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Veil Of Isis
The veil of Isis is a metaphor and allegorical motif (visual arts), artistic motif in which nature is personified as the goddess Isis covered by a veil or mantle (clothing), mantle, representing the inaccessibility of nature's secrets. It is often combined with a related motif, in which nature is portrayed as a goddess with multiple breasts who represents Isis, Artemis, or a combination of both. The motif was based on a statue of Isis, or of the goddess Neith who was sometimes equated with her, in the ancient Egypt, Egyptian city of Sais mentioned by the Greco-Roman authors Plutarch and Proclus. They claimed the statue bore an inscription saying "I am all that has been and is and shall be; and no mortal has ever lifted my mantle." Illustrations of Isis with her veil being lifted were popular from the late 17th to the early 19th century, often as allegorical representations of Age of Enlightenment, Enlightenment science and philosophy uncovering nature's secrets. Authors at the end ...
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Piercing The Corporate Veil
Piercing the corporate veil or lifting the corporate veil is a legal decision to treat the rights or duties of a corporation as the rights or liabilities of its shareholders. Usually a corporation is treated as a separate legal person, which is solely responsible for the debts it incurs and the sole beneficiary of the credit it is owed. Common law countries usually uphold this principle of separate personhood, but in exceptional situations may "pierce" or "lift" the corporate veil. A simple example would be where a businessman has left his job as a director and has signed a contract to not compete with the company he has just left for a period of time. If he sets up a company which competed with his former company, technically it would be the company and not the person competing. But it is likely a court would say that the new company was just a "sham" or a "cover"; and that as the new company is completely owned and controlled by one person that the former employee is deliberately ...
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Helena Blavatsky
Helena Petrovna Blavatsky, uk, Олена Петрівна Блаватська, Olena Petrivna Blavatska (; – 8 May 1891), often known as Madame Blavatsky, was a Russian mystic and author who co-founded the Theosophical Society in 1875. She gained an international following as the leading theoretician of Theosophy. Born into an aristocratic family of Russian-German descent in Yekaterinoslav, then in the Russian Empire (now Dnipro in Ukraine), Blavatsky traveled widely around the empire as a child. Largely self-educated, she developed an interest in Western esotericism during her teenage years. According to her later claims, in 1849 she embarked on a series of world travels, visiting Europe, the Americas, and India. She also claimed that during this period she encountered a group of spiritual adepts, the "Masters of the Ancient Wisdom", who sent her to Shigatse, Tibet, where they trained her to develop a deeper understanding of the synthesis of religion, philosop ...
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Cult Image
In the practice of religion, a cult image is a human-made object that is venerated or worshipped for the deity, spirit or daemon that it embodies or represents. In several traditions, including the ancient religions of Egypt, Greece and Rome, and modern Hinduism, cult images in a temple may undergo a daily routine of being washed, dressed, and having food left for them. Processions outside the temple on special feast days are often a feature. Religious images cover a wider range of all types of images made with a religious purpose, subject, or connection. In many contexts "cult image" specifically means the most important image in a temple, kept in an inner space, as opposed to what may be many other images decorating the temple. The term idol is a pejorative term for a cult image, except in Indian English, where it is widely accepted as a neutral English term for a murti or cult image. Idolatry is a pejorative term for the worship or excessive veneration of (mainly) cult im ...
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Egyptian Temple
Egyptian temples were built for the official worship of the gods and in commemoration of the pharaohs in ancient Egypt and regions under Egyptian control. Temples were seen as houses for the gods or kings to whom they were dedicated. Within them, the Egyptians performed a variety of rituals, the central functions of Egyptian religion: giving offerings to the gods, reenacting their mythological interactions through festivals, and warding off the forces of chaos. These rituals were seen as necessary for the gods to continue to uphold ''maat'', the divine order of the universe. Housing and caring for the gods were the obligations of pharaohs, who therefore dedicated prodigious resources to temple construction and maintenance. Out of necessity, pharaohs delegated most of their ritual duties to a host of priests, but most of the populace was excluded from direct participation in ceremonies and forbidden to enter a temple's most sacred areas. Nevertheless, a temple was an important r ...
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Adyton
The adyton ( , 'innermost sanctuary, shrine', ) or (Latin) was a restricted area within the cella of a Greek or Roman temple. The ''adyton'' was frequently a small area at the farthest end of the cella from the entrance: at Delphi it measured just . The ''adyton'' often would house the cult image of the deity. ''Adyta'' were spaces reserved for oracles, priestesses, priests, or acolytes, and not for the general public. ''Adyta'' were found frequently associated with temples of Apollo, as at Didyma, Bassae, Clarus, Delos, and Delphi, although they were also said to have been natural phenomena (see the story of Nyx). Those sites often had been dedicated to deities whose worship preceded that of Apollo and may go back to prehistoric eras, such as Delphi, but who were supplanted by the time of Classical Greek culture. In modern usage, the term is sometimes extended to similar spaces in other cultural contexts, as in Egyptian temples or the Western mystery school, Builders of the ...
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Chiton (costume)
A chiton (Greek: χιτών, ''khitōn'') is a form of tunic that fastens at the shoulder, worn by men and women of ancient Greece and Rome. There are two forms of chiton. One is the Doric chiton and the later Ionic chiton. According to Herodotus, popular legend was that Athenian women began to wear the chiton as opposed to the peplos after several women stabbed a messenger to death with the bronze pins characteristic of the peplos. Etymology The word ''chiton'' is derived from a Central Semitic language *''kittan'' (e.g. Hebrew כֻּתֹּנֶת ''kuttṓnĕṯ''), ultimately from a word for flax. Different forms and wearing styles A shorter version of the chiton was called the chitoniskos. Doric chiton The Doric chiton is a single rectangle of woolen or linen fabric. It can be worn plain or with an overfold called an ''apoptygma'', which is more common to women. It can be draped and fastened at the shoulder by pins (Greek: peronai; Latin: fibulae) or sewing, or by button ...
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Neoplatonist
Neoplatonism is a strand of Platonic philosophy that emerged in the 3rd century AD against the background of Hellenistic philosophy and religion. The term does not encapsulate a set of ideas as much as a chain of thinkers. But there are some ideas that are common to it. For example, the monistic idea that all of reality can be derived from a single principle, "the One". Neoplatonism began with Ammonius Saccas and his student Plotinus (c. 204/5 – 271 AD) and stretched to the 6th century AD. After Plotinus there were three distinct periods in the history of neoplatonism: the work of his student Porphyry (3rd to early 4th century); that of Iamblichus (3rd to 4th century); and the period in the 5th and 6th centuries, when the Academies in Alexandria and Athens flourished. Neoplatonism had an enduring influence on the subsequent history of philosophy. In the Middle Ages, neoplatonic ideas were studied and discussed by Christian, Jewish, and Muslim thinkers. In the Islamic cultu ...
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Ancient Egyptian Deities
Ancient Egyptian deities are the God (male deity), gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, which emerged sometime in prehistoric Egypt, prehistory. Deities represented natural phenomenon, natural forces and phenomena, and the Egyptians supported and appeased them through sacrifice, offerings and rituals so that these forces would continue to function according to ''maat'', or divine order. After the founding of the Egyptian state around 3100 BC, the authority to perform these tasks was controlled by the pharaoh, who claimed to be the gods' representative and managed the Egyptian temple, temples where the rituals were carried out. The gods' complex characteristics were expressed in Egyptian mythology, myths and in intricate relationships between deities: family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities' diverse appearances in art ...
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Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft and weav ...
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Interpretatio Graeca
''Interpretatio graeca'' (Latin, "Greek translation") or "interpretation by means of Greek odels is a discourse used to interpret or attempt to understand the mythology and religion of other cultures; a comparative methodology using ancient Greek religious concepts and practices, deities, and myths, equivalencies, and shared characteristics. The phrase may describe Greek efforts to explain others' beliefs and myths, as when Herodotus describes Egyptian religion in terms of perceived Greek analogues, or when Dionysius of Halicarnassus and Plutarch document Roman cults, temples, and practices under the names of equivalent Greek deities. ''Interpretatio graeca'' may also describe non-Greeks' interpretation of their own belief systems by comparison or assimilation with Greek models, as when Romans adapt Greek myths and iconography under the names of their own gods. ''Interpretatio romana'' is comparative discourse in reference to ancient Roman religion and myth, as in the form ...
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Peplos
A peplos ( el, ὁ πέπλος) is a body-length garment established as typical attire for women in ancient Greece by circa 500 BC, during the late Archaic and Classical period. It was a long, rectangular cloth with the top edge folded down about halfway, so that what was the top of the rectangle was now draped below the waist, and the bottom of the rectangle was at the ankle. One side of the peplos could be left open, or pinned or sewn together.Ancient Greek Dress
''Heilbrunn Timeline of Art History'', , 2000-2013. Retrieved 7 October 2013.
In Latin and in a Roman context, it could be called a ''
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Ancient Egyptian Religion
Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals that formed an integral part of ancient Egyptian culture. It centered on the Egyptians' interactions with many deities believed to be present in, and in control of the world. Rituals such as prayer and offerings were provided to the gods to gain their favor. Formal religious practice centered on the pharaohs, the rulers of Egypt, believed to possess divine powers by virtue of their positions. They acted as intermediaries between their people and the gods, and were obligated to sustain the gods through rituals and offerings so that they could maintain Ma'at, the order of the cosmos, and repel Isfet, which was chaos. The state dedicated enormous resources to religious rituals and to the construction of temples. Individuals could interact with the gods for their own purposes, appealing for help through prayer or compelling the gods to act through magic. These practices were distinct from, but closel ...
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