|
Vesperae Solennes De Confessore (Mozart)
''Vesperae solennes de confessore (Solemn Vespers for a Confessor)'', K. 339, is a sacred choral composition, written by Wolfgang Amadeus Mozart in 1780. It is scored for SATB choir and soloists, violin I, violin II, 2 trumpets, 3 trombones ''colla parte'', 2 timpani, and basso continuo (violoncello, double bass, and organ, with optional bassoon obbligato). The setting was composed for liturgical use in the Salzburg Cathedral. The title "de confessore" was not Mozart's own, and was added by a later hand to his manuscript. It suggests that the work was intended for vespers held on a specific day on the liturgical calendar of saints (" confessors"); however, the saint in question has not been conclusively established if there even was one. This was Mozart's final choral work composed for the cathedral. Structurally, it is very similar to '' Vesperae solennes de Dominica'' (K. 321), composed in 1779. The setting is divided into 6 movements; as in ''Dominica'', a setting of the Minor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vespers
Vespers is a service of evening prayer, one of the canonical hours in Eastern Orthodox, Oriental Orthodox, Catholic Church, Catholic (both Latin liturgical rites, Latin and Eastern Catholic Churches, Eastern), Lutheranism, Lutheran, and Anglican liturgies. The word for this fixed prayer times, fixed prayer time comes from the Latin , meaning "evening". Vespers typically follows a set order that focuses on the performance of psalms and other biblical canticles. Eastern Orthodox services advertised as 'vespers' often conclude with compline, especially the all-night vigil. Performing these services together without break was also a common practice in medieval Europe, especially secular churches and cathedrals. Old English speakers translated the Latin word as , which became evensong in modern English. The term is now usually applied to the Anglican variant of the service that combines vespers with compline, following the conception of early sixteenth-century worshippers that conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 111
Psalm 111 is the 111th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the LORD. I will praise the LORD with my whole heart". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 110. In Latin, it is known as Confitebor tibi Domine. It is a psalm "in praise of the divine attributes". This psalm, along with Psalm 112, is acrostic by phrase, that is, each 7-9 syllable phrase begins with a letter of the Hebrew alphabet in order. Psalm 119 is also acrostic, with each eight-verse strophe commencing with a letter of the Hebrew alphabet in order. The Jerusalem Bible describes Psalm 112, "in praise of the virtuous", as "akin to this psalm in doctrine, style and poetic structure. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. Musical settings include works by Heinrich Schütz in German, and Marc-Antoine Charpen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 110
Psalm 110 is the 110th psalm of the Book of Psalms, beginning in English in the King James Version: "The said unto my Lord". In Latin, it is known as Dixit Dominus ("The Lord Said"). It is considered both a royal psalm and a messianic psalm. C. S. Rodd associates it with the king's coronation.Rodd, C. S., ''18. Psalms'', in Barton, J. and Muddiman, J. (2001)The Oxford Bible Commentary p. 396 In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 109. This psalm is a cornerstone in Christian theology, as it is cited as proof of the plurality of the Godhead and Jesus' supremacy as king, priest, and Messiah. For this reason, Psalm 110 is "the most frequently quoted or referenced psalm in the New Testament". (footnote 1) Classical Jewish sources, in contrast, state that the subject of the psalm is either Abraham, David, or the Jewish Messiah. The psalm forms a regular part of Jewish, Catholic, Luthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prima Pratica
''Stile antico'' (literally "ancient style", ), is a term describing a manner of musical composition from the sixteenth century onwards that was historically conscious, as opposed to '' stile moderno'', which adhered to more modern trends. ''Prima pratica'' (Italian, 'first practice') refers to early Baroque music which looks more to the style of Palestrina, or the style codified by Gioseffo Zarlino, than to more "modern" styles. It is contrasted with ''seconda pratica'' music. These terms are synonymous to ''stile antico'' and ''stile moderno'', respectively. History ''Stile antico'' has been associated with composers of the high Baroque and early Classical periods of music, in which composers used controlled dissonance and modal effects and avoided overtly instrumental textures and lavish ornamentation, to imitate the compositional style of the late Renaissance. ''Stile antico'' was deemed appropriate in the conservative confines of church music, or as a compositional exerci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Doxology
The Gloria Patri, also known as the Glory Be to the Father or, colloquially, the Glory Be, is a doxology, a short hymn of praise to God in various Christian liturgies. It is also referred to as the Minor Doxology ''(Doxologia Minor)'' or Lesser Doxology, to distinguish it from the Greater Doxology, the Gloria in Excelsis Deo. The earliest Christian doxologies are addressed to the Father "through" (διὰ) the Son, or to the Father and the Holy Spirit with (μετά) the Son, or to the Son with (σύν) the Father and the Holy Spirit. The Trinitarian doxology addressed in parallel fashion to all three Divine Persons of the Trinity, joined by ''and'' (καί), as in the form of baptism, Matthew 28:19, became universal in Nicaean Christianity, which was established as the official faith of the Church with the Edict of Thessalonica in 380. Greek version The Greek wording is as follows: :, : Glory be to the Father :Glory to the Father, and to the Son, and to the Holy Spirit, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vesperae Solennes De Dominica (Mozart)
''Vesperae solennes de Dominica'', K. 321, is a sacred choral composition, written by Wolfgang Amadeus Mozart in 1779. It is scored for SATB choir and soloists, violin I and II, 2 trumpets, 3 trombones ''colla parte'', 2 timpani, and basso continuo (bassoon and organ). It was composed in Salzburg at the request of the Archbishop Colloredo for liturgical use in the city's cathedral. The title "de Dominica" signifies its use in Sunday services. In 1780, Mozart composed another setting of Solemn Vespers, the ''Vesperae solennes de confessore'', which shares many musical similarities with this work. Structure The setting is divided into six movements, including five psalms and a setting of the Magnificat. A setting of the Minor Doxology (Gloria Patri) concludes all movements, each recapitulating the opening theme. The first three psalms are scored in a vigorous, exuberant manner, contrasting with the strict counterpoint of the ''a cappella'' Laudate pueri. The Laudate Dominum is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reform Of The Roman Breviary By Pope Pius X
The reform of the Roman Breviary by Pope Pius X was promulgated by that Pope with the apostolic constitution ''Divino afflatu'' of 1 November 1911. The Roman Breviary is the title of the book obligatorily used for celebrating the Roman Rite Divine Office from the revision of Pope Pius V ( apostolic constitution , 9 July 1568) to that by Pope Paul VI (apostolic constitution {{lang, la, Canticum laudis, 1 November 1970). Changes A minor matter was the printing in a separate section, called the "Ordinary", of those parts of the Psalter that were to be recited frequently, perhaps several times in the same day, such as the invitatory, hymns for the seasons, blessings, absolutions, chapters, suffrages, the Lord's Prayer, Benedictus, Magnificat, Te Deum etc. Much more radical was a completely new arrangement of the psalms, distributing them or, when too long, dividing them so as to have approximately the same number of verses in each day's office. The length of the offices of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confessor Of The Faith
Confessor of the Faith is a title given by some Christian denominations. Etymology The word confessor is derived from the Latin ''confiteri'', to confess, to profess. Among the early church fathers, it was a title of honor, designating those individuals who had confessed Christ publicly in time of persecution and had been punished with imprisonment, torture, exile, or labour in the mines, remaining faithful until the end of their lives. The title thus distinguished them from the martyrs, who were those that had undergone death for their faith. Among writers, St. Cyprian is the first in whose works it occurs. Western Christianity In the Roman Catholic Church, the title is given to saints and blesseds who were not martyred. Historically, the title Confessor was given to those who had suffered persecution and torture for the faith but not to the point of martyrdom. As Christianity emerged as the dominant religion in Europe by the fifth century, persecutions became rare, and the tit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calendar Of Saints
The calendar of saints is the traditional Christian method of organizing a liturgical year by associating each day with one or more saints and referring to the day as the feast day or feast of said saint. The word "feast" in this context does not mean "a large meal, typically a celebratory one", but instead "an annual religious celebration, a day dedicated to a particular saint". The system arose from the early Christian custom of commemorating each martyr annually on the date of their death, or birth into heaven, a date therefore referred to in Latin as the martyr's ''dies natalis'' ('day of birth'). In the Eastern Orthodox Church, a calendar of saints is called a '' Menologion''. "Menologion" may also mean a set of icons on which saints are depicted in the order of the dates of their feasts, often made in two panels. History As the number of recognized saints increased during Late Antiquity and the first half of the Middle Ages, eventually every day of the year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
