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Veni Redemptor Gentium
"Veni redemptor gentium" (Come, Redeemer of the nations) is a Latin Advent or Christmas hymn by Ambrose of Milan in iambic tetrameter. The hymn is assigned to the Office of Readings for Advent, from December 17 through December 24, in the Liturgy of the Hours. John Mason Neale and Thomas Helmore saw it as an Evening hymn for the period from Christmas to the eve of Epiphany. History The later hymn "Veni Creator Spiritus" borrows two lines from the hymn (''Infirma nostri corporis — Virtute firmans perpeti''). "Veni redemptor gentium" was particularly popular in Germany where Martin Luther translated it into German as "Nun komm, der Heiden Heiland," which then he, or possibly Johann Walter, set as a chorale, based on the original plainchant. Luther adapted the original chant tune separately for each of three other hymns: " Verleih uns Frieden gnädiglich", "" and "". In the mid-nineteenth century, John Mason Neale translated "Veni redemptor gentium" into English as "Come, thou Red ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainsong
Plainsong or plainchant (calque from the French ''plain-chant''; la, cantus planus) is a body of chants used in the liturgy, liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony. The Monophony, monophonic chants of plainsong have a non-metric rhythm. Their rhythms are generally freer than the metered rhythm of later Western music, and they are sung A cappella, without musical accompaniment. There are three types of chant melodies that plainsongs fall into, Syllabic verse, syllabic, Neume, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church (both its Eastern and Western halves) and the Eastern Orthodoxy, Eastern Orthodox churches did not East–West Schism, split until lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4th Century In Music , or The Fourth of July
{{Disambiguation ...
Fourth or the fourth may refer to: * the ordinal form of the number 4 * ''Fourth'' (album), by Soft Machine, 1971 * Fourth (angle), an ancient astronomical subdivision * Fourth (music), a musical interval * ''The Fourth'' (1972 film), a Soviet drama See also * * * 1/4 (other) * 4 (other) * The fourth part of the world (other) * Forth (other) * Quarter (other) * Independence Day (United States) Independence Day (colloquially the Fourth of July) is a federal holiday in the United States commemorating the Declaration of Independence, which was ratified by the Second Continental Congress on July 4, 1776, establishing the United States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Metre
Common metre or common measure—abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the syllable count of each line, i.e. 8.6.8.6, 86.86, or 86 86, depending on style, or by its shorthand abbreviation "CM". Common metre has been used for ballads such as "Tam Lin" and hymns such as "Amazing Grace" and the Christmas carol "O Little Town of Bethlehem". The upshot of this commonality is that lyrics of one song can be sung to the tune of another; for example, "Advance Australia Fair", "House of the Rising Sun", Pokémon Theme and "Amazing Grace" can have their lyrics set to the tune of any of the others. Historically, lyrics were not always wedded to tunes and would therefore be sung to any fitting melody; "Amazing Grace", for instance, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pen Name
A pen name, also called a ''nom de plume'' or a literary double, is a pseudonym (or, in some cases, a variant form of a real name) adopted by an author and printed on the title page or by-line of their works in place of their real name. A pen name may be used to make the author's name more distinctive, to disguise the author's gender, to distance the author from their other works, to protect the author from retribution for their writings, to merge multiple persons into a single identifiable author, or for any of a number of reasons related to the marketing or aesthetic presentation of the work. The author's real identity may be known only to the publisher or may become common knowledge. Etymology The French-language phrase is occasionally still seen as a synonym for the English term "pen name", which is a "back-translation" and originated in England rather than France. H. W. Fowler and F. G. Fowler, in ''The King's English'' state that the term ''nom de plume'' evolv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn Tune
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrain or chorus. From the late sixteenth century in England and Scotland, when most people were not musically literate and learned melodies by rote, it was a common practice to sing a new text to a hymn tune the singers already knew which had a suitable meter and character. There are many hymn tunes which might fit a particular hymn: a hymn in Long Metre might be sung to any hymn tune in Long Metre, but the tunes might be as different as those tunes that have been used for centuries with hymns such as ''Te lucis ante terminum'', on one hand, and an arrangement of the calypso tune used with ''Jamaica Farewell'', on the other. Hymnal editors Editors bring extensive knowledge of theology, poetry, and music to the process of compiling a new hymn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Benoit (composer)
Dom Paul Marie-Joseph Benoit, OSB (9 December 1893 – 10 April 1979) was a Benedictine monk, organist, and composer. Biography Paul Benoit was born December 9, 1893, in Nancy, France. During World War I, Benoit first began to feel called to the vocation of a Benedictine monk. After the Armistice of 1918, he entered a retreat at the Benedictine Abbey of St. Maurice and St. Maur, at Clervaux in Luxembourg, and he joined the abbey in 1919. After taking his vows (1921) and being ordained into priesthood (1926), he was called ''Dom Paul Benoit.'' "Dom" is the traditional title given to Benedictines after their vows. Benoit had begun music lessons at the age of seven, taking piano lessons from his mother. He took organ lessons from Mademoiselle Hess, the daughter of the organist of Notre Dame Cathedral in Nancy. After his priestly ordination, he studied the organ with Albert Leblanc, the former organist of Notre Dame Cathedral in Luxembourg. He then studied with Augustin Pierson, orga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Praetorius
Michael Praetorius (probably 28 September 1571 – 15 February 1621) was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant hymns. Life Praetorius was born Michael Schultze, the youngest son of a Lutheran pastor, in Creuzburg, in present-day Thuringia. After attending school in Torgau and Zerbst, he studied divinity and philosophy at the University of Frankfurt (Oder). He was fluent in a number of languages. After receiving his musical education, from 1587 he served as organist at the Marienkirche in Frankfurt. From 1592/3 he served at the court in Wolfenbüttel, under the employ of Henry Julius, Duke of Brunswick-Lüneburg. He served in the duke's State Orchestra, first as organist and later (from 1604) as ''Kapellmeister'' (court music director). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gib Unserm Fürsten Und Aller Obrigkeit
Gottfried Vopelius (28 January 1645 – 3 February 1715), was a German Lutheran academic and hymn-writer, mainly active in Leipzig. He was born in Herwigsdorf, now a district of Rosenbach, Oberlausitz, and died in Leipzig at the age of 70.Robert Eitner. " Vopelius, Gottfried", pp. 298–299 in Vol. 40 of ''Allgemeine Deutsche Biographie''. , 1896. ''Neu Leipziger Gesangbuch'' Vopelius is primarily remembered for the ''Neu Leipziger Gesangbuch'' (New Leipzig Hymnal) which he published in 1682. The subtitle of the publication reads: Or, translated: The ''Neu Leipziger Gesangbuch'' is, to a certain degree, a third edition of Johann Schein's , which originally had been published in 1627, with a new edition in 1645. Over 90 settings in the ''Neu Leipziger Gesangbuch'' were copied or adapted from Schein. All other composers are represented with less than 10 settings in the hymnal. Of these, only Johann Crüger and Andreas Hammerschmidt are mentioned for more than three se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erhalt Uns, Herr, Bei Deinem Wort
"" ("Keep us, Lord, faithful to your word" or "Lord, keep us in Thy Word and Work") is a Lutheran hymn by Martin Luther with additional stanzas by Justus Jonas, first published in 1542. It was used in several musical settings, including the chorale cantata by Johann Sebastian Bach, ''Erhalt uns, Herr, bei deinem Wort'', BWV 126. History Luther wrote the hymn probably in 1541 when a prayer service was held in Wittenberg against the perceived danger of the Turks when Ferdinand of Austria lost most of Hungary to the Ottoman Empire at Siege of Buda. The second line of the first verse reads "und steur' des Papsts und Türken Mord" (And control the murder by the Pope and Turks). Luther may have contributed the hymn for a boys' choir. It was published as a broadsheet in 1542. In Klug's hymnal ''Geistliche Lieder'' it was titled a "A hymn for the children to sing against the two arch-enemies of Christ, and His Holy Church, the Pope and the Turks" ("Ein Kinderlied, zu singen wider die ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Da Pacem Domine
(Give peace, Lord) is the incipit of two different Latin texts, a hymn and an introit. Both have been the base for compositions to be used in church liturgy, beginning with chant. Paraphrased versions of the hymn were created by Martin Luther in German in 1529, "Verleih uns Frieden", also set by several composers. In English, the hymn entered the ''Book of Common Prayer'', "Give peace in our time, O Lord". History and musical settings Latin The text is a 6th or 7th-century hymn based on biblical verses , and . Settings of the Latin hymn include ''Da pacem Domine (Pärt), Da pacem Domine'' by Arvo Pärt (2004) or ''Da pacem Domine'' by Juan María Solare (2018). The inscription "da pacem domine" appears beside the figure of an angel playing on lute, on the so-called Jankovich saddle (c. 1408-1420), attributed to King Sigismund, Holy Roman Emperor, Sigismund of Hungary. German Martin Luther wrote a paraphrase in German, "Verleih uns Frieden". A second stanza, beginning "Gieb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
