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Vincenzo Legrenzo Ciampi
Vincenzo Legrenzo Ciampi (2 April 1719 – 30 March 1762) was an Italian composer. He is best known today for a work that cannot be certainly ascribed to his pen, the song "Tre giorni son che Nina in letto senesta", formerly called Pergolesi's "Nina". Education and early career in Italy Ciampi was born in Piacenza and studied at the Naples Conservatorio della Pietà dei Turchini with Francesco Durante and Leonardo Leo.Van Boer 2012, p. 131. His first known success was the comic opera ''Da un disordine nasce un ordine'', performed at the Teatro dei Fiorentini in Naples in 1737, when he was only eighteen.Walker 1954. Five more of his comic operas were produced in Naples up to 1745, and he also received commissions for operas to be presented in Rome and other Italian cities. In 1746 he was engaged as a harpsichordist at the opera house in Palermo, and his opera seria ''Ataserse'' was performed there in 1747.Walker 1954; Libby et al 2001. That same year he was engaged at the Ospedale de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tre Giorni Son Che Nina In Letto Senesta
"Tre giorni son che Nina in letto senesta" (often called "Nina" or the "Siciliana") is an 18th Century song traditionally attributed to Giovanni Battista Pergolesi, Pergolesi, but now more often to Vincenzo Legrenzo Ciampi (1719–1762). The song was one of the "Arie antiche" favourites of 19th Century salons associated with Alessandro Parisotti, and in the 20th Century was recorded by Enrico Caruso, Richard Tucker (tenor), Richard Tucker as well as more recently, by Alfredo Kraus and Ramon Vargas.''The Music Magazine/Musical Courier '' Volumes 141-142 1950- Page 35 "... perpetuates an old error. The pretty, and very familiar Nina is not by Giovanni Battista Pergolesi but by Legrenzio Vincenzo Ciampi (1719-1762)." The attribution to Pergolesi may have come from the mistaken assumption that the song is based on an aria sung about Nina in Pergolesi's ''Lo frate 'nnamorato''. References {{Authority control 18th-century songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Italian Composers
The 18th century lasted from January 1, 1701 (Roman numerals, MDCCI) to December 31, 1800 (Roman numerals, MDCCC). During the 18th century, elements of Age of Enlightenment, Enlightenment thinking culminated in the American Revolution, American, French Revolution, French, and Haitian Revolution, Haitian Revolutions. During the century, History of slavery, slave trading and human trafficking expanded across the shores of the Atlantic Ocean, Atlantic, while declining in Russian Empire, Russia, Qing dynasty, China, and Joseon, Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that Proslavery, supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in Society, human society and the Natural environment, environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Boer, Bertil H
A van is a type of road vehicle used for transporting goods or people. Depending on the type of van, it can be bigger or smaller than a pickup truck and SUV, and bigger than a common car. There is some varying in the scope of the word across the different English-speaking countries. The smallest vans, microvans, are used for transporting either goods or people in tiny quantities. Mini MPVs, compact MPVs, and MPVs are all small vans usually used for transporting people in small quantities. Larger vans with passenger seats are used for institutional purposes, such as transporting students. Larger vans with only front seats are often used for business purposes, to carry goods and equipment. Specially-equipped vans are used by television stations as mobile studios. Postal services and courier companies use large step vans to deliver packages. Word origin and usage Van meaning a type of vehicle arose as a contraction of the word caravan. The earliest records of a van as a vehicl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osborne, Charles (music Writer)
Charles Thomas Osborne (24 November 1927 – 23 September 2017) was an Australian journalist, theatre and opera critic, poet and novelist.Campbell, Ian. Obituary - Charles Osborne. Opera, November 2017, Vol.68 No.11, p4133. He was the assistant editor of ''The London Magazine'' from 1958 until 1966, literature director of the Arts Council of Great Britain from 1971 until 1986, and chief theatre critic of '' Daily Telegraph'' (London) from 1986 to 1991. He is the only author the Agatha Christie Estate has ever allowed to produce adapted works in her name. Life and career Osborne was born in Brisbane, Australia. He taught himself to play the piano and at aged 18 he began singing lessons. Osborne's father hailed originally from Devon and his mother was from Vienna, a fact to which he attributes his lifelong love of opera. He went to school locally, then studied at the University of Queensland. Osborne then worked in literary and musical journalism and in repertory theatre in Au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pougin, Arthur
Arthur Pougin ( 6 August 1834 – 8 August 1921) was a French musical and dramatic critic and writer. He was born at Châteauroux (Indre) and studied music at the Conservatoire de Paris under Jean Delphin Alard, Alard (violin) and Napoléon Henri Reber, Reber (harmony). In 1855 he became Conducting, conductor at the Théâtre Beaumarchais, and afterward leader at Musard's concerts, subconductor at the Folies-Nouvelles, and from 1860 to 1863 he was first violin at the Opéra-Comique. He was in turn ''feuilletoniste'' to ''Le Soir'', ''La Tribune'', ''L'Événement-Journal, L'Événement'' and ''Le Journal Officiel'', besides being a frequent contributor to all the important French musical periodicals. His work in connection with François-Joseph Fétis, Fétis's ''Biographie universelle des musiciens, Biographie universelle'', for which he prepared a supplement (two volumes, 1878–80), has, however, been found to be lacking in thoroughness. He edited the new edition of Clément and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
