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Viaduc D'Austerlitz
Viaduc d'Austerlitz ( en, Austerlitz Viaduct) is a single-deck, steel arch, rail bridge that crosses the Seine in Paris. Its usage is solely dedicated to Line 5 of the Paris Métro. It links Gare d'Austerlitz on the Rive Gauche to Quai de la Rapée on the other side of the river. History Due to restrictions posed by navigational traffic, it was implausible to place a pier in the middle of the river. Therefore, in 1903, engineer Louis Biette, with the help of Fulgence Bienvenüe, conceptualized a metallic bridge that crossed the river in a single span. It was designed by the architect Jean-Camille Formigé, who also designed the Pont de Bir-Hakeim, the greenhouses of Auteuil, and the park below the Basilica of Sacré-Coeur, and restored the Roman amphitheater in Arles and the Roman theater in Orange. Formigé decorated the steel arcs with marine-themed reliefs, including dolphins, seashells and seaweeds. Parts of the steel footings are etched with figures of the Parisian Coat ...
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MF 01
The MF 2000 (officially called the MF 01) is a model of steel-wheeled electrical multiple units used on Paris's Metro system. The cars first arrived in December 2007 and delivery was completed in 2015. RATP ordered 160 trains or 800 cars in 2001, to replace the aging MF 67. It is used on Lines 2, 5, and 9. The MF 01 was first introduced to the press on 17 June 2005 but it would not be until January 2006 that the first trains would undergo testing on the system. Commercial service on Line 2 began on 11 June 2008, with all of Line 2 being equipped with the new rolling stock by March 2011. Testing quickly commenced on Line 5, where two trains were initially deployed. Commercial service on Line 5 began on 15 June 2011, with nearly 25 trains in service as of April 2012. On 9 February 2011, the STIF voted to purchase MF 2000 stock for Line 9 at a cost of €330 million. Deliveries took place in 2013, after all of the stock was delivered to Line 5, and will continue through 2016. ...
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Pier (architecture)
A pier, in architecture, is an upright support for a structure or superstructure such as an arch or bridge. Sections of structural walls between openings (bays) can function as piers. External or free-standing walls may have piers at the ends or on corners. Description The simplest cross section of the pier is square, or rectangular, but other shapes are also common. In medieval architecture, massive circular supports called drum piers, cruciform (cross-shaped) piers, and compound piers are common architectural elements. Columns are a similar upright support, but stand on a round base. In buildings with a sequence of bays between piers, each opening (window or door) between two piers is considered a single bay. Bridge piers Single-span bridges have abutments at each end that support the weight of the bridge and serve as retaining walls to resist lateral movement of the earthen fill of the bridge approach. Multi-span bridges require piers to support the ends of spans betwe ...
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Levallois-Perret
Levallois-Perret () is a commune in the Hauts-de-Seine department and Île-de-France region of north-central France. It lies some from the centre of Paris in the north-western suburbs of the French capital. It is the most densely populated town in Europe and, together with neighbouring Neuilly-sur-Seine, one of the most expensive suburbs of Paris. Name The name Levallois-Perret comes from two housing developments, ''Champerret'' (started by landowner Jean-Jacques Perret in 1822) and ''Village Levallois'' (founded by developer Nicolas-Eugène Levallois in 1845), which resulted in the incorporation of the commune. History On the territory of what is now Levallois-Perret, before the French Revolution, stood the village of Villiers and the hamlet of Courcelles (or La Planchette). They now give their names to two Paris Métro stations. At the time of the creation of French communes during the French Revolution, they were part of the commune of Clichy, and the commune of Neuilly ...
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Coat Of Arms
A coat of arms is a heraldry, heraldic communication design, visual design on an escutcheon (heraldry), escutcheon (i.e., shield), surcoat, or tabard (the latter two being outer garments). The coat of arms on an escutcheon forms the central element of the full achievement (heraldry), heraldic achievement, which in its whole consists of a shield, supporters, a crest (heraldry), crest, and a motto. A coat of arms is traditionally unique to an individual person, family, state, organization, school or corporation. The term itself of 'coat of arms' describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail 'surcoat' garment used in combat or preparation for the latter. Roll of arms, Rolls of arms are collections of many coats of arms, and since the early Modern Age centuries, they have been a source of information for public showing and tracing the membership of a nobility, noble family, and therefore its genealogy across tim ...
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Seaweeds
Seaweed, or macroalgae, refers to thousands of species of macroscopic, multicellular, marine algae. The term includes some types of '' Rhodophyta'' (red), ''Phaeophyta'' (brown) and ''Chlorophyta'' (green) macroalgae. Seaweed species such as kelps provide essential nursery habitat for fisheries and other marine species and thus protect food sources; other species, such as planktonic algae, play a vital role in capturing carbon, producing at least 50% of Earth's oxygen. Natural seaweed ecosystems are sometimes under threat from human activity. For example, mechanical dredging of kelp destroys the resource and dependent fisheries. Other forces also threaten some seaweed ecosystems; a wasting disease in predators of purple urchins has led to a urchin population surge which destroyed large kelp forest regions off the coast of California. Humans have a long history of cultivating seaweeds for their uses. In recent years, seaweed farming has become a global agricultural practic ...
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Seashells
A seashell or sea shell, also known simply as a shell, is a hard, protective outer layer usually created by an animal or organism that lives in the sea. The shell is part of the body of the animal. Empty seashells are often found washed up on beaches by beachcombers. The shells are empty because the animal has died and the soft parts have decomposed or been eaten by another animal. A seashell is usually the exoskeleton of an invertebrate (an animal without a backbone), and is typically composed of calcium carbonate or chitin. Most shells that are found on beaches are the shells of marine mollusks, partly because these shells are usually made of calcium carbonate, and endure better than shells made of chitin. Apart from mollusk shells, other shells that can be found on beaches are those of barnacles, horseshoe crabs and brachiopods. Marine annelid worms in the family Serpulidae create shells which are tubes made of calcium carbonate cemented onto other surfaces. The ...
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Dolphins
A dolphin is an aquatic mammal within the infraorder Cetacea. Dolphin species belong to the families Delphinidae (the oceanic dolphins), Platanistidae (the Indian river dolphins), Iniidae (the New World river dolphins), Pontoporiidae (the brackish dolphins), and the extinct Lipotidae (baiji or Chinese river dolphin). There are 40 extant species named as dolphins. Dolphins range in size from the and Maui's dolphin to the and orca. Various species of dolphins exhibit sexual dimorphism where the males are larger than females. They have streamlined bodies and two limbs that are modified into flippers. Though not quite as flexible as seals, some dolphins can briefly travel at speeds of per hour or leap about . Dolphins use their conical teeth to capture fast-moving prey. They have well-developed hearing which is adapted for both air and water. It is so well developed that some can survive even if they are blind. Some species are well adapted for diving to great depths. ...
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Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ...
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Orange, France
Orange (; Provençal: ''Aurenja'' or ''Aurenjo'' ) is a commune in the Vaucluse department in the Provence-Alpes-Côte d'Azur region in southeastern France. It is about north of Avignon, on the departmental border with Gard, which follows the Rhône. Orange is the second-most populated city in Vaucluse, after Avignon. Name The settlement is attested as ''Arausio'' and ''Arausion'' in the first and second centuries AD, then as ''civitas Arausione'' in the fourth century, ''civitas Arausicae'' in 517 (via a Germanized form *''Arausinga''), ''Aurengia civitatis'' in 1136, and as ''Orenga'' in 1205. The name ''Arausio'' can be explained as the Gaulish ''ar-aus(i)o''- ('temple, cheek'), itself derived from an earlier Proto-Celtic *''far-aws(y)o''-, which literally means 'in front of the ear' (cf. Old Irish ''ara'', ''arae''; Ancient Greek ''pareiaí'', ''parauai'' < *''par-ausiā''). It is

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Arles
Arles (, , ; oc, label= Provençal, Arle ; Classical la, Arelate) is a coastal city and commune in the South of France, a subprefecture in the Bouches-du-Rhône department of the Provence-Alpes-Côte d'Azur region, in the former province of Provence. A large part of the Camargue, the largest wetlands in France, is located on the territory of the commune, making it the largest commune in Metropolitan France in terms of geographic territory. (Maripasoula, French Guiana, is much larger than Arles). The city has a long history, and was of considerable importance in the Roman province of Gallia Narbonensis. The Roman and Romanesque Monuments of Arles were listed as UNESCO World Heritage Sites in 1981 for their testimony to the history of the region. Many artists have lived and worked in this area because of the southern light, including Pablo Picasso, Paul Gauguin, Jacques Réattu, and Peter Brown. The Dutch post-Impressionist painter Vincent van Gogh lived in Arles from 1888 ...
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Basilica Of Sacré-Coeur
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences and i ...
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Jardin Des Serres D'Auteuil
The Jardin des Serres d'Auteuil () is a botanical garden set within a major greenhouse complex located at the southern edge of the Bois de Boulogne in the 16th arrondissement of Paris, 16th arrondissement, with entry at 1 avenue Gordon-Bennett, Paris, France. The site first served as a botanical garden in 1761 under Louis XV of France, Louis XV. Today's greenhouses were designed and constructed in 1895-1898 by architect Jean-Camille Formigé (1845-1926). In 1998 they became part of the Jardin botanique de la Ville de Paris. Today the greenhouses produce about 100,000 plants per year for the interior decoration of municipal buildings. Exhibition greenhouses contain palm trees, succulents, and tropical collections, with substantial representation of Araceae, Begoniaceae, Bromeliaceae, ''Codiaeum'', ''Peperomia'', ''Philodendron'', ''Rhipsalis'', ''Rhododendron'', Streptocarpus sect. Saintpaulia, ''Streptocarpus'' sect. ''Saintpaulia'', and Zingiberaceae. See also * List of bot ...
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