, the other single being "Hey Good Lookin'". Writing and recording Original releases of the single credited Bo Diddley (Ellas McDaniel) as the song's writer, but many later releases credit Willie Dixon. Bo Diddley himself said: I remember Willie standin' over me, whisperin' the lyrics in my ear before I got to the next line! He was nice enough to give me part of the tune. It should be on the credits: 'McDaniel & Dixon'". "Pretty Thing" was recorded by Bo Diddley on July 14, 1955 – the same day as "Bring It to Jerome". Producing the session at Universal Recording Corporation in Chicago, Illinois were the Chess brothers – Leonard and Phil – and Bo Did ...
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Got My Mojo Working
"Got My Mojo Working" is a blues song written by Preston "Red" Foster and first recorded by R&B singer Ann Cole in 1956. Foster's lyrics describe several amulets or talismans, called ''mojo'', which are associated with hoodoo, an early African-American folk-magic belief system. In 1957, Muddy Waters adapted the song with some different lyrics and a new musical arrangement. It was a feature of his performances throughout his career, with a live version recorded in 1960 identified as the best known. Waters' rendition has received several awards and otherwise recognized by various organizations and publications. As a blues standard, it has been recorded by numerous blues and other artists. Origins The song was written by Preston "Red" Foster, an African-American musician unrelated to the actor of the same name. Music publisher and executive Sol Rabinowitz described Foster as "one of the shyest human beings I've ever met", and a judge in the early 1970s described him as "a Black ...
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