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View Of Venice
''View of Venice'', also known as the de' Barbari Map, is a monumental woodcut print showing a bird's-eye view of the city of Venice from the southwest. It bears the title and date "VENETIE MD" ("Venice 1500"). It was printed from six wooden blocks designed from 1498 to 1500 by Jacopo de' Barbari, and then published in late 1500 by the Nuremberg publisher Anton Kolb on six large sheets of paper, each measuring about , to create a composite image measuring approximately . The individual sheets of paper were the largest produced in Europe up to that time. The finished work has an approximate scale of 1:1,250 (east-west) and 1:2,750 (north-south) and was probably intended for display on a wall. Examples of the three states of the print are held by public collections. The six large wooden printing blocks would have been carved by professional cutters, following preparatory drawings made by Jacopo de' Barbari. The six original blocks, probably made from walnut, now with splits and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo De' Barbari - View Of Venice - Google Art Project
Jacopo (also Iacopo) is a masculine Italian given name, derivant from Latin ''Iacōbus''. It is an Italian variant of Giacomo. * Jacopo Aconcio (), Italian religious reformer * Jacopo Bassano (1592), Italian painter * Iacopo Barsotti (1921–1987), Italian mathematician * Jacopo da Bologna (), Italian composer * Jacopo Comin (1518–1594), Italian painter otherwise known as Tintoretto * Jacopo Carucci (1494–1557), Italian painter otherwise known as Pontormo * Jacopo Corsi (1561–1602), Italian composer * Jacopo da Leona (died 1277), Italian poet * Jacopo Peri (1561–1633), Italian composer * Jacopo della Quercia (1438), Italian sculptor * Jacopo Riccati (1676–1754), Italian mathematician * Jacopo Sadoleto (1477–1547), Italian Catholic cardinal * Jacopo M. (1989), Italian Communicator, upholder of the European Commission Fictional characters: * Jacopo, a key character in the 2002 film version of ''The Count of Monte Cristo'' (and a minor character in the book). * Jacopo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torcello
Torcello ( la, Torcellum; vec, Torceło) is a sparsely populated island at the northern end of the Venetian Lagoon, in north-eastern Italy. It was first settled in 452 CE and has been referred to as the parent island from which Venice was populated. It was a town with a cathedral and bishops before St Mark's Basilica was built. History After the downfall of the Western Roman Empire, Torcello was one of the first lagoon islands to be successively populated by those Veneti who fled the ''terra ferma'' (mainland) to take shelter from the recurring barbarian invasions, especially after Attila the Hun had destroyed the city of Altinum and all of the surrounding settlements in 452. Although the hard-fought Veneto region formally belonged to the Byzantine Exarchate of Ravenna since the end of the Gothic War, it remained unsafe on account of frequent Gothic (Sarmatian) invasions and wars: during the following 200 years the Lombards and the Franks fuelled a permanent influx of soph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza San Marco
Piazza San Marco (; vec, Piasa San Marco), often known in English as St Mark's Square, is the principal public square of Venice, Italy, where it is generally known just as ''la Piazza'' ("the Square"). All other urban spaces in the city (except the Piazzetta and the Piazzale Roma) are called ''campi'' ("fields"). The Piazzetta ("little Piazza/Square") is an extension of the Piazza towards San Marco basin in its southeast corner (see plan). The two spaces together form the social, religious and political centre of Venice and are commonly considered together. This article relates to both of them. A remark usually attributed (though without proof) to Napoleon calls the Piazza San Marco "the drawing room of Europe". Description The square is dominated at its eastern end by St Mark's Basilica. It is described here by a perambulation starting from the west front of the church (facing the length of the piazza) and proceeding to the right. The church is described in the article ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rialto
The Rialto is a central area of Venice, Italy, in the ''sestiere'' of San Polo. It is, and has been for many centuries, the financial and commercial heart of the city. Rialto is known for its prominent markets as well as for the monumental Rialto Bridge across the Grand Canal. History The area was settled by the ninth century, when a small area in the middle of the Realtine Islands on either side of the Rio Businiacus was known as the , or "high bank". Eventually the Businiacus became known as the Grand Canal, and the district the Rialto, referring only to the area on the left bank. The Rialto became an important district in 1097, when Venice's market moved there, and in the following century a boat bridge was set up across the Grand Canal providing access to it. This was soon replaced by the Rialto Bridge. The bridge has since become iconic, appearing for example in the seal of Rialto, California ("The Bridge City"). The market grew, both as a retail and as a wholesale marke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Locative Case
In grammar, the locative case (abbreviated ) is a grammatical case which indicates a location. It corresponds vaguely to the English prepositions "in", "on", "at", and "by". The locative case belongs to the general local cases, together with the lative and separative case. The locative case exists in many language groups. Indo-European languages The Proto-Indo-European language had a locative case expressing "place where", an adverbial function. The endings are reconstructed as follows: In most later Indo-European languages, the locative case merged into other cases (often genitive or dative) in form and/or function, but some daughter languages retained it as a distinct case. It is found in: * modern Balto-Slavic languages, except Bulgarian and Macedonian, although it is mostly used with prepositions in the other Slavic languages * some classical Indo-European languages, particularly Sanskrit and Old Latin * (Mostly uncommon, archaic or literary) use in certain modern Indic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neptune (mythology)
Neptune ( la, Neptūnus ) is the god of freshwater and the sea in Roman religion. He is the counterpart of the Greek god Poseidon.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the Greek tradition, he is a brother of Jupiter and Pluto; the brothers preside over the realms of heaven, the earthly world (including the underworld), and the seas. Salacia is his wife. Depictions of Neptune in Roman mosaics, especially those in North Africa, were influenced by Hellenistic conventions. He was likely associated with freshwater springs before the sea. Like Poseidon, he was also worshipped by the Romans as a god of horses, as ''Neptunus equestris'' (a patron of horse-racing). Worship The theology of Neptune is limited by his close identification with the Greek god Poseidon, one of many members of the Greek pantheon whose theology was later tied to a Roman deity. The ''lectisternium'' of 399 BC indicated that the Greek figures of Poseidon, Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercury (mythology)
Mercury (; la, Mercurius ) is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld. In Roman mythology, he was considered to be either the son of Maia, one of the seven daughters of the Titan Atlas, and Jupiter, or of Caelus and Dies. In his earliest forms, he appears to have been related to the Etruscan deity Turms; both gods share characteristics with the Greek god Hermes. He is often depicted holding the caduceus in his left hand. Similar to his Greek equivalent Hermes, he was awarded a magic wand by Apollo, which later turned into the caduceus, the staff with intertwined snakes. Etymology The name "Mercury" is possibly related to the Latin words ' ("merchandise"; cf. ''merchant'', ''commerce'', etc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mistral (wind)
The mistral ( ca, Mestral, el, Μαΐστρος, it, Maestrale, mt, Majjistral, Corsican: ''Maestrale'') is a strong, cold, northwesterly wind that blows from southern France into the Gulf of Lion in the northern Mediterranean. It produces sustained winds often exceeding , sometimes reaching . It is most common in the winter and spring, and strongest in the transition between the two seasons. Periods of the wind exceeding for more than sixty-five hours have been reported. In France, it refers to a violent, cold, north or northwest wind that accelerates when it passes through the valleys of the Rhône and the Durance Rivers to the coast of the Mediterranean around the Camargue region. It affects the northeast of the plain of Languedoc and Provence to the east of Toulon, where it is felt as a strong west wind. It has a major influence all along the Mediterranean coast of France, and often causes sudden storms in the Mediterranean between Corsica and the Balearic Islands. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirocco
Sirocco ( ), scirocco, or, rarely, siroc (see below) is a Mediterranean wind that comes from the Sahara and can reach hurricane speeds in North Africa and Southern Europe, especially during the summer season. Names ''Sirocco'' derives from '' šurūq'' (), verbal noun of '' šaraqa'', related to the East, ''aš-šarq''. Various names for this wind in other languages include: * it, scirocco * scn, sciroccu * es, siroco * ca, xaloc * mt, xlokk * oc, siròc or * el, σορόκος, sorókos, or romanized: sirókos * sq, Jugu (south) * hr, jugo, lit=southern, or rarely ''širok'' * lij, sciöco or * Libyan Arabic: , romanized: , which means 'coming from the Qibla' * arz, خمسين, Ḫamsīn, which means 'fifty' ('fifty-day wind') * aeb, شلوق, šlūq, probably from with the same meaning as ; or * ary, شرقي, lit=eastern, šarquiyy, pronounced širguī Development Siroccos arise from warm, dry, tropical air masses that are pulled northward by low- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compass Rose
A compass rose, sometimes called a wind rose, rose of the winds or compass star, is a figure on a compass, map, nautical chart, or monument used to display the orientation of the cardinal directions (north, east, south, and west) and their intermediate points. It is also the term for the graduated markings found on the traditional magnetic compass. Today, a form of compass rose is found on, or featured in, almost all navigation systems, including nautical charts, non-directional beacons (NDB), VHF omnidirectional range (VOR) systems, global-positioning systems (GPS), and similar equipment. Types Linguistic anthropological studies have shown that most human communities have four points of cardinal direction. The names given to these directions are usually derived from either locally-specific geographic features (e.g. "towards the hills", "towards the sea") or from celestial bodies (especially the sun) or from atmospheric features (winds, temperature). Most mobile populations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anemoi
In ancient Greek religion and myth, the Anemoi (Greek: , 'Winds') were wind gods who were each ascribed a cardinal direction from which their respective winds came (see Classical compass winds), and were each associated with various seasons and weather conditions. They were the progeny of the goddess of the dawn Eos and her husband Astraeus. Etymology The earliest attestation of the word in Greek and of the worship of the winds by the Greeks, are perhaps the Mycenaean Greek word-forms , , , , i.e. 'priestess of the winds'. These words, written in Linear B, are found on the KN Fp 1 and KN Fp 13 tablets. Mythology The Anemoi are minor gods and are subject to the god Aeolus. They were sometimes represented as gusts of wind, and at other times were personified as winged men. They were also sometimes depicted as horses kept in the stables of the storm god Aeolus, who provided Odysseus with the Anemoi in the ''Odyssey''. The Spartans were reported to sacrifice a horse to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Compass Winds
In the ancient Mediterranean world, the classical compass winds were names for the points of geographic direction and orientation, in association with the winds as conceived of by the ancient Greeks and Romans. Ancient wind roses typically had twelve winds and thus twelve points of orientation, sometimes reduced to eight or increased to twenty-four. Originally conceived as a branch of meteorology, the classical wind rose had only a tentative relationship with actual navigation. The Classical 12-point wind rose was eventually displaced by the modern compass rose (8-point, 16-point and 32-point), adopted by seafarers during the Middle Ages. Origins It is uncertain when or why the human sense of geographic orientation and direction became associated with winds. It is probable that for ancient settled populations, local physical landmarks (e.g. mountains, deserts, settlements) were the initial and most immediate markers of general direction ("towards the coast", "towards the hill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
