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Vienna Porcelain Manufactory
Vienna porcelain is the product of the Vienna Porcelain Manufactory (German: ''Kaiserlich privilegierte Porcellain Fabrique''), a porcelain manufacturer in Alsergrund in Vienna, Austria. It was founded in 1718 and continued until 1864. The firm was Europe's second-oldest porcelain factory after Meissen porcelain, and for 25 years the two remained the only European producers. Initially it was a private enterprise, founded by Claude du Paquier, an official of the Viennese Imperial court, but in 1744 it was rescued from financial difficulties when bought by the Empress Maria Theresa, and thereafter remained an asset of the emperors. The wares from the earlier, private period before 1744 are the most sought-after today, if only because production was lower and so the pieces are much more rare. These are often called Du Paquier porcelain from the Du Paquier factory. The other high point, "perhaps the factory's most glamorous period", was from 1784 to 1805 when a variety of innovative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congress Of Vienna
The Congress of Vienna (, ) of 1814–1815 was a series of international diplomatic meetings to discuss and agree upon a possible new layout of the European political and constitutional order after the downfall of the French Emperor Napoleon Bonaparte. Participants were representatives of all European powers and other stakeholders, chaired by Austrian statesman Klemens von Metternich, and held in Vienna from September 1814 to June 1815. The objective of the Congress was to provide a long-term peace plan for Europe by settling critical issues arising from the French Revolutionary Wars and the Napoleonic Wars without the use of (military) violence. The goal was not simply to restore old boundaries, but to resize the main powers so they could balance each other and remain at peace, being at the same time shepherds for the smaller powers. More fundamentally, strongly generalising, conservative thinking leaders like Von Metternich also sought to restrain or eliminate republicanism, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strapwork
In the history of art and design, strapwork is the use of stylised representations in ornament of ribbon-like forms. These may loosely imitate leather straps, parchment or metal cut into elaborate shapes, with piercings, and often interwoven in a geometric pattern. In early examples there may or may not be three-dimensionality, either actual in curling relief ends of the elements, or just represented in two dimensions. As the style continued, these curling elements became more prominent, often turning into scrollwork, where the ends curl into spirals or scrolls. By the Baroque scrollwork was a common element in ornament, often partly submerged by other rich ornament. European strapwork is a frequent background and framework for grotesque ornament – arabesque or candelabra figures filled with fantastical creatures, garlands and other elements – which were a frequent decorative motif in 16th-century Northern Mannerism, and revived in the 19th century and which may appear on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trellis (architecture)
A trellis (treillage) is an architectural structure, usually made from an open framework or lattice of interwoven or intersecting pieces of wood, bamboo or metal that is normally made to support and display climbing plants, especially shrubs.The Book of Garden Furniture C. Thonger, 1903 Types There are many types of trellis for different places and for different plants, from agricultural types, especially in , which are covered at , to garden uses for climbers such as |
Openwork
Openwork or open-work is a term in art history, architecture and related fields for any technique that produces decoration by creating holes, piercings, or gaps that go right through a solid material such as metal, wood, stone, pottery, cloth, leather, or ivory. Such techniques have been very widely used in a great number of cultures. The term is rather flexible, and used both for additive techniques that build up the design, as for example most large features in architecture, and those that take a plain material and make cuts or holes in it. Equally techniques such as casting using Molding (process), moulds create the whole design in a single stage, and are common in openwork. Though much openwork relies for its effect on the viewer seeing right through the object, some pieces place a different material behind the openwork as a background. Varieties Techniques or styles that normally use openwork include all the family of lace and cutwork types in textiles, including broderie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Porcelain Manufactory Vienna 001
Imperial is that which relates to an empire, emperor, or imperialism. Imperial or The Imperial may also refer to: Places United States * Imperial, California * Imperial, Missouri * Imperial, Nebraska * Imperial, Pennsylvania * Imperial, Texas * Imperial, West Virginia * Imperial, Virginia * Imperial County, California * Imperial Valley, California * Imperial Beach, California Elsewhere * Imperial (Madrid), an administrative neighborhood in Spain * Imperial, Saskatchewan, a town in Canada Buildings * Imperial Apartments, a building in Brooklyn, New York * Imperial City, Huế, a palace in Huế, Vietnam * Imperial Palace (other) * Imperial Towers, a group of lighthouses on Lake Huron, Canada * The Imperial (Mumbai), a skyscraper apartment complex in India Animals and plants * ''Cheritra'' or imperial, a genus of butterfly Architecture, design, and fashion * Imperial, a luggage case for the top of a coach * Imperial, the top, roof or second-storey compartment of a coa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinoiserie
(, ; loanword from French ''wikt:chinoiserie#French, chinoiserie'', from ''wikt:chinois#French, chinois'', "Chinese"; ) is the European interpretation and imitation of China, Chinese and other East Asia, East Asian artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. The aesthetic of Chinoiserie has been expressed in different ways depending on the region. Its acknowledgement derives from the current of Orientalism, which studied Far East cultures from a historical, philological, anthropological, philosophical and religious point of view. First appearing in the 17th century, this trend was popularized in the 18th century due to the rise in trade with China and the rest of East Asia. As a style, chinoiserie is related to the Rococo style. Both styles are characterized by exuberant decoration, asymmetry, a focus on materials, and stylized nature and subject matter that focuses on leisure and pleasure. Chinoiserie focu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard-paste Porcelain
Hard-paste porcelain, sometimes "true porcelain", is a ceramic material that was originally made from a compound of the feldspathic rock petuntse and kaolin fired at very high temperature, usually around 1400 °C. It was first made in China around the 7th or 8th century, and has remained the most common type of Chinese porcelain. Fleming, John & Hugh Honour. (1977) ''The Penguin Dictionary of Decorative Arts. '' London: Allen Lane, p. 622. From the Middle Ages onwards it was very widely exported and admired by other cultures, and fetched huge prices on foreign markets. Eventually Korean porcelain developed in the 14th century and Japanese porcelain in the 17th, but other cultures were unable to learn or reproduce the secret of its formula in terms of materials and firing temperature until it was worked out in Europe in the early 18th century, and suitable mineral deposits of kaolin, feldspar and quartz discovered. This soon led to a large production in factories across E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna Porcelain Manufactory Augarten
__NOTOC__ The Vienna Porcelain Manufactory Augarten (German: ''Wiener Porzellanmanufaktur Augarten'') is a porcelain manufactory located in Vienna, Austria. History The historic Vienna Porcelain Manufactory (1718–1864) was the second porcelain manufactory to be established in Europe. Dating back to a privilege given by the emperor to Claudius Innocentius du Paquier in 1718, it was, after Meissen porcelain, Europe's second oldest producer of hard-paste porcelain. Since 1744, pieces bore the shield from the coat of arms of the Dukes of Austria as a trademark. The original Vienna manufactory went out of business in 1864. After that, the main porcelain factory of the |
Museum Of Applied Arts, Vienna
The MAK – Museum of Applied Arts (German language, German: ''Museum für angewandte Kunst'') is an arts and crafts museum located at Stubenring 5 in Vienna's 1st district Innere Stadt. Besides its traditional orientation towards arts and crafts and design, the museum especially focuses on architecture and contemporary art. The museum has been at its current location since 1871. Since 2004 the building is illuminated in the evenings by the permanent outdoor installation "MAKlite" of American artist James Turrell. In 2015 the MAK became the first museum to use bitcoin to acquire art, when it purchased the screensaver "Event listeners" of Harm van den Dorpel, van den Dorpel. With over 300.000 objects displayed online, the MAK presents the largest online collection within the Austrian Federal Museums. The audio guide to this museum is provided as a web-based app. History On 7 March 1863, the ''Imperial Royal Austrian Museum of Art and Industry'' - today's MAK—was founded by Empero ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Council (Austria)
The Imperial Council (german: Reichsrat; cs, Říšská rada, links=yes; pl, Rada Państwa, links=yes; it, Consiglio Imperiale, links=yes; sl, Državni zbor, links=yes; uk, Райхсрат, Державна рада, links=yes; bs, Carevinsko vijeće, links=yes) was the legislature of the Austrian Empire from 1861, and from 1867 the legislature of Cisleithania within Austria-Hungary. It was a bicameral body: the upper house was the House of Lords (german: Herrenhaus), and the lower house was the House of Deputies (german: Abgeordnetenhaus, links=no). To become law, bills had to be passed by both houses, signed by the government minister responsible, and then granted royal assent by the Emperor. After having been passed, laws were published in the ''Reichsgesetzblatt'' (lit. Reich Law Gazette). In addition to the Imperial Council, the fifteen individual crown lands of Cisleithania had their own diets (german: Landtage, links=no). The seat of the Imperial Council from 4 Dec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
