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Villa Pisani, Stra
Villa Pisani at Stra refers to the monumental, late-Baroque rural palace located along the Brenta Canal ( Riviera del Brenta) at Via Doge Pisani 7 near the town of Stra, on the mainland of the Veneto, northern Italy. This villa is one of the largest examples of Villa Veneta located in the Riviera del Brenta, the canal linking Venice to Padua. The patrician Pisani family of Venice commissioned a number of villas, also known as '' Villa Pisani'' across the Venetian mainland. The villa and gardens now operate as a national museum, and the site sponsors art exhibitions. History Construction of the palace commenced in the early 18th century for Alvise Pisani, the most prominent member of the Pisani family, who was appointed doge in 1735. The initial models of the palace by Paduan architect Girolamo Frigimelica Roberti still exist, but the design of the main building was ultimately completed by Francesco Maria Preti. When it was completed, the building had 114 rooms, in honou ...
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Stra
Stra is a town and ''comune'' in the Metropolitan City of Venice, Veneto, Italy Italy, officially the Italian Republic, is a country in Southern Europe, Southern and Western Europe, Western Europe. It consists of Italian Peninsula, a peninsula that extends into the Mediterranean Sea, with the Alps on its northern land b .... It is located south of SR11. It is the location of the famed Villa Pisani that is on the Brenta canal. References External links

* {{Veneto-geo-stub ...
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House Of Habsburg
The House of Habsburg (; ), also known as the House of Austria, was one of the most powerful Dynasty, dynasties in the history of Europe and Western civilization. They were best known for their inbreeding and for ruling vast realms throughout Europe during the Middle Ages and early modern period, including the Holy Roman Empire and Habsburg Spain, Spain. The house takes its name from Habsburg Castle, a fortress built in the 1020s in present-day Switzerland by Radbot of Klettgau, who named his fortress Habsburg. His grandson Otto II, Count of Habsburg, Otto II was the first to take the fortress name as his own, adding "Count of Habsburg" to his title. In 1273, Count Radbot's seventh-generation descendant, Rudolph I of Germany, Rudolph, was elected King of the Romans. Taking advantage of the extinction of the Babenbergs and of his victory over Ottokar II of Bohemia at the Battle on the Marchfeld in 1278, he appointed his sons as Dukes of Austria and moved the family's power base ...
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Jacopo Amigoni
Jacopo Amigoni (c. 1685 – September 1752), also named Giacomo Amiconi, was an Italian painter of the late-Baroque or Rococo period, who began his career in Venice, but traveled and was prolific throughout Europe, where his sumptuous portraits were much in demand. Biography He was born in Naples. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi. Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725–1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His ''Arraignment of Paris'' hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in Engl ...
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Jacopo Guarana
225px, ''Allegory of the virtues Mocenigo'', 1787 Jacopo Guarana (October 28, 1720 – April 18, 1808) was a Venetian painter of the late Baroque period who was born in Verona. He was active mainly in Venice and its mainland territories. In 1750 he completed frescoes for the interior of Ca' Rezzonico and, in 1780, for the church of San Tomà. He also painted for the church of San Teonisto in Treviso and the Villa Contarini in Cinto Euganeo and helped decorate the Villa Pisani at Stra. Other works were completed for the Palazzo Balbi, Palazzo Boldù a San Felice, Palazzo Erizzo a San Martino, Palazzo Michiel del Brusà, and Palazzo Mocenigo a San Stae. Guarana is the last remaining direct heir of the Tiepolesque tradition. He was a founding member of the Venetian Accademia di Belle Arti and is said to have studied under Sebastiano Ricci, then with Giovanni Battista Tiepolo. Among his most popular works are the wall frescoes at the concert hall of the Ospedaletto, Venic ...
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Gian Domenico Tiepolo
Giovanni Domenico Tiepolo (August 30, 1727March 3, 1804) was an Italian painter and printmaker in etching. He was the son of artist Giovanni Battista Tiepolo and elder brother of Lorenzo Baldissera Tiepolo. Life history Domenico was born in Venice, studied under his father, and by the age of 13 was the elder Tiepolo's chief assistant. He was one of the many assistants, including his brother Lorenzo, who transferred the designs of his father (often executed in 'oil sketches). By the age of 20, he was producing his own work for commissioners. He assisted his father in Würzburg 1751–3, decorating the famous stairwell fresco, in Vicenza at the Villa Valmarana ai Nani in 1757, and at the Royal Palace of Madrid for Charles III of Spain from 1762 to 1770. Works His painting style developed after the death of his father in 1770, at which time he returned to Venice, and worked there as well as in Genoa and Padua. His painting, though keeping the decorative influence of his fathe ...
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Giovanni Battista Tiepolo
Giovanni Battista Tiepolo ( , ; 5 March 1696 – 27 March 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a famil ...
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Maze
A maze is a path or collection of paths, typically from an entrance to a goal. The word is used to refer both to branching tour puzzles through which the solver must find a route, and to simpler non-branching ("unicursal") patterns that lead unambiguously through a convoluted layout to a goal. The term "labyrinth" is generally synonymous with "maze", but can also connote specifically a unicursal pattern. The pathways and walls in a maze are typically fixed, but puzzles in which the walls and paths can change during the game are also categorised as mazes or tour puzzles. Construction Mazes have been built with a variety of materials. Some are relatively permanent, like Hedge maze, hedges, Turf maze, turf, walls, rooms, tiles, and paving stones or bricks. Others are deliberately transitory, like Corn maze, corn stalks, Straw maze, straw bales, books, snow, or in fields of crops such as cereal, corn or maize. Maize mazes can be very large; they are usually kept only for one g ...
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Caryatid
A caryatid ( ; ; ) is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term ''karyatides'' literally means "maidens of Karyai", an ancient town on the Peloponnese. Karyai had a temple dedicated to the goddess Artemis in her aspect of Artemis Karyatis: "As Karyatis she rejoiced in the dances of the nut-tree village of Karyai, those Karyatides, who in their ecstatic round-dance carried on their heads baskets of live reeds, as if they were dancing plants". An atlas or atlantid or telamon is a male version of a caryatid, ''i.e.'', a sculpted male statue serving as an architectural support. Etymology The term is first recorded in the Latin form ''caryatides'' by the Roman architect Vitruvius. He stated in his 1st century BC work ''De architectura'' (I.1.5) that certain female figures represented the punishment of the women of Caryae, a town near Sparta in Laconia, who were cond ...
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Atlas (architecture)
In European architectural sculpture, an atlas (also known as an atlant, or atlante or atlantid; plural atlantes)''Aru-Az
, Michael Delahunt
ArtLex Art Dictionary
, 1996–2008.
is a support sculpted in the form of a man, which may take the place of a , a or a . The Roman term for such a sculptural support is

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Statuary
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size. A sculpture that represents persons or animals in full figure, but that is small enough to lift and carry is a ''statuette'' or figurine, whilst those that are more than twice life-size are regarded as '' colossal statues''. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Colors Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with whit ...
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Brenta River
The Brenta is an Italian river that runs from Trentino to the Adriatic Sea just south of the Venetian lagoon in the Veneto region, in the north-east of Italy. During the Roman era, it was called Medoacus (Ancient Greek: ''Mediochos'', ''Μηδειοχος'') and near Padua it divided in two branches, Medoacus Maior (Greater Medoacus) and Medoacus Minor (Lesser Medoacus). The river changed its course in the early Middle Ages, and its former bed through Padua was occupied by the Bacchiglione. It is long and was first channelled in the 16th century when a long canal was built from the village of Stra to the Adriatic Sea, bypassing the Venetian lagoon. A branch of the Brenta, named '' Naviglio del Brenta'', was left to connect directly Venice and Padua (which was a kind of second capital of the Venice Republic). It runs through Stra, Fiesso d'Artico, Dolo, Mira, Oriago and Malcontenta to Fusina (which is part of the comune of Venice). Starting in the 16th century, many ...
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