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Vazhvey Maayam
''Vaazhvey Maayam'' () is a 1982 Indian Tamil-language romantic drama film directed by R. Krishnamoorthy, starring Kamal Haasan, Sridevi and Sripriya. It is a remake of the 1981 Telugu film '' Premabhishekam''. The film was released on 26 January 1982, and ran for over 200 days in theatres. Plot Rajasekaran (Kamal Haasan) is a spoiled brat from a rich family. He always takes advantage of his mother's affection and this irritates his father. He is a member of a flight club and does many aerial stunts in his plane. He gets attracted to an air-hostess named Devi ( Sridevi), When Raja tries to woo her, she gets irritated and insults him. Raja decides to pursue her regardless. He finds out that Devi is an acquaintance of his friend Prathap (Prathap Pothan). Raja is delighted at this since he can get to Devi through his friend Prathap. Prathap does not like this as he wants to marry Devi but has not proposed to her yet. He unwillingly accepts Raja's plans. Raja keeps trying to im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dasari Narayana Rao
Dasari Narayana Rao (4 May 1947 – 30 May 2017) was an Indian film director, producer, screenwriter, actor, lyricist, and politician known for his works predominantly in Telugu cinema, in addition to Hindi cinema. He has directed more than 150 feature films in a variety of genres. He holds the '' Limca World Record'' for directing the most number of films in the world. He is known by the moniker ''Darsaka Ratna'' (). His works emphasize social injustice, corruption and gender discrimination. Narayana Rao has received two National Film Awards, nine state Nandi Awards including the Raghupathi Venkaiah Award, and four Filmfare Awards South including the Lifetime Achievement. During his career he had also acted in Telugu, Tamil, and Kannada films. Narayana Rao also gained recognition for directing Hindi films such as '' Swarag Narak'' (1978), '' Jyoti Bane Jwala'' (1980), '' Pyaasa Sawan'' (1981), '' Prem Tapasya'' (1983), '' Aaj Ka M.L.A. Ram Avtar'' (1984), '' Asha Jyoti'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Balaiah
Raghu Balaiah, popularly known as Junior Balaiah (born 28 June 1953) is an Indian actor who has appeared in Tamil language films. The son of actor T. S. Balaiah, Junior Balaiah has primarily featured in supporting roles throughout his career, which has stretched over forty years. Personal life Junior Balaiah was born in Chennai as Raghu Balaiah on 28 June 1953. He was the third son of actor T. S. Balaiah. His home is Sundankottai, now in Thoothukudi district, Tamil Nadu. For personal reasons, he turned to Evangelism following Christianity. Career T. S. Balaiah died three days into Junior Balaiah's first film as an actor. T. S. Balaiah was to act in a movie directed by M. R. Radha called ''Suttaan Sutten'', in which Radha's son was to be played by Junior Balaiah and Balaiah's son was to be played by M. R. R. Vasu, but his death ended the production. Junior Balaiah consequently acted in several films but failed to recreate the success of his father. He subsequently became bank ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malayalam
Malayalam (; , ) is a Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry (Mahé district) by the Malayali people. It is one of 22 scheduled languages of India. Malayalam was designated a "Classical Language of India" in 2013. Malayalam has official language status in Kerala, and Puducherry ( Mahé), and is also the primary spoken language of Lakshadweep, and is spoken by 34 million people in India. Malayalam is also spoken by linguistic minorities in the neighbouring states; with significant number of speakers in the Kodagu and Dakshina Kannada districts of Karnataka, and Kanyakumari, district of Tamil Nadu. It is also spoken by the Malayali Diaspora worldwide, especially in the Persian Gulf countries, due to large populations of Malayali expatriates there. There are significant population in each cities in India including Mumbai, Bengaluru, Delhi, Kolkata, Pune etc. The origin of Malayalam remains a matter of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalki (magazine)
''Kalki'' is a Tamil language, Tamil-language Weekly (news magazine), weekly magazine published from Chennai, India. The magazine was established by Kalki Krishnamurthy, a popular Tamil language, Tamil novelist and Indian freedom fighter, in 1941. Kalki Sadasivam, T Sadasivam was the magazine's co-founder. The magazine is known for its publication of historic novels such as ''Ponniyin Selvan'' and ''Sivagamiyin Sabadham''. Singer Semmangudi Srinivasa Iyer, guru of M S Subbulakshmi, and music critic S V Seshadri were also involved with the magazine in its coverage of music. Kalki Krishnamurthy also edited the magazine, which is published on a weekly basis. During his term the magazine was much more respected due to its quality. Mullum Malarum (authored by Umachandran), which won this magazine's first prize in the silver jubilee novel competition was first published in this magazine as a serial, and later made into a hit Tamil movie of the same name starring Rajinikanth, Rajnikant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mid-Day
''Mid-Day'' (stylised as mid-day) is a morning daily Indian compact newspaper owned by Jagran Prakashan Limited. Editions in various languages were published in Mumbai, Delhi, Bangalore and Pune. In 2011, the Delhi and Bangalore editions were closed down. In 2014, Jagran Prakashan shut down the mid-day Pune edition as well. Establishment It was established in Mumbai in 1979 as a family-owned newspaper by Khalid Ansari. Later, his son, Tariq Ansari led the paper, before it was sold to Jagran Prakashan in 2010. A Sunday edition, ''Sunday Mid-Day'', began in 1981. The Newspaper underwent an overhaul, both of its print editions and the website, in early 2014, creating several new sections in the daily newspaper, the Sunday edition and the website. It founded Radio One (India), a radio station initially operating as Radio Midday in Mumbai, which was eventually acquired by HT Media in 2019. Relaunch of the newspaper and website in 2014 Originally, the newspaper published two edi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalyani Menon
Kalyani Menon (23 June 1941 – 2 August 2021) was an Indian playback singer who worked in the Indian film industry. After beginning her career in the 1970s as a classical singer, Kalyani established a parallel career as a singer in the film industry and worked extensively with A. R. Rahman during the late 1990s and early 2000s. She was awarded Kalaimamani Award in 2010 and was also a recipient of Kerala Sangeetha Nataka Akademi Award. Career Kalyani Menon learned classical music from M. R. Sivaraman Nair and made a mark as a classical vocalist, before gradually branching out into singing for films. An early Malayalam film song which garnered her acclaim was "Kanneerin Mazhayathum" for composer M. S. Baburaj in Ramu Kariat’s ''Dweepu'' (1977). She began working in Madras during 1977, through Dhananjayan’s Malayalam dance drama ''Magdalana Mariyam'' that was choreographed as part of the Vallathol Centenary celebrations. Kalyani sang Vallathol Narayana Menon’s lines that wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vani Jairam
Vani Jairam (born as Kalaivani on 30 November 1945), also credited as Vani Jayaram, is an Indian singer. She is best known as a playback singer in South Indian cinema. Vani's career started in 1971 and has spanned over five decades. She has done playback for over one thousand Indian movies recording over 10,000 songs. In addition, she has recorded thousands of devotionals and private albums and also participated in numerous solo concerts in India and abroad. Renowned for her vocal range and easy adaptability to any difficult composition, Vani has often been the choice for several composers across India through the 1970s until the late 1990s. She has sung in several Indian languages, such as Kannada, Tamil, Hindi, Telugu, Malayalam, Marathi, Odia, Gujarati, Haryanvi, Assameese, and Bengali languages. Vani won the National Film Awards for Best Female Playback Singer three times and also has won State Government awards from the states of Odisha, Andhra Pradesh, Tamil Nadu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghulam Ali (singer)
Ustad Ghulam Ali ( ur, ; 5 December 1940) is a Pakistani ghazal singer of the Patiala Gharana. He has also been a prominent playback singer in Bollywood. Ghulam Ali was a disciple of Bade Ghulam Ali Khan (elder Ghulam Ali Khan). Ali was also trained by Bade Ghulam Ali's younger brothers – Barkat Ali Khan and Mubarak Ali Khan. Ghulam Ali is considered to be one of the best ghazal singers of his era. His style and variations in singing Ghazals has been noted as unique, as he blends Hindustani classical music with ghazals, unlike any other ghazal singer. Highly popular in Pakistan, India, Afghanistan, Nepal, Bangladesh, as well as among South Asian diaspora in the US, the UK and the Middle Eastern countries. Many of his hit ghazals have been used in Bollywood movies. His famous ghazals are ''Chupke Chupke Raat Din'', '' Kal Chaudhvin Ki Raat Thi'', '' Hungama Hai Kyon Barpa'', Chamakte Chand Ko, ''Kiya Hai Pyar Jisé'', ''May Nazar Sé Pee Raha Hoon'', ''Mastana Peeyé'', ''Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasantha (raga)
Vasantha (pronounced vasantā) is a raga in Carnatic music (musical scale of South Indian classical music). It is a ''janya'' raga of '' Suryakantam'', the 17th '' Melakarta'' raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications According to P, Subba Rao, majority opinion is that the raga is derived from ''Mayamalavagowla'', the 15th ''Melakarta'' raga.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras ''Vasantha'' is suitable to be sung in evening and is considered an auspicious raga. Structure ''Vasantha'' is an asymmetric scale that does not contain ''panchamam''. It is called a ''vakra audava-shadava'' raga, malathiga structure is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * ārohaṇa : * avarohaṇa : This scale uses the notes shadjam, shuddha rishabham, antara gandharam, shuddha madhyamam, chathusruthi dhaivatham and kakali nishadam. Popular compositions ''Vasant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abheri
Abheri (pronounced ābhēri) is a raga in Carnatic music (musical scale of South Indian classical music). It is a ''Janya'' raga (derived scale), whose ''Melakarta'' raga (parent, also known as ''janaka'') is ''Kharaharapriya'', 22nd in the 72 ''Melakarta'' raga system. ''Bhimpalasi'' (or ''Bheempalas'') and ''Dhanashree'' of Hindustani music sounds close to ''Abheri''.''Ragas in Carnatic music'' by S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana Abheri is an ''audava-sampoorna'' raga. Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : The ''swaras'' in this scale are ''Chathusruthi Rishabham, Sadharana Gandharam, Suddha Madhyamam, Chathusruthi Dhaivatham'' and ''Kaisiki Nishadham''. There are some differing views on swaras in the scale of Abheri. It is considered a ''Bhashanga'' rag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raaga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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