Veríssimo De Souza Freitas
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Veríssimo De Souza Freitas
Veríssimo de Souza Freitas (ca. 1758–1806) was an Afro-Brazilian painter of Colonial Brazil, noted for his paintings in various churches in Salvador and the immediate interior of Bahia region. He was an apprentice, assistant, and employee of Joaquim José da Rocha (1737-1807). De Freitas' mastery of ''trompe-l'œil'' painting follows in the tradition of Da Rocha. They worked simultaneously on numerous paintings, leading to confusion about authorship of some works. Freitas' ceiling paintings feature trompe l'oeil paintings with columns and arches, which continue to a central medallion with a painted sky. Noted works *''Glorificação da Imaculada Conceição pela Santíssima Trindade'', the large-scale painting of the ceiling of the Church and Convent of Our Lady of the Conception of Lapa (''Igreja e Convento de Nossa Senhora da Conceição da Lapa'') *Eight Panels of Augustinian Saints, Church and Convent of Our Lady of the Palm (''Igreja e Convento de Nossa Senhora da Palm ...
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Salvador, Bahia
Salvador (English: ''Savior'') is a Brazilian municipality and capital city of the state of Bahia. Situated in the Zona da Mata in the Northeast Region of Brazil, Salvador is recognized throughout the country and internationally for its cuisine, music and architecture. The African influence in many cultural aspects of the city makes it a center of Afro-Brazilian culture. As the first capital of Colonial Brazil, the city is one of the oldest in the Americas and one of the first planned cities in the world, having been established during the Renaissance period. Its foundation in 1549 by Tomé de Sousa took place on account of the implementation of the General Government of Brazil by the Portuguese Empire. Centralization as a capital, along with Portuguese colonization, were important factors in shaping the profile of the municipality, as were certain geographic characteristics. The construction of the city followed the uneven topography, initially with the formation of two leve ...
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Church And Convent Of Saint Antony And Chapel Of The Third Order
The Church and Convent of Saint Antony and Chapel of the Third Order ( pt, Igreja e Convento de Santo António e Capela da Ordem Terceira) is a 17th-century Roman Catholic church and convent located in São Francisco do Conde, Bahia, Brazil. Construction began in 1618 and was completed in 1633, 64 years before the founding of the municipality of São Francisco of the Conde in 1697. The interior of the church was renovated in 1718 and the original alters were removed, but the façade was retained. The Convent of Saint Anthony is the only religious structure in Latin America with azulejos depicting all sixteen miracles of Saint Anthony, the patron of the church and convent. The painting on the ceiling of the nave is attributed to José Joaquim da Rocha, who also painted the ceiling of Basilica of the Immaculate Conception in Salvador. It could also be the work of his student, Veríssimo de Souza Freitas. History Gaspar dos Reis Pinto and his wife Isabel Fernandes verbally promis ...
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19th-century Brazilian Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ...
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18th-century Male Artists
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand t ...
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18th-century Brazilian Painters
The 18th century lasted from January 1, 1701 (Roman numerals, MDCCI) to December 31, 1800 (Roman numerals, MDCCC). During the 18th century, elements of Age of Enlightenment, Enlightenment thinking culminated in the American Revolution, American, French Revolution, French, and Haitian Revolution, Haitian Revolutions. During the century, History of slavery, slave trading and human trafficking expanded across the shores of the Atlantic Ocean, Atlantic, while declining in Russian Empire, Russia, Qing dynasty, China, and Joseon, Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that Proslavery, supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in Society, human society and the Natural environment, environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th cen ...
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