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Verlaines
The Verlaines are a New Zealand rock band from Dunedin. Formed in 1981 by Graeme Downes, Craig Easton, Anita Pillai, Phillip Higham and Greg Kerr, the band went through multiple line-ups. History The band was named after French poet Paul Verlaine—not, as is occasionally suggested, Tom Verlaine, who also took his stage name from the poet. "I had just been reading some of his poetry," Downes told Paul A. Harris in 1993, "and threw the name at the head of the row, and we thought it sounded cool." Their recorded debut was on the seminal '' Dunedin Double'' EP, which was released by Flying Nun Records and was the debut of several bands who would go on to be central to the mythology of the Dunedin sound. The Verlaines are noted for their angular, "difficult" song structures, wordy and downbeat lyrics, unusual subject matter, all contained in often frantic up-tempo playing. The Verlaines are led by songwriter and vocalist/guitarist Graeme Downes, although many other New Zealan ...
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Graeme Downes
The Verlaines are a New Zealand rock band from Dunedin. Formed in 1981 by Graeme Downes, Craig Easton, Anita Pillai, Phillip Higham and Greg Kerr, the band went through multiple line-ups. History The band was named after French poet Paul Verlaine—not, as is occasionally suggested, Tom Verlaine, who also took his stage name from the poet. "I had just been reading some of his poetry," Downes told Paul A. Harris in 1993, "and threw the name at the head of the row, and we thought it sounded cool." Their recorded debut was on the seminal '' Dunedin Double'' EP, which was released by Flying Nun Records and was the debut of several bands who would go on to be central to the mythology of the Dunedin sound. The Verlaines are noted for their angular, "difficult" song structures, wordy and downbeat lyrics, unusual subject matter, all contained in often frantic up-tempo playing. The Verlaines are led by songwriter and vocalist/guitarist Graeme Downes, although many other New Zealand mu ...
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Jane Dodd
Jane Dodd (born 1962) is a New Zealand musician and contemporary jeweller. From 1982 to 1984 she studied for a Bachelor of Arts at the University of Otago, majoring in Phenomenology of Religion with additional papers in Anthropology, History, Art History, Maori Language and Philosophy. She is well known for her role as a bass player in early Dunedin-based Flying Nun Records groups The Chills and The Verlaines, was a long-standing member of Auckland group Able Tasmans, and occasionally played with side-project The Lure of Shoes. Dodd is also responsible for the design or cover artwork for The Verlaines 7" single ''Death and the Maiden'', their EP ''10 O'Clock in the Afternoon'' (1984), The Verlaines 12" single ''Doomsday b/w New Kinda Hero'' and LP & CD, '' Juvenilia'' (both 1986), Able Tasmans LP & CD ''Hey Spinner!'' (1990), and Able Tasman CD ''Shape of Dolls'' (1993). She contributes backing vocals to the songs "Anchor Me" and "Queen's English" on The Mutton Birds album '' S ...
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Herriot Row
Herriot Row is the musical moniker of New Zealand songwriter Simon Comber who has also recorded and performed under his own name. The moniker references the street Heriot Row in Dunedin, which in turn references Heriot Row in Dunedin's counterpart, Edinburgh in Scotland. Comber performs both solo and with an Auckland-based band as Herriot Row. The band features musicians Stuart Harwood (drums) and David Flyger (bass). Comber's music mixes alternate guitar tunings, folk rock arrangements, analogue production techniques, psychedelic melodic strains, and a narrative lyrical focus. Influences include John Fahey, Neutral Milk Hotel, Television, Townes Van Zandt, Sonic Youth, Peter Jefferies, and Joni Mitchell. He has collaborated with acclaimed artists such as John Vanderslice, Edmund McWilliams, and Graeme Downes, and performed in New Zealand, Australia and America. History Comber began performing under his own name in the late nineties in Auckland before moving to Dunedin to study ...
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Death And The Maiden (Verlaines Song)
"Death and the Maiden" is a song by New Zealand rock band The Verlaines, who are one of a number of 1980s bands signed to Flying Nun Records and attributed to the Dunedin Sound. It was released as a single in 1983 and is arguably the most popular song in their discography. The 'B' side of the record was "CD, Jimmy Jazz & Me." "Death and the Maiden" later appeared on the 1987 album ''Juvenilia'', which was a collection of The Verlaines' early singles and EPs. New Zealand rock band Elemeno P released a cover version of this song on their 2005 album '' Trouble in Paradise''. Former Pavement frontman Stephen Malkmus also recorded a version for the Flying Nun Records tribute album '' Under the Influence - 21 Years of Flying Nun Records'' in 2002. Boston band Prickly covered the song on their 1997 LP ''Velleity.'' Meaning of the lyrics ''You'll only end up like Rimbaud''''Get shot by Verlaine, Verlaine, Verlaine, Verlaine....'' The lyrics above refer to Paul Verlaine, a 19th-centur ...
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Hallelujah All The Way Home
''Hallelujah All the Way Home'' is the debut album by New Zealand group, The Verlaines. First released in 1985 by Flying Nun Records, it was re-released by Homestead Records in 1989. Track listing All songs written by Graeme Downes The Verlaines are a New Zealand rock band from Dunedin. Formed in 1981 by Graeme Downes, Craig Easton, Anita Pillai, Phillip Higham and Greg Kerr, the band went through multiple line-ups. History The band was named after French poet Paul Ve .... #"It Was Raining" #"All Laid On" #"The Lady and the Lizard" #"Don't Send me Away" #"Lying in State" #"Phil Too?" #"For the Love of Ash Grey" #"The Ballad of Harry Noryb" Chart positions Reception 1985 debut albums The Verlaines albums Homestead Records albums Flying Nun Records albums {{1980s-album-stub ...
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Rob Burns
Rob Burns (born Robert George Henry Burns, 24 February 1953), earlier also known as Robbie Burns, is an English-born New Zealand bass player, author and academic. Burns' career spans five decades, encompassing musical genres such as pop, rock, R&B, soul, jazz, gospel, folk, and country. From the late 1970s until 1999 he toured and worked several sessions a week for artists of international fame, as well as for many major British TV shows, before embarking upon an academic career. Burns earned a PhD in music in 2008 and has published work in several academic publications. He resides in Dunedin, New Zealand, gaining citizenship of New Zealand on 4 June 2014. Burns is currently Honorary Associate Professor in the Music Programme (School of Performing Arts) at the University of Otago. Early life The only child of George and Doris Burns, Robert Burns was born in Willesden, London. When he was four years old, the family moved to the new town of Hemel Hempstead, some 27 miles (43& ...
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Dunedin
Dunedin ( ; mi, Ōtepoti) is the second-largest city in the South Island of New Zealand (after Christchurch), and the principal city of the Otago region. Its name comes from , the Scottish Gaelic name for Edinburgh, the capital of Scotland. The city has a rich Scottish, Chinese and Māori heritage. With an estimated population of as of , Dunedin is both New Zealand's seventh-most populous metro and urban area. For historic, cultural and geographic reasons the city has long been considered one of New Zealand's four main centres. The urban area of Dunedin lies on the central-eastern coast of Otago, surrounding the head of Otago Harbour, and the harbour and hills around Dunedin are the remnants of an extinct volcano. The city suburbs extend out into the surrounding valleys and hills, onto the isthmus of the Otago Peninsula, and along the shores of the Otago Harbour and the Pacific Ocean. Archaeological evidence points to lengthy occupation of the area by Māori prior to the ar ...
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Dunedin Sound
The Dunedin sound was a style of indie pop music created in the southern New Zealand university city of Dunedin in the early 1980s. Characteristics According to Matthew Bannister, Dunedin sound "was typically marked by the use of droning or jangling guitars, indistinct vocals and often copious quantities of reverberation." Many Dunedin sound bands drew inspiration from punk rock, as well as pop, rock, and psychedelic music of the 1960s. Influences The Dunedin sound can be traced back to the emergence of punk rock as a musical influence in New Zealand in the late 1970s. Isolated from the country's main punk scene in Auckland (which had been influenced by bands such as England's Buzzcocks), Dunedin's punk groups, such as The Enemy (which became Toy Love) and The Same (which later developed into The Chills), developed a sound more heavily influenced by artists like The Velvet Underground and The Stooges. This was complemented by jangly, psychedelic-influenced guitar work remini ...
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The Chills
The Chills are a New Zealand rock band that formed in Dunedin in 1980. The band is essentially the continuing project of singer/songwriter Martin Phillipps, who is the group's sole constant member. For a time in the 1990s, the act was billed as Martin Phillipps & The Chills. In the 1980s and 1990s, The Chills had some significant chart success in their homeland and were a cult band in other parts of the world as one of the earliest proponents of the Dunedin sound. History Early years and first breakup (1980–1983) Singer-songwriter Martin Phillipps formed The Chills in 1980 with his sister Rachel Phillipps on keyboards and Jane Dodd on bass after the demise of his punk band, The Same.The Chills' bio on Billboard.com/ref> Also included in the initial lineup were guitarist Peter Gutteridge and drummer Alan Haig. Phillipps's earlier band, the Same, had formed in 1978 and performed alongside punk bands Toy Love and The Enemy. The Chills were initially signed by Flying Nu ...
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Able Tasmans
Able Tasmans were an indie pop band from Auckland, New Zealand, initially formed as a duo in 1983. They released four albums and two EPs on Flying Nun Records before splitting up in 1996. History The band formed in 1983, named after the Dutch explorer Abel Tasman.Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , p. 191Lukas, PaulAble Tasmans, ''Trouser Press'' (archived). Retrieved 1 December 2018 via Wayback Machine The initial lineup was Graeme Humphreys (vocals/keyboards) and Craig Baxter (drums). Humphreys and Baxter had previous played together in the Whangarei band Sister Ray.Browm, RussellAble Tasmans, audioculture.co.nz. Retrieved 1 December 2018 David Beniston (bass guitar) and Peter Keen (vocals/guitar, formerly of Raucous Laughter) soon joined, with Keen taking a lead on vocals. Anthony Nevison (later of Headless Chickens) played on a few songs on the band's first release, '' The Tired Sun'' EP, released in 1985 by Flying Nun Records. Organist Le ...
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Dunedin Double (EP)
The ''Dunedin Double'' EP was a seminal record in New Zealand music. An unusual format, it contain two 45rpm 12" discs, and at nearly 50 minutes length, it is longer than many albums. Released in March 1982 the compilation was one of the first releases from the newly formed Flying Nun Records label (catalogue number DUN-1), which over the course of the next ten years was to become the biggest independent record label in New Zealand. Many of the label's top groups came from the South Island city of Dunedin, and established that southern city's music scene as the leading source of guitar-based bands in New Zealand throughout much of the decade. The bands from the city which had music released on Flying Nun were grouped under the loose banner of Dunedin sound, and several of them went on to not only national but also international success. ''Dunedin Double'' established the names of four of these groups, each of which was represented on the double EP by one side. The four bands con ...
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Paul Verlaine
Paul-Marie Verlaine (; ; 30 March 1844 – 8 January 1896) was a French poet associated with the Symbolist movement and the Decadent movement. He is considered one of the greatest representatives of the ''fin de siècle'' in international and French poetry. Biography Early life Born in Metz, Verlaine was educated at the ''Lycée Impérial Bonaparte'' (now the Lycée Condorcet) in Paris and then took up a post in the civil service. He began writing poetry at an early age, and was initially influenced by the Parnassien movement and its leader, Leconte de Lisle. Verlaine's first published poem was published in 1863 in ''La Revue du progrès'', a publication founded by poet Louis-Xavier de Ricard. Verlaine was a frequenter of the salon of the Marquise de Ricard (Louis-Xavier de Ricard's mother) at 10 Boulevard des Batignolles and other social venues, where he rubbed shoulders with prominent artistic figures of the day: Anatole France, Emmanuel Chabrier, inventor-poet and humoris ...
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