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Van Gogh By Numbers
''Van Gogh by Numbers'' is a jazz album by Joe Locke (vibraphone) and Christos Rafalides (marimba). It was released on November 4, 2005 by Wire Walker with the album launch at the Percussive Arts Society International Convention. Track listing # "Van Gogh by Numbers" (Locke) # "Sorayia" (Rafalides) # " Love Is a Many Splendored Thing" (Sammy Fain/Paul Francis Webster) # "Sword of Whispers" (Locke) # "Pandora's Dance" (Rafalides) #* "Suite di Morfeo" (Locke): # "Movement #1: Now I Lay Me Down" # "Movement #2: Now in Darkness I Dream" # "Movement #3: Waking Now, I Wonder" # "Danzon En Primavera" (Rafalides) # "Blue in Green" (Miles Davis/Bill Evans William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block ch ...) Personnel * Joe Locke – vibes (marimba 5, 8) * Christos Rafalides – marimba (vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Locke (musician)
Joseph Paul Locke (born March 18, 1959) is an American jazz vibraphonist. Life and career A native of Palo Alto, California, Locke grew up in Rochester, New York. His father taught music. When Locke was eight years old he began learning drums and piano, then started on vibraphone five years later. After playing in rock bands, he became attracted to jazz in his teen years and attended the Eastman School of Music in Rochester. In 1981, he moved to New York City and worked as a sideman for Kenny Barron, Freddy Cole, Marvin Smith, and Eddie Henderson. For influences, he has cited Milt Jackson and Bobby Hutcherson. His first solo album, ''Present Tense'', was released by Steeplechase in 1990. He started the band Mutual Appreciation Society in 1999 with David Hazeltine, Essiet Essiet, and Billy Drummond and has recorded frequently with pianist Geoff Keezer. His album ''Four Walls of Freedom'' was based on the writings of Thomas Merton. In 2016, he was inducted into the Music Hall o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love Is A Many-Splendored Thing (song)
"Love Is a Many-Splendored Thing" is a popular song with music by Sammy Fain and lyrics by Paul Francis Webster. The song appeared first in the movie '' Love Is a Many-Splendored Thing'' (1955), and it won the Academy Award for Best Original Song in 1956. From 1967 to 1973, it was also used as the theme song to '' Love is a Many Splendored Thing'', the soap opera based on the movie. Many versions of the song have been released. The best-selling version was recorded by The Four Aces, whose recording reached number two in the UK Singles Chart, and number one on both the '' Billboard'' and ''Cash Box'' charts in 1955. Background The music was commissioned for the movie '' Love Is a Many-Splendored Thing'' and included in the film's Oscar-winning score, composed and conducted by Alfred Newman. It was initially only composed as background music for the film, lyrics were subsequently added to make it eligible for the Best Original Song category of the Academy Awards. The original ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Fain
Sammy Fain (born Samuel E. Feinberg; June 17, 1902 – December 6, 1989) was an American composer of popular music. In the 1920s and early 1930s, he contributed numerous songs that form part of The Great American Songbook, and to Broadway theatre. Fain was also a popular musician and vocalist. Biography Sammy Fain was born in New York City, New York, United States, the son of a cantor. In 1923, Fain appeared in the short sound film, "Sammy Fain and Artie Dunn" directed by Lee De Forest filmed in DeForest's Phonofilm sound-on-film process. In 1925, Fain left the Fain-Dunn act to devote himself to music. Fain was a self-taught pianist who played by ear. He began working as a staff pianist and composer for music publisher Jack Mills. In 1932 he appeared in the short film "The Crooning Composer." Later, Fain worked extensively in collaboration with Irving Kahal. Together they wrote classics such as "Let a Smile Be Your Umbrella" and "You Brought a New Kind of Love to Me," (co-writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Francis Webster
Paul Francis Webster (December 20, 1907 – March 18, 1984) was an American lyricist who won three Academy Awards for Best Original Song, and was nominated sixteen times for the award. Life and career Webster was born in New York City, United States, the son of Myron Lawrence Webster and Blanche Pauline Stonehill Webster. His family was Jewish. His father was born in Augustów, Poland. He attended the Horace Mann School ( Riverdale, Bronx, New York), graduating in 1926, and then went to Cornell University from 1927 to 1928 and New York University from 1928 to 1930, leaving without receiving a degree. He worked on ships throughout Asia and then became a dance instructor at an Arthur Murray studio in New York City. By 1931, however, he turned his career direction to writing song lyrics. His first professional lyric was "Masquerade" (music by John Jacob Loeb) which became a hit in 1932, performed by Paul Whiteman. In 1935, Twentieth Century Fox signed him to a contract to write lyr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue In Green
"Blue in Green" is the third tune on Miles Davis' 1959 album, ''Kind of Blue''. One of two ballads on the LP (the other being "Flamenco Sketches"), the melody of "Blue in Green" is very modal, incorporating the presence of the Dorian, Mixolydian, and Lydian modes. This is the only tune on which Cannonball Adderley sits out. Background It has long been speculated that pianist Bill Evans wrote "Blue in Green", even though the LP and most jazz fakebooks credit only Davis with its composition. In his autobiography, Davis maintains that he alone composed the pieces on ''Kind of Blue.'' The version on Evans' trio album ''Portrait in Jazz'', recorded in 1959, credits the tune to "Davis-Evans". Earl Zindars, in an interview conducted by Win Hinkle, stated that "Blue in Green" was indeed "100-percent Bill's." In a radio interview broadcast on May 27, 1979, Evans himself said that he had written the piece. On being asked about the issue by interviewer Marian McPartland, he said: "The t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded '' Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Albums By American Artists
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
