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Vault Records
Vault Records was a record label founded by Jack Lewerke and Ralph Keffel in Los Angeles in 1963. Vault is known for contributing to the popularity of surf rock by releasing ''Surfbeat'', the debut album of the Challengers. ATCO Records distributed the label's recordings until 1965, when the task was taken over by Autumn Records, an independent label in San Francisco. After Autumn folded in 1966, Vault was given the catalogue. As surf rock lost popularity, Vault reissued some of its more obscure releases and signed psychedelic rock musicians. By 1969, Vault had released two nationally charting singles, and Lewerke sold the company to National Tape Distributors of Milwaukee. In 1971, he repurchased the master tapes and reissued material on JAS Records. Vault's jazz catalogue included albums by Hampton Hawes, Charlie Barnet, and Larry Bunker with Gary Burton Gary Burton (born January 23, 1943) is an American jazz vibraphonist, composer, and educator. Burton developed a pianist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Label
A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label", derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining posi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surf Rock
Surf music (or surf rock, surf pop, or surf guitar) is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys. Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern and Mexican influences, a spring reverb, and rapid alternate picking characteristics. His regional hit " Let's Go Trippin', in 1961, launched the surf music craze, inspiring many others to take up the approach. The genre reached national exposure when it was represented by vocal groups such as the Beach Boys and Jan and Dean. Dale is quoted on such groups: "They were su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surfbeat
''Surfbeat'' was the first album recorded by the Los Angeles-based surf rock group The Challengers. They recorded the album in a 3½ hour session at the end of 1962. The album was released in early 1963 and became a huge hit, helping to propel the surf genre. It was sought by collectors for many years and gained great notoriety in the obscure surf market. In 1994, Sundazed records, a company with a lot of vintage surf at its disposal, released the album on CD with two bonus tracks. The tracks are all old numbers that serve as the foundation for surf rock. Songs by The Fireballs and Duane Eddy are on the album. The Beach Boys' debut ''Surfin' Safari'' and ''Surfer's Choice'', the debut from Dick Dale & His Del-Tones had been released just a few months before ''Surfbeat'' was recorded. Tracks from both are on this album. Two tracks on the album, "Vampire" and "Kami-Kaze" are actually recordings by The Bel-Airs, the band that the Challengers formed out of. The guitarists and sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Challengers (band)
The Challengers were an instrumental surf rock band started in Los Angeles, California, in late 1962. They represented a growing love for surf music and helped make the genre popular. Their debut album, '' Surfbeat'', was the biggest-selling surf album of all time and helped bring surf music from California to the rest of the world. Overview The band was formed out of the pioneer surf band called The Bel-Airs. The Bel-Airs were still in high school at the time, but scored a hit with an instrumental song titled "Mr. Moto". Their potential was cited by many, but it was an argument about use of the then new Fender reverb unit that led to their breakup. The Bel-Airs were originally formed by two guitarists, Eddie Bertrand and Paul Johnson, both 16 years old at the time they recorded "Mr. Moto". In early 1963, Eddie Bertrand heard Dick Dale using the Fender reverb unit and wanted to start incorporating heavy reverb into The Bel-Airs songs. He felt reverb was the sound that would com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ATCO Records
ATCO Records is an American record label founded in 1955. It is owned by Warner Music Group and operates as an imprint of Atlantic Records. After several decades of dormancy and infrequent activity under alternating Warner Music labels, the company was relaunched by Atlantic Records in early 2020. History 1950s–1960s: Beginnings ATCO Records was devised as an outlet for productions by one of Atlantic Records' founders, Herb Abramson, who had returned to the company from military service. The label was also intended as a home for acts that did not fit the format of the main Atlantic brand, which was releasing blues, jazz, rhythm and blues and soul. The ATCO name is an abbreviation of ATlantic COrporation. ATCO also provided distribution for other labels, including RSO, Volt, Island, Modern, Ruthless, Hansa and Rolling Stones. For most of its history, ATCO was known for pop and rock music, but during its early years, it produced some jazz albums. These included Harry Arnold, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autumn Records
Autumn Records was a 1960s San Francisco-based pop record label. Among the notable acts on its roster was The Beau Brummels, a band who released a pair of top 20 singles, "Laugh, Laugh" and " Just a Little". Also on the Autumn Records roster was The Great Society, a short-lived Haight-Ashbury group that recorded the first version of " Somebody to Love" on Autumn's short-lived North Beach label, which became a 1967 hit for Jefferson Airplane. The label dissolved in 1966. Tom Donahue, a San Francisco DJ who worked for KYA radio, owned the record label. He subsequently invented the genre "underground radio." On KMPX and later, KSANHistory of Rock n Roll The Golden Decade 1954 - 196Tom Donahue/ref> History Rock producer/DJ Sly Stone was a producer for the label, producing Bobby Freeman's "C'mon and Swim"/"Do The Swim," a hit on the national and regional charts in 1964. Freeman had had some hits on Jubilee in 1958-60 and on King in the early 1960s, but became the first artist on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in folk, jazz, and the blues, while others showcased an explicit Indian classical influence called " raga rock". In the 1960 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Tapes
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hampton Hawes
Hampton Barnett Hawes Jr. (November 13, 1928 – May 22, 1977) was an American jazz pianist. He was the author of the memoir ''Raise Up Off Me'', which won the Deems-Taylor Award for music writing in 1975. Early life Hampton Hawes was born on November 13, 1928, in Los Angeles, California. His father, Hampton Hawes Sr., was minister of Westminster Presbyterian Church in Los Angeles. His mother, the former Gertrude Holman, was Westminster's church pianist. Hawes' first experience with the piano was as a toddler sitting on his mother's lap while she practiced. He was reportedly able to pick out fairly complex tunes by the age of three. Later life and career Hawes was self-taught; by his teens he was playing with the leading jazz musicians on the West Coast, including Dexter Gordon, Wardell Gray, Art Pepper, Shorty Rogers, and Teddy Edwards. His second professional job, at 18, was playing for eight months with the Howard McGhee Quintet at the Hi De Ho Club, in a group that i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Barnet
Charles Daly Barnet (October 26, 1913 – September 4, 1991) was an American jazz saxophonist, composer, and bandleader. His major recordings were "Skyliner", " Cherokee", "The Wrong Idea", "Scotch and Soda", "In a Mizz", and "Southland Shuffle". Early life Barnet was born in New York City, the son of Charline (Daly) and Willard Barnet. His parents divorced when he was two, and he was raised by his mother and her grandparents. His grandfather was Charles Frederick Daly, a vice-president for the New York Central Railroad, banker, and businessman. Barnet attended boarding schools, both in the New York and Chicago areas. He learned to play piano and saxophone as a child. He often left school to listen to music and to try to gain work as a musician. Although his family wanted him to become a lawyer, he chose to be a musician instead. Career By sixteen, Barnet had played on tours with Jean Goldkette's satellite band and was in New York, where he joined Frank Winegar's Pennsylvania ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Bunker
Lawrence Benjamin Bunker (November 4, 1928 – March 8, 2005) was an American jazz drummer, vibraphonist, and percussionist. A member of the Bill Evans Trio in the mid-1960s, he also played timpani with the Los Angeles Philharmonic orchestra. Biography Born in Long Beach, California, Bunker was a central figure on the West Coast jazz scene, one of the relatively few who actually were from the region. In the 1950s and 1960s he appeared at Howard Rumsey's Lighthouse in Hermosa Beach, and performed with Shorty Rogers and His Giants and others. At first he played primarily drums, but increasingly he focused on vibraphone and was later highly regarded for his playing of timpani and various percussion instruments. A dependable and in-demand studio drummer and vibist, Bunker achieved particular distinction by recording with Billie Holiday, Ella Fitzgerald, Peggy Lee, Diana Krall, and many other jazz greats. In 1952, he was the drummer in one of Art Pepper's first groups. In 195 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Burton
Gary Burton (born January 23, 1943) is an American jazz vibraphonist, composer, and educator. Burton developed a pianistic style of four-mallet technique as an alternative to the prevailing two-mallet technique. This approach caused him to be heralded as an innovator, and his sound and technique are widely imitated.Corley, Cheryl (May 8, 2004)"Gary Burton Steps Down, Out: Jazz Vibraphonist Moves On After Three Decades at Berklee". ''NPR''. He is also known for pioneering fusion jazz and popularizing the duet format in jazz, as well as being a major figure in music education from his 30 years at the Berklee College of Music. Biography Burton was born in Anderson, Indiana, United States. Beginning music at six years old, he mostly taught himself to play marimba and vibraphone. He began studying piano at age sixteen while finishing high school at Princeton Community High School in Princeton, Indiana (1956–60). He has cited jazz pianist Bill Evans as the inspiration for his ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
