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Video Tap
A video tap is an accessory for a motion picture camera used in filmmaking to provide a video signal from the camera lens. Video taps are used to allow the film crew to see what is in the camera's frame without having to look through the viewfinder, as well as allowing video to be recorded and can be used to create an immediate rough cut, if needed. Since a video tap normally attaches to a camera's existing viewfinder using a beam splitter, the video appears dark and frame rate Frame rate (expressed in or FPS) is the frequency (rate) at which consecutive images ( frames) are captured or displayed. The term applies equally to film and video cameras, computer graphics, and motion capture systems. Frame rate may also be ... flicker is visible. Sometimes the tap will include frame lines and burned in timecode and keykode. Film and video technology {{film-tech-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Picture Camera
A movie camera (also known as a film camera and cine-camera) is a type of photographic camera that rapidly takes a sequence of photographs, either on an image sensor or onto film stock, in order to produce a moving image to project onto a movie screen. In contrast to the still camera, which captures a single image at a time, by way of an intermittent mechanism, the movie camera takes a series of images; each image is a ''frame'' of film. The strips of frames are projected through a movie projector at a specific frame rate (number of frames per second) to show a moving picture. When projected at a given frame rate, the persistence of vision allows the eyes and brain of the viewer to merge the separate frames into a continuous moving picture. History An interesting forerunner to the movie camera was the machine invented by Francis Ronalds at the Kew Observatory in 1845. A photosensitive surface was drawn slowly past the aperture diaphragm of the camera by a clockwork mechanism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmmaking
Filmmaking (film production) is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, starting with an initial story, idea, or commission. It then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking occurs in a variety of economic, social, and political contexts around the world. It uses a variety of technologies and cinematic techniques. Although filmmaking originally involved the use of film, most film productions are now digital. Today, filmmaking refers to the process of crafting an audio-visual story commercially for distribution or broadcast. Production stages Film production consists of five major stages: * Development: Ideas for the film are created, rights to existing intellectual properties are purchased, etc., and the screenplay is written ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Crew
A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers, as the producers are the ones who own a portion of either the film studio or the film's intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures. Motion picture projects have three discrete stages: development, production, and distribution. Within the production stage there are also three clearly defined sequential phases (pre-production, principal photography, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viewfinder
In photography, a viewfinder is what the photographer looks through to compose, and, in many cases, to focus the picture. Most viewfinders are separate, and suffer parallax, while the single-lens reflex camera lets the viewfinder use the main optical system. Viewfinders are used in many cameras of different types: still and movie, film, analog and digital. A zoom camera usually zooms its finder in sync with its lens, one exception being rangefinder cameras. History Before the development of microelectronics and electronic display devices, only optical viewfinders existed. Direct optical viewfinders Direct viewfinders are essentially miniature Galilean telescopes; the viewer's eye was placed at the back, and the scene viewed through the viewfinder optics. A declining minority of point and shoot cameras use them. Parallax error results from the viewfinder being offset from the lens axis, to point above and usually to one side of the lens. The error varies with distance, being ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rough Cut
In filmmaking, the rough cut is the second of three stages of offline editing. The term originates from the early days of filmmaking when film stock was physically cut and reassembled, but is still used to describe projects that are recorded and edited digitally. The rough cut is the first stage in which the film begins to resemble its final product. Rough cuts are recognizable as a conventional film, but may have notable errors or defects, may not have the desired narrative flow from scene to scene, may lack soundtrack music, sound effects or visual effects, and still undergo many significant changes before the release of the film. Emory University Video editing workflow A number of the preliminary stages can be undertaken by lower cost staff, or people ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beam Splitter
A beam splitter or ''beamsplitter'' is an optical device that splits a beam of light into a transmitted and a reflected beam. It is a crucial part of many optical experimental and measurement systems, such as interferometers, also finding widespread application in fibre optic telecommunications. Beam-splitter designs In its most common form, a cube, a beam splitter is made from two triangular glass prisms which are glued together at their base using polyester, epoxy, or urethane-based adhesives. (Before these synthetic resins, natural ones were used, e.g. Canada balsam.) The thickness of the resin layer is adjusted such that (for a certain wavelength) half of the light incident through one "port" (i.e., face of the cube) is reflected and the other half is transmitted due to FTIR (Frustrated Total Internal Reflection). Polarizing beam splitters, such as the Wollaston prism, use birefringent materials to split light into two beams of orthogonal polarization states. Anoth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frame Rate
Frame rate (expressed in or FPS) is the frequency (rate) at which consecutive images (frames) are captured or displayed. The term applies equally to film and video cameras, computer graphics, and motion capture systems. Frame rate may also be called the , and be expressed in hertz. Frame rate in electronic camera specifications may refer to the maximal possible rate, where, in practice, other settings (such as exposure time) may reduce the frequency to a lower number. Human vision The temporal sensitivity and resolution of human vision varies depending on the type and characteristics of visual stimulus, and it differs between individuals. The human visual system can process 10 to 12 images per second and perceive them individually, while higher rates are perceived as motion. Modulated light (such as a computer display) is perceived as stable by the majority of participants in studies when the rate is higher than 50 Hz. This perception of modulated light as steady is known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timecode
A timecode (alternatively, time code) is a sequence of numeric codes generated at regular intervals by a timing synchronization system. Timecode is used in video production, show control and other applications which require temporal coordination or logging of recording or actions. Video and film In video production and filmmaking, SMPTE timecode is used extensively for synchronization, and for logging and identifying material in recorded media. During filmmaking or video production shoot, the camera assistant will typically log the start and end timecodes of shots, and the data generated will be sent on to the editorial department for use in referencing those shots. This shot-logging process was traditionally done by hand using pen and paper, but is now typically done using shot-logging software running on a laptop computer that is connected to the timecode generator or the camera itself. The SMPTE family of timecodes are almost universally used in film, video and audio produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
