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Villa Saluzzo Serra
The Villa Saluzzo Serra is a civil building in the Nervi district, in via Capolungo, in the municipality of Genoa. Municipal property, and located in the parks of Nervi, it has been the seat of the Genoa's Gallery of Modern Art (GAM) since 1928. History The construction of the building dates back to the 17th century and, over the centuries, belonged to the families of the Saluzzo marquises, then to the Morando, the Serra (1815) and finally the shipowner Carlo Barabino who sold it to the Municipality of Genoa in 1926 for the value of 2,200,000 lire. It was the Serra family (in the person of Gerolamo Serra) who mostly restructured the primary villa with expansions and modifications on several occasions, and transformed the original land of olive and citrus fruit into one of the most admired gardens of the Nervi park. Among the illustrious personalities who visited or stayed in the villa are the daughter Luisa Maria Amalia of King Ferdinand IV of the Two Sicilies, Frederick William ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nervi
Nervi is a former fishing village 12 miles (19 km) northwest of Portofino on the Riviera di Levante, now a seaside resort in Liguria, in northwest Italy. Once an independent ''comune'', it is now a ''quartiere'' of Genoa. Nervi is 4 miles (7 km) east of central Genoa. Geography Nervi is a district of Genoa. At the beginning of the century, it is mentioned as being surrounded with groves of olives, oranges and lemons, and beautiful gardened villas. At 25 meters above sea level, Genoa has a moist climate that is less dusty than the Riviera di Ponente, the part of the Italian Riviera west of Genoa, and is especially in favor with those who suffer from lung complaints. Museums Nervi is home to four significant museums. The Genoa Gallery of Modern Arts, in the former Villa Saluzzo Serra and the Raccolte Frugone, in the former Villa Grimaldi Fassio have paintings, sculptures, and drawings by Italian and other artists from the 19th and 20th centuries. The collection also i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plinio Nomellini
Plinio Nomellini (1866–1943) was an Italian painter. Biography Nomellini was born in Livorno in 1866. In 1885 he enrolled at the Florence Academy of Fine Arts, where he studied under Giovanni Fattori and formed friendships with Telemaco Signorini and Silvestro Lega as well as Giuseppe Pellizza some time later. At the 1886 Promotrice of Florence, he exhibited a portrait and a landscape of ''Un uliveto''; at the 1887 Mostra he exhibited ''L'incontro'' and ''Piano di Tombolo''. In 1888, he exhibited a ''Portrait of Nina Van Zandt'' and ''Il fieno''. At the Mostra held at the Società d'Incoraggiamento of Florence he displayed the following paintings: ''Al sole''; ''Sciopero''; ''La giornata è finita (The Journey is Finished)''; ''Fiore selvaggio''; ''Foce del Calambrone'', and ''The Summer of San Martino''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parks Of Genoa
The parks of Genoa are for the most part green areas comprising the gardens of aristocratic villas and some adjoining open land. The largest park of the town is the system of the Parks of the Forts, while the most famous and renowned are the Parks of Nervi, bordered by the Anita Garibaldi promenade. In the city centre, in addition to the hanging gardens of historic palaces, the Parks of Piazza Corvetto and Groppallo Park are the most attended (the latter is open to the public only on particular occasions). The Parks of the Forts A natural complex formed by the continuity of two parks adjoining the urban walls and the hill area of the defence forts nearly encircles the city. It is one of the widest urban natural areas of Italy, encompassing 611.69 hectares. The Parks of Nervi The parks of Nervi are best known for the botanic complex of the city adjoining the Anita Garibaldi promenade, formed by the joining of the gardens of different historic villas, and include: Parks o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Issel
Alberto Issel (1848–1926) was an Italian painter. Biography He was a resident of Genoa and a pupil of the Accademia Ligustica. He won awards while a student for engravings in 1869 and 1870. He then studied in Florence under Carlo Markò the Younger. He frequented the company of the Macchiaioli at the Caffè Michelangiolo, then moved to Rome where he was influenced by the circle formed around Mariano Fortuny. He participated briefly in the Garibaldi exhibitions, and painted military subjects. In 1872, he worked along with Ernesto Rayper Ernesto Rayper (1 November 1840, Genoa - 5 August 1873, Stella) was an Italian painter and engraver. He was the founder of what came to be known as the (Gray School) of landscape painting and was associated with the Macchiaioli. Biography In 18 ... in the School of Rivara, who like the earlier Macchiaioli delighted in painting out of doors. He frequently painted landscapes. Among his main works: ''Armonie'' exhibited in 1877 in Naples; '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Bistolfi
Leonardo Bistolfi (14 March 1859 – 2 September 1933) was an Italian sculptor and an important exponent of Italian Symbolism (arts), Symbolism. Biography Bistolfi was born in Casale Monferrato in Piedmont, north-west Italy, to Giovanni Bistolfi, a sculptor in wood, and to Angela Amisano. Giovanni died at the age of 26 years, when Leonardo was still a boy. In 1876 he enrolled in the Brera Art Academy in Milan, where his teacher was Giosuè Argenti. In 1880 he studied under Odoardo Tabacchi at the Accademia Albertina in Turin. Work His first works, executed between 1880 and 1885, show the influence of the Milanese ''Scapigliatura'' movement. These first works include ''Le lavandaie'' (The Washerwomen), ''Tramonto'' (Sunset), ''Vespero'' (‘Evening’), ''Boaro'' (Cattle-hand), ''Gli amanti'' (The Lovers). The work of ''Gli Amanti'' was rejected from a Turin Promotrice circa 1880, bringing him either notoriety, or fame. In 1882 he sculpted ''L'Angelo della morte'' (‘The Ang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Monteverde
Giulio Monteverde (8 October 1837 – 3 October 1917) was an Italian naturalist sculptor and teacher. Biography Monteverde was born in Bistagno, Italy and studied at the Academy of Fine Arts in Rome. He later became a professor there.McKay, James, ''The Dictionary of Sculptors in Bronze'', Antique Collectors Club, London, 1995 Among his students were Yulia Brazol, Lola Mora and Victor de Pol, who both developed significant public work in Buenos Aires. He was made an Officer in the Legion d'Honneur in 1878 and an Italian Senator in 1889. He died in Rome in 1917, five days shy of his 80th birthday. Principal works Monument to Victor Emmanuel II – Rovigo ">Rovigo.html" ;"title="Victor Emmanuel II – Rovigo">Victor Emmanuel II – Rovigo * ''Bambini che giocano con il gatto'' (''Children playing with a cat''), (1867) * ''Pantheon of the Marquess of la Gándara'': marbel angel, San Isidro Cemetery, Madrid * ''Monument to Raffaele Pratolongo'', (1868) – Genoa, Monumenta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corrado Cagli
Corrado Cagli (1910–1976) was an Italian painter of Jewish heritage, who lived in the United States during World War II. Life Cagli was born in Ancona but he moved with his family to Rome in 1915 at the age of five. In 1927, he made his artistic debut, with a mural painted on a building in Via Sistina. The following year, he made another mural painting in a hall in Via Vantaggio. In 1932, he held his first personal exhibition at the Gallery of Art of Rome. Together with other artists such as Giuseppe Capogrossi and Emanuele Cavalli, he formed the group "New Roman School of Painting," better known as ''Scuola Romana''. In 1937 and 1938, he exhibited works at the "Comet" gallery in New York City. In 1938, when Benito Mussolini stepped up the persecution of Jews, Cagli fled to Paris and later went to New York where he became a U.S. citizen. He enlisted in the U.S. Army and was involved in the 1944 Normandy landings, and fought in Belgium and Germany. He was with the forces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Mafai
Mario Mafai (12 February 1902 – 31 March 1965) was an Italian painter. With his wife Antonietta Raphaël he founded the modern art movement called the Scuola Romana, or Roman school. Biography Mafai left school very early, preferring to attend, with Scipione, the Scuola Libera del Nudo, or free school of the nude, of the Accademia di Belle Arti di Roma. His influences in those years were Roman galleries and museums, and the Fine Arts Library at Palazzo Venezia. He met painter and sculptor Antonietta Raphaël in 1925, and they married. They had three daughters: Miriam (1926), a journalist, partner of Communist politician Giancarlo Pajetta; Simona (1928) member of the Italian Senate and author; and Giulia (1930), a scenographer and costume designer.Flavia Matitti (2006). Mafai, Mario. ''Dizionario Biografico degli Italiani'', Vol. 67. Treccani. In 1927 Mafai exhibited for the first time, with a show of studies and maquettes organised by the Associazione Artistica Nazionale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renato Guttuso
Renato Guttuso (26 December 1911 – 18 January 1987) was an Italian painter and politician. His best-known works include ''Flight from Etna'' (1938–39), ''Crucifixion'' (1941) and ''La Vucciria'' (1974). Guttuso also designed for the theatre (including sets and costumes for ''Histoire du Soldat'', Rome, 1940) and did illustrations for books. Those for Elizabeth David Elizabeth David CBE (born Elizabeth Gwynne, 26 December 1913 – 22 May 1992) was a British cookery writer. In the mid-20th century she strongly influenced the revitalisation of home cookery in her native country and beyond with articles and bo ...’s ''Italian Food'' (1954),Hamilton, Adrian (28 February 2011"Past masters of Futurism" ''The Independent'', review of gallery show of Alberto della Ragione's collection of Italian paintings at the Estorick collection, from the 1930s to the 1950s, p. 18 Review section introduced him to many in the English-speaking world. A fierce anti-Fascist, "he developed out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arturo Martini
Arturo Martini (1889–1947) was a leading Italian sculptor between World War I and II. He moved between a very vigorous (almost ancient Roman) classicism and modernism. He was associated with public sculpture in fascist Italy, but later renounced his medium altogether. Futurism Martini seems to have been an active supporter of the Futurist movement between 1914 and 1918. He certainly corresponded with Umberto Boccioni and produced a modernist booklet in 1918.Günter Berghaus, ''International futurism in arts and literature'', Walter de Gruyter, 2000, p. 475. His early works show an archaic tendency, two-dimensionality and polychrome effectsGloria Fossi, Marco Bussagli, ''Italian Art'', Giunti Editore, 2004, p. 556. In Fascist Italy His later works returned to a more traditional style, but with "irony, agility and an eclectic capacity to combine or reinterpret sources". Between the wars, he became the semi-official sculptor of the fascist regime. He was literally overwhel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Messina
Francesco Messina (15 December 1900 – 13 September 1995) was an Italian sculptor of the 20th century. Biography and career Francesco Messina was born at Linguaglossa in the Province of Catania from a very poor family. Growing up in Genoa, where he also studied and lived until he was 32, he then moved to Milan. Art historians consider him one of the most important figurative sculptors of Novecento, together with Giacomo Manzù, Arturo Martini, Marino Marini. He is the author of some of the greatest works of the ''Novecento Italiano'' and his sculptures are displayed in the most famous museums, among which: Berne, Zurich, Gothenburg, Oslo, Munich, Paris, Barcelona, Berlin, São Paulo, Buenos Aires, Venice, Moscow, Saint Petersburg, Vienna, Washington, Tokyo. From 1922, he began exhibiting his work regularly at the ''Biennale Internazionale d'Arte'' in Venice and between 1926 and 1929 he took part in the expos organised by the art group ''Novecento Italiano'' in Milan. In 1932 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo De Pisis
Filippo De Pisis (11 May 1896 – 2 April 1956) was an Italian painter and poet. Biography He was born Luigi Filippo Tibertelli in Ferrara. He studied literature and philosophy at the University of Bologna beginning in 1914.Gale, Matthew and Valerio Rivosecchi. "De Pisis, Filippo". ''Grove Art Online. Oxford Art Online''. Oxford University Press. In 1919 he moved to Rome, where he started to paint. He published a collection of his writings, ''La città dalle 100 meraviglie'', in 1920. While important editors of his time criticized De Pisis for producing overly-sentimental poetry, this emotional streak translated well on canvas. De Pisis is best known for his cityscapes, metaphysically-inspired maritime scenes, and still lifes, especially those depicting flowers. His work has a particularly airy, in-the-moment quality, and is laden with a sort of pathetic pleasure-pain. There are unexpected juxtapositions of scale and space, as when still-life objects are arranged on a surface ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
