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Vincenzo Civerchio
Vincenzo Civerchio or Civercio (c. 1470c. 1544) was an Italian painter of the Renaissance, born at Crema, Lombardy, Crema, and active also in Brescia, where there are some of his alter-pieces. One of his works is at the National Gallery of Art, Washington D.C., others in the Pinacoteca di Brera, Milan, Italy. He is said to be an imitator of Bernardino Butinone, Bernardino Zenale, and influenced by Vincenzo Foppa. Luigi Donato of Como is said to have been a pupil. See also * Bartolomeo di Cassino External links Pinacoteca di Brera References 15th-century Italian painters Italian male painters 16th-century Italian painters Renaissance painters Painters from Brescia 1470 births 1544 deaths {{Italy-painter-15thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Foppa
Vincenzo Foppa ( – ) was an Italian painter from the Renaissance period. While few of his works survive, he was an esteemed and influential painter during his time and is considered the preeminent leader of the Early Lombard School. He spent his career working for the Sforza family, Dukes of Milan, in Pavia, as well as various other patrons throughout Lombardy and Liguria. He lived and worked in his native Brescia during his later years. Early life Very little is known about the early life and training of Foppa. He was born in Bagnolo Mella, a small commune near the city of Brescia. At the time, there were few esteemed painters in the region, and the art scene in Brescia was lacking. It is therefore likely that Foppa had to seek artistic training elsewhere. Some of his earliest exposures to art were likely frescoes painted by Gentile da Fabriano in the Broletto Chapel in Brescia and the woven ''Annunciation'' by Jacopo Bellini. The latter artist was one of the strongest influen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Brescia
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Painters
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th-century Italian Painters
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Di Cassino
Bartolomeo di Cassino (late 16th century) was an Italian painter active in the Mannerist period. He was born in Milan. He was a pupil of Vincenzo Civerchio Vincenzo Civerchio or Civercio (c. 1470c. 1544) was an Italian painter of the Renaissance, born at Crema, Lombardy, Crema, and active also in Brescia, where there are some of his alter-pieces. One of his works is at the National Gallery of Art, W .... References * 16th-century Italian painters Italian male painters Painters from Milan Italian Renaissance painters Mannerist painters {{Italy-painter-16thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Donato
Luigi Donato (late 15th century – early 16th century) was an Italian painter, known for altarpieces, and active in and near Como. Biography According to Luigi Lanzi, he was putatively a pupil of Vincenzo Civerchio Vincenzo Civerchio or Civercio (c. 1470c. 1544) was an Italian painter of the Renaissance, born at Crema, Lombardy, Crema, and active also in Brescia, where there are some of his alter-pieces. One of his works is at the National Gallery of Art, W ... (c. 1470 – c. 1544). Circa 1495, Donato painted a large polyptych, of which now remains the Ancona di Moltrasio. by Santo Monti, page 299. References 15th-centur ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Zenale
Bernardo (or Bernardino) Zenale (c. 1460 – 1526) was an Italian painter and architect. Biography Zenale was born in Treviglio, Lombardy, where in 1485 he finished the great polyptych for the church of St. Martin, together with his fellow Bernardino Butinone. Like Butinone, he is said to have trained with Vincenzo Civerchio. Later he collaborated to the decoration of the Certosa di Pavia. Subsequently, he was engaged by Ludovico Sforza, Duke of Milan, to paint a room in the Castello Sforzesco of that city. Also with Butinone, he frescoed the Grifi Chapel in the church of San Pietro in Gessate. After circa 1500, Zenale seemed to abandon the Ferrarese-expressionist style of Butinone, a strong influence from Leonardo da Vinci starting to appear in his works. This is manifest in the polyptych that he painted for the Confraternity of the Immaculate Conception of Cantù (1502Now divided between the J. Paul Getty Museum of [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Butinone
Bernardino Butinone (1435 or 1436 – c. 1507 or 1508) was an Italian painter of the Renaissance, active mainly around Milan. Born in Treviglio, Lombardy, he was the son of Jacopo da Treviglio, and also known as ''Bernardo da Treviglio''. A pupil of Vincenzo Foppa, he was tutor of Bramantino and collaborated with Bernardo Zenale. Others claimed he trained with Vincenzo Civerchio, with whom he worked in Milan.M. Farquhar From 1491 to 1493 they executed the vault of the Grifi Chapel in San Pietro in Gessate in Milan. Their masterwork is the polyptych of San Martino in Treviglio Treviglio (, Bergamasque: ) is a town and ''comune'' (i.e. municipality) in the province of Bergamo, in Lombardy, Northern Italy. It lies south of the province capital, in the lower territory called "Bassa Bergamasca". It's also part of the geo ..., which was commissioned in 1485. Butinone's most appealing works are a series of small panels he painted depicting the life of Christ, which are now ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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