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Viktoria Tereshkina
Viktoria Valerievna Tereshkina (russian: Викто́рия Вале́рьевна Терёшкина; born 31 May 1983) is a Russian ballet dancer, who performs as a principal dancer with the Mariinsky Ballet in Saint Petersburg. People's Artist of Russia (2018). Laureate of the highest theater award of St. Petersburg "Golden Soffit" (2005, 2006), and Laureate of the IX International Ballet Competition "Arabesque" (Perm, 2006). Early life Tereshkina was born in Krasnoyarsk in Siberia where her father was a gymnastics teacher. From the age of four she was trained in artistic gymnastics in which she performed increasingly well. However, when she reached the age of 10, her parents decided her prospects for an extended career would be better in ballet. As a result, she was sent to the ballet school in Krasnoyarsk. When she was 16, she took part in a ballet festival in Saint Petersburg. She was noticed by Igor Belsky who recommended she should join the Vaganova Academy of Russian Balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Sergeyev
Konstantin Mikhaylovich Sergeyev (russian: Константин Михайлович Сергеев; 5 March 1910 (20 February Old Style) – 1 April 1992) was a Russian danseur, artistic director and choreographer for the Kirov Theatre. When the Kirov Ballet returned to Leningrad from Perm (where it had been moved during the war) Sergeyev became the head choreographer of the company. His first major work was to restage Prokofiev's ''Cinderella'', which is still performed in the present day. His teachers at Leningrad State Choreographic Institute: Mariya Kojukhova, Vladimir Ponomaryov, Viktor Semyonov (Marina Semyonova's first husband). His first wife Feya Balabina was a prima ballerina of the Kirov ballet, as was his second wife Natalia Dudinskaya. He danced with Dudinskaya at the 1946 premiere of his ''Cinderella'' production for the Kirov.Sergey Prokofiev. Sergei Prokofiev: Autobiography, Articles, Reminiscences. University Press of the Pacific Honolulu, 2000, p.290. Galina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scheherazade (Rimsky-Korsakov)
''Scheherazade'', also commonly ''Sheherazade'' ( rus, Шехеразада, Shekherazada, ʂɨxʲɪrɐˈzadə), Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on ''One Thousand and One Nights'' (also known as ''The Arabian Nights)''. This orchestral work combines two features typical of Russian music in general and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. The name "Scheherazade" refers to the main character Scheherazade of the ''One Thousand and One Nights''. It is one of Rimsky-Korsakov's most popular works. Background During the winter of 1887, as he worked to complete Alexander Borodin's unfinished opera ''Prince Igor,'' Rimsky-Korsakov decided to compose an orchestral piece based on pictures from ''One Thousand and One Nights'' as well as separate and unconnected episodes.Rimsky-Korsakov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymonda
''Raymonda'' (russian: Раймонда) is a ballet in three acts, four scenes with an apotheosis, choreographed by Marius Petipa to music by Alexander Glazunov, his Opus 57. It was first presented by the Imperial Ballet at the Imperial Mariinsky Theatre on in Saint Petersburg, Russia. The ballet was created especially for the benefit performance of the Italian ballerina Pierina Legnani, who created the title role. Among the ballet's most celebrated passages is the ''Pas classique hongrois'' (a.k.a. ''Raymonda Pas de dix'') from the third act, which is often performed independently. Today ''Raymonda'' is performed by many ballet companies throughout the world with choreography that is derived primarily from the Kirov Ballet's 1948 revival as staged by Konstantin Sergeyev. Sergeyev greatly altered, and in some cases changed entirely, Marius Petipa's choreography, particularly in the dances for the ''corps de ballet''. The choreography as revised by Sergeyev remains the traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( rus, Спящая красавица, Spyashchaya krasavitsa ) is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (Opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's '' La Belle au bois dormant''. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890. The work has become one of the classical repertoire's most famous ballets. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of ''Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Fokine
Michael Fokine, ''Mikhail Mikhaylovich Fokin'', group=lower-alpha ( – 22 August 1942) was a groundbreaking Imperial Russian choreographer and dancer. Career Early years Fokine was born in Saint Petersburg to a prosperous merchant and at the age of 9 was accepted into the Saint Petersburg Imperial Ballet School. That same year, he made his performing debut in '' The Talisman'' under the direction of Marius Petipa. In 1898, on his 18th birthday, he debuted on the stage of the Imperial Mariinsky Theatre in ''Paquita'', with the Imperial Russian Ballet. In addition to being a talented dancer, Fokine was also passionate about painting and displayed talent in this area as well. He also played musical instruments, including mandolin (played on stage in ensemble led by Ginislao Paris), domra, and balalaika (played in Vasily Andreyev's Great Russian Orchestra). Transition to choreographer He became frustrated with the life of a dancer and began considering other paths, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexei Ratmansky
Alexei Osipovich Ratmansky (russian: Алексей Осипович Ратманский, born August 27, 1968) is a Russian-American choreographer and former ballet dancer. From 2004 to 2008 he was the director of the Bolshoi Ballet. He left Russia in 2008. As of April 2014 he was the artist in residence at the American Ballet Theatre. Training and performance career Ratmansky was born in St. Petersburg and trained under Pyotr Pestov and Alexandra Markeyeva at the Bolshoi Ballet School. He graduated in 1986. He then danced in Kyiv and was a principal dancer with the Ukrainian National Ballet, Royal Winnipeg Ballet and Royal Danish Ballet. Choreographic and administrative careers Ratmansky's choreographic career first became notable with his staging of the ballet ''Dreams of Japan'' for the State Ballet of Georgia in 1998. ''Dreams'' and ''Charms of Mannerism'', choreographed in 1997, were both created for Nina Ananiashvili. ''Dreams'' earned the Golden Mask Award fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Ballet Theatre
American Ballet Theatre (ABT) is a classical ballet company based in New York City. Founded in 1939 by Lucia Chase and Richard Pleasant, it is recognized as one of the world's leading classical ballet companies. Through 2019, it had an annual eight-week season at the Metropolitan Opera House (Lincoln Center) in the spring and a shorter season at the David H. Koch Theater in the fall; the company tours around the world the rest of the year. The company was scheduled to have a 5-week spring season at the MET preceded by a 2-week season at the Koch Theater beginning in 2020. ABT is the parent company of the American Ballet Theatre Jacqueline Kennedy Onassis School, and was recognized as "America's National Ballet Company" in 2006 by the United States Congress. History In 1939 Pleasant and Chase committed to the creation of "a large scale company with an eclectic repertory". The pair and a small group from Mordkin Ballet formed Ballet Theatre. Their new company's first performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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