Vengeance (opera)
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Vengeance (opera)
Vengeance may refer to: *Vengeance (concept) or revenge, a harmful action against a person or group in response to a grievance Film * Vengeance (1930 film), ''Vengeance'' (1930 film), action adventure film directed by Archie Mayo * Vengeance (1937 film), ''Vengeance'' (1937 film) or ''What Price Vengeance?'', Canadian film directed by Del Lord * Vengeance (1958 film), ''Vengeance'' (1958 film), Spanish drama directed by Juan Antonio Bardem * Vengeance (1968 film), ''Vengeance'' (1968 film), Spaghetti Western by Antonio Margheriti * Vengeance (1970 film), ''Vengeance'' (1970 film), kung fu film directed by Chang Cheh * Vengeance (2009 film), ''Vengeance'' (2009 film), French-Hong Kong film directed by Johnnie To * Vengeance (2014 film), ''Vengeance'' (2014 film), action film starring Danny Trejo * Vengeance (2022 film), ''Vengeance'' (2022 film), dark comedy film written, directed, and starring B. J. Novak * ''Vengeance: A Love Story'', a 2017 American action thriller film * ''Th ...
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Vengeance (concept)
Revenge is committing a harmful action against a person or group in response to a grievance, be it real or perceived. Francis Bacon described revenge as a kind of "wild justice" that "does... offend the law ndputteth the law out of office." Primitive justice or retributive justice is often differentiated from more formal and refined forms of justice such as distributive justice and divine judgment. Function in society Social psychologist Ian Mckee states that the desire for the sustenance of power motivates vengeful behavior as a means of impression management: "People who are more vengeful tend to be those who are motivated by power, by authority and by the desire for status. They don't want to lose face". Vengeful behavior has been found across a majority of human societies. Some societies encourage vengeful behavior, which is called a feud. These societies usually regard the honor of individuals and groups as of central importance. Thus, while protecting of their reputa ...
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HMS Vengeance
Eight ships of the Royal Navy have been named HMS ''Vengeance''. * was a 28-gun sixth rate captured from the French in 1758 and sunk as a breakwater in 1766. * was a 74-gun third rate launched in 1774. She became a prison ship in 1808 and was broken up in 1816. * was a Dutch galliot, possibly the ''Lady Augusta'', purchased in 1793 and sold in 1804. * was a 38-gun fifth rate captured from the French in 1800; accounts differ as to whether she was broken up in 1803 after grounding in 1801, or continued as a prison ship until 1814. * was an 84-gun second rate launched in 1824. She became a receiving ship in 1861 and was sold in 1897. * was a ''Canopus''-class battleship launched in 1899 and sold in 1921. * was a ''Colossus''-class aircraft carrier launched in 1944. She served with the Royal Australian Navy from 1952 to 1954, and was sold to Brazil in 1956 and renamed ''Minas Gerais''. * is a ''Vanguard''-class nuclear ballistic missile submarine launched in 1998 and . Also ...
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The Protomen (album)
''The Protomen'', colloquially referred to by fans in retrospect as ''Act I'', is the debut album release by indie rock band The Protomen. It is a rock opera loosely based on the Mega Man video game series, and the first volume of a planned trilogy of albums on this theme. The follow-up, '' Act II: The Father of Death'', a prequel to ''The Protomen'', was released on September 8, 2009. Plot summary While the plot of the album is adapted from the ''Mega Man'' games, it takes substantial liberties with the original storyline, functioning as a dystopic reworking of the games' narrative. The album begins with a description of a dystopia ruled by Doctor Wily and his army of robots ("Hope Rides Alone"). Doctor Light apparently works for Wily's government, but by night he builds a robot to lead a rebellion against Wily -- Proto Man. After twelve years, when Proto Man is finished, he is sent to fight Wily's forces and liberate mankind—however, after defeating many of Wily's robots P ...
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Dead Throne
''Dead Throne'' is the fourth studio album by American metalcore band The Devil Wears Prada. It was released on September 13, 2011, through Ferret Music. Produced by Adam Dutkiewicz, the record was recorded in several studios across the United States from November 2010 – April 2011. The album is a follow up to The Devil Wears Prada's 2009 album, '' With Roots Above and Branches Below''. Much like their previous efforts the album's lyrics were penned by lead vocalist Mike Hranica, whose lyrical direction focused on anti-idolatry concepts. The band's musical style changed after the success of the ''Zombie EP'', this led to, what Hranica described as; fusing the melodic elements of their previous studio albums with the ferocity of ''Zombie''. Background and recording Since the time of The Devil Wears Prada's fame, their past approach of all band members sitting down and writing a record, hasn't been used collaboratively since '' Plagues'', it is noted by guitarist Chris Rubey th ...
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No Heroes
''No Heroes'' is the sixth studio album by American metalcore band Converge, released on October 24, 2006 by Epitaph Records. The album was produced by guitarist Kurt Ballou, and the artwork was created by vocalist Jacob Bannon. ''No Heroes'' reached number 151 on the ''Billboard'' 200, and also topped the Top Heatseekers chart and reached number 13 on the Independent Albums chart. Musical style and theme In early July 2006, Converge's official website announced the album's title of the album, as well as the meaning behind it: "These days, cowards outnumber the heroes, and the begging souls outweigh the calloused hands of the hardest of workers. Both in life and in art, the lack of passion is sickening, and the lust for complacency is poisonous. This album is the artistic antithesis of that sinking world; a thorn in the side of their beast. It's for those who move mountains one day at a time. It's for those who truly understand sacrifice. In our world of enemies, we will walk al ...
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